John Sandford - The Hanged Man’s Song

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This series of techno-suspense novels featuring artist, computer wizard and professional criminal Kidd (The Fool’s Run; The Empress File; The Devil’s Code) and his sometime girlfriend, cat-burglar LuEllen, are far fewer in number and less well-known than Sandford’s bestselling Prey books. In this entry, Bobby, Kidd’s genius hacker friend (“Bobby is the deus ex machina for the hacking community, the fount of all knowledge, the keeper of secrets, the source of critical phone numbers, a guide through the darkness of IBM mainframes”), goes offline for good when he is hammered to death by an intruder. Bobby’s laptop is stolen, which is bad news for Kidd as several of his more illegal transactions may be catalogued on the hard drive. Kidd needs to find the computer, break the encryption and revenge Bobby’s death. The trail leads from Kidd’s St. Paul, Minn., art studio to heat-stricken rural Mississippi and on to Washington, D.C., where Kidd uncovers a government conspiracy that threatens the reputations and livelihood of most of the nation’s elected representatives. One of the joys of the series is learning the tricks of computer hacking and basic burglary as Kidd and LuEllen take us to Radio Shack, Target, Home Depot and an all-night supermarket to buy ordinary gear, including a can of Dinty Moore Beef Stew, to use in clever, illegal ways. The action is as hot and twisted as a Mississippi back road, but the indefatigable Kidd eventually straightens it all out and exacts a sort of rough justice that matches his flexible moral code. The early entries in this series have aged badly because of the advances in technology, but this latest intelligent and exciting thriller proves a worthy addition to Sandford’s overall body of work.

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“He’s in the second room from the end,” Henry said. “Pull in right next to Bob’s car, the Chevy, and wait.”

Henry and the other guy-I never knew his name-got out and walked over to Bob’s Chevy, and Bob got out one side, and a guy named Rote on the other. Bob was holding a heavy sledge-hammer at his side. I wanted to say something about a safety chain on the door, but before I could, John muttered, “Rote’s got the bolt cutters.”

The four guys knew what they were doing. In fact, they looked a lot like cops; the night before, they’d even talked like cops. Bob got lined up on the door, taking his time, being quiet, while Henry and the others blocked the view from the street and the office. When Bob was ready, he nodded, and Rote showed a big pair of bolt cutters. The bolt cutters turned out to be unnecessary, because when Bob hit the door, there was a single loud whack like a car accident, the door flew open-no chain, or at least, no chain that held-and the four men went straight into the room.

I was a step behind them. Carp had been sitting on his bed, typing on a laptop, and when we came through he hurled himself at a nightstand on the opposite side of the bed, where a big military-style Beretta sat under the lamp. He almost made it; his hand was six inches from the gun when Bob landed on him, then Rote, and they had him by the neck, dragging him across the bed, and he screamed once and Rote hit him in the nose with a closed fist and his nose broke and he stopped screaming and started to gag; then the door was shut and he was on the floor, three guys on him.

“Roll him over,” John said.

They controlled him-I thought cops again-and rolled him, and Rote sat on his chest while John knelt next to his head. “Where is she?” he asked.

Carp’s eyes were wild, and his torso was shaking under Rote’s weight, from adrenaline. But he choked out, “Fuck you. Go ahead and kill me, motherfucker. You’ll be killing the kid, too.”

Rote stuck the heel of his hand on Carp’s lips, and pressed his jaw open; he pressed down harder until his fist filled Carp’s mouth. John looked at Carp for five seconds, then dug in his pocket and took a red Swiss Army knife out. He chose one of the blades, looked down at Carp, and said, “I’m gonna ask you one question. If you don’t answer it, I’m gonna cut your nose off. Then I’m gonna cut your eyes out. Here’s the question. What town is Rachel closest to? Universal? Longstreet? That crossroads? Here in Bradentown? Which town? Don’t have to tell us where, just which town she’s closest to.”

Rote pulled his hand out of Carp’s mouth. Carp gasped for air, groaned, and then said, “I don’t care if you kill me, I’m not gonna tell you where she is. You cocksuckers, you cocksuckers.”

John leaned forward with the knife. “I’m gonna cut your nose off,” he said. “In ten seconds, your nose gonna be gone. Nobody’s gonna put that nose back on.” He was talking quietly, but his face was a stone; he was scaring the shit out of me. “So answer my question. Not where she is, just what town she’s closest to.”

Carp stared at him for six of those seconds, then finally spat out, “Universal. If you’d really given me the keys, I would have told you.”

John turned to me and said, “Get back up there.”

“I need to-”

“Just get back up there,” he said impatiently. To the others, “Let’s move him. Terry’s gonna be running out of bullshit.”

ROTEhanded me the bolt cutters, said, “For the chain, if there is one,” and that was the last I saw of John’s friends. John was running things now, and I got in the car and did what he told me: I headed up to Universal.

GETTINGthere took a while. Driving at the speed limit, watching the yellow lines, scared to death that a cop might stop me for anything. Saw no cops; Universal was as dead as ever.

Fifteen minutes after I got there, I was sitting in a booth in the cafe, one of two customers. The other guy looked like a farmer, and he was eating pie at the far end of the line of booths, reading the local newspaper. I was picking at a BLT and a plate of fries-I wasn’t hungry, but I needed a reason to wait there-and Marvel arrived.

I saw her get out of her car in the parking lot, and she looked at me through the window. As she came in, the counter lady said, “Hello, Miz Marvel,” and Marvel smiled and asked, “How are things?” Then she turned as if checking out the rest of the cafe, spotted me, did a double take, and said, “Say, aren’t you Mr. Barnes from the highway department?”

“Yup. And you’re the mayor of Longstreet.”

“Can I join you? I’ve been meaning to call you about the bridge approach lanes.”

“I was afraid of that,” I said. I made a gesture to the seat opposite. Marvel asked the counter lady for a Coke and a piece of apple pie, and came and sat across from me. We talked about the bridge until she got her pie, and then, when the counter lady went to talk to the other customer, Marvel leaned forward and said, “John called. We’re waiting. He said he’d call again on my phone.”

“Where are they?”

She shrugged. “I don’t think we want to know too much about it.” She looked suddenly bleak. “I love that man. I know he’s done some things in the past and I love him anyway. But I haven’t seen him like this. He scared me this morning.”

“He scared me this afternoon,” I said. I spotted the cafe lady coming with a carafe of Diet Coke, and added, “But if there’s no way you can push the millage rate, I really can’t see the state sequestering the money long enough for you to make it up through the regular road revenue.”

“There’s gotta be some loose money somewhere,” Marvel said. “It shouldn’t be up to the taxpayers in Longstreet alone to take care of that bridge. People use it for hundreds of miles around.”

“You’ll have to talk to the legislature about that,” I said.

We went on like that for ten minutes, and were running out of bullshit. Then John called, and Marvel’s dark eyes lit up; she got a map out of her purse and said, “Yes, I see. Yes, I see. Okay. I’ll go now.”

She hung up and said to me, “I’ve got to go. I hope to see you at the public hearings this fall. Any help you can give us with the regional supervisor would be welcome.”

“Got to go myself,” I said. I dropped a couple of bucks on the table, and we paid our bills separately at the cash register. I lingered, talking a minute with the cashier, buying a couple bottles of Dasani water, and let Marvel get outside. She was headed south on the highway when I got in my car. I caught her a minute later, and she took us, moving fast, south down the highway for six miles, then turned away from the river and took us about five more miles back into the countryside.

She pulled to the shoulder at a dusty crossroads that looked a little like the one we’d been at a few hours before-except this one was in rougher country, small cut-up fields spreading away from three-quarters of the crossroads, with a steep wooded hill on the other quarter.

At the bottom of the hill was an abandoned wood-frame building with a fading sign that said “Charm Township Hall.” Marvel got out of her car and said, “We’re supposed to use the map from this morning, but the old town hall is the abandoned school.”

I nodded and said, “There should be a trail on the side of the building.”

I got the bolt cutters and the two Dasani bottles, and we found a trail right where it should have been, and headed up into the woods. “Watch for snakes,” Marvel said as I led off.

THEREwere no snakes. The trail got narrower but was always visible, as we went up the hill. It was half game trail, and maybe used by hunters in the spring and the fall, I thought, guys going into the woods. We spooked three does a quarter-mile back and watched them bounce off ahead of us.

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