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David Morrell: Long lost

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David Morrell Long lost

Long lost: краткое содержание, описание и аннотация

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Like Robert Ludlum, Morrell began his bestselling career with short, tough action yarns (First Blood; Testament), then moved into very long, very complex conspiracy thrillers (The Brotherhood of the Rose). This modestly exciting thriller is a return to his old laconic style, but what's missing is the original plotting that has marked so much of Morrell's fiction. The novel does boast a first-rate setup: narrator Brad Denning is on top of the world, with a great career as an architect, a wonderful wife, Kate, and son, Jason, 11 never mind the trauma that scarred his youth, when his 11-year-old younger brother, Petey, was kidnapped, never to be found. Now a "rough-looking" man shows up outside Brad's Denver office, claiming to be the long-lost Petey. Brad takes Petey, who's apparently become a hard-knock drifter, into his home. Days later, Petey pushes Brad off a cliff, leaving him for dead. Battered Brad claws his way home to find Petey gone, along with the presumably kidnapped Kate and Jason. The remainder of the novel details Brad's cross-country attempt to track them down. Morrell tosses in a major complication when it appears that Petey may not be Petey after all, but few readers will be surprised by the novel's conclusion. Along the way, there are several strong action sequences, particularly one in which Brad gets trapped in a dark, snake-infested cellar, but Morrell has written this sort of pitch-black action scene before. The novel is slick, but there's little in it that's unexpected.

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So, did it make sense for Petey to have a superior lock and an inferior installation? Granted, Mrs. Warren might have been the one who'd had the lock put in. But would Petey, with every reason to be cautious, have ignored the security lapse? I doubted it.

As I brooded about the problem, something else troubled me. The door had been installed so that it opened toward the cupboards on the right rather than toward an open space on the left, an inconvenient arrangement that prevented the door from being opened to its full range and that risked damaging the cupboards if the door was opened forcefully.

Nervous, I used the butt of my pistol to smash the window. With the barrel of the pistol, I carefully pulled the curtains toward me. Once they were outside the window, I yanked them loose, gaining a clear view of the kitchen, at least of the parts that I could see. I went back down the steps. Exposing myself to the wind, I found a dead branch on a shrub, broke it free, and snapped off the twigs. I wanted a dead branch rather than a live one because I needed the branch to be stiff. I climbed the steps again and peered down through the gap in the window. Careful not to show my head or hands, I put the branch through the broken window and pressed down on one side of the lock's handle, which was horizontal rather than round and thus could be manipulated with the stick. Moving, the lock made a scraping sound. Ready with my pistol, I turned the doorknob, stayed where I was, and pushed inward.

The shocking blast made me flinch as a ten-inch jagged hole appeared in the opened door. My ears hurt as if they'd been slapped. The stench of gunpowder widened my nostrils.

Taking a deep breath to steady myself, I inched my head forward and peered cautiously through the doorway. To the left, I saw a pantry area, where hinges on a doorjamb showed that a door had been taken off. In the pantry, a shotgun had been mounted to a worktable. A strong cord had been attached to its trigger. The cord went around a pulley behind the shotgun, then up to another pulley, and finally overhead to a metal hook at the top of the door on the inside. The tension on the cord had been adjusted so that the shotgun would go off only when the door was opened a certain distance, allowing for the intruder to show himself before the shotgun detonated.

The massive hole in the door made me wonder what the blast would have done to my midsection. Sickened, I warned myself not to get distracted. I still couldn't be sure that Petey didn't have a dog.

Uneasy, I aimed toward the only other entrance to the kitchen: the archway on the left. The ringing in my ears prevented me from hearing anything else. I saw no movement.

I stepped into the house.

15

The wind strengthened. When I shut the door, the gusts came through the broken window and the jagged hole beneath it. As urgent as I felt, I moved slowly. When I passed the kitchen table, my architect's training again warned me about something. The archway on the left was the only other entrance to the kitchen. That didn't make sense. There should have also been a door straight ahead that would give easy access to what I assumed were stairs in front leading up to the second story. The way the rooms on the ground floor were laid out, someone coming down from the second story had to take an indirect route from the front hall, through the rooms on the other side of the house, and finally into the kitchen. Mrs. Warren, who was elderly, wouldn't have tolerated the inconvenience. The wall straight ahead wasn't being used for anything. It would have been easy and logical to install a door there. Why hadn't it been done?

Maybe there had been a door in that wall at one time, I thought. I stepped closer, noticing a slight difference between the top molding on the wall in front of me as opposed to the molding on the wall to my left. The white paint on the wall ahead of me looked slightly brighter than the white paint to my left. The plaster felt smoother. Someone had put a new wall over the doorway, preventing access to the front hall.

Had Petey done it? Why? Even for a young man, the indirect route into the kitchen would be a nuisance. Why had he deliberately wanted it?

The only answer I could think of was that Petey had blocked the other door because he wanted to force an intruder to go the long way through the house. He'd set other traps.

Of course. The kitchen didn't have a door that led down to the basement. The entrance to it must be in the front hall. But to reach it, an intruder would have to go through the other rooms.

As the wind howled, I stared through the archway toward the room on my left. I noticed a broom next to the refrigerator and waved it through the archway, moving it up and down and from side to side, checking that there weren't any other triggering devices (electronic beams, for example) linked to weapons.

Nothing happened.

I pressed the hard end of the broom onto a carpet that led through the archway.

The floor was solid. I entered the dining room, scanned its long table, chairs, and sideboard, saw no obvious further traps, and stepped toward another archway. Through it, I could see old padded chairs and a sofa in what Mrs. Warren would probably have called the parlor.

I tested another section of carpet and stepped toward the front room.

Crack! The floor gave way. My stomach surged toward my heart. Plummeting, I lurched forward, slamming my chest against the edge of the trapdoor. As the pistol and the broom flew from my hands, I clawed at the wooden floor. My hands slid. I hooked my fingers over the edge and dangled. Frantic, I peered down at a section of the basement that had been enclosed. Through a wooden platform below me, knives protruded, four inches apart in every direction, so that it wasn't possible to land among them and not be injured. One end of the carpet was attached to the floor, dangling rather than falling onto the points below and preventing them from impaling me. I'd have bled to death if I hadn't died instantly.

My arms ached as I strained to pull myself up. But I tested the floor! I thought. How the hell did I get fooled? The trapdoor must have been rigged to spring open only if a certain amount of weight was applied to it. Petey must have stepped over it when he passed through the archway. I strained harder to pull myself up and managed to prop my elbows on the trapdoor's edge. Slowly, I squirmed into the parlor. On my back on the floor, I breathed deeply. Trying to steady myself, I listened to the wind.

Petey might come back any minute, I thought. I reached for the pistol and the broom, which had flown from my hands when I'd fallen. But caution instantly controlled me. Trying to subdue my too-fast breathing, I scanned the faded furniture, the ceiling, the corners. Nothing seemed to threaten me. Through the front windows, I studied the lane leading into the windblown forest. Petey's truck didn't speed into view. Keep moving! I told myself. Staying to the edge of the room, I pushed a chair ahead of me, wary of other traps.

To the right of the front windows, an archway led to a corridor. Stairs went up. On a landing beyond the front door, another shotgun had been rigged. As before, a cord was attached to the trigger. The cord looped back through two pulleys and connected to a hook on top of the door. When the door was opened and someone stepped through, the shotgun would blow the intruder in half. It wouldn't have been difficult for Petey to attach the cord to the hook as he pulled the door shut or for him to unhook the cord when he returned and opened the door just enough for him to reach his hand up. For anyone who didn't suspect, though, death would have been instantaneous.

Had I found all the traps? Straining my eyes, I studied the corridor. I fixed my gaze on a door beneath the stairway. I was sure that it would take me down to the basement. Kate and Jason were only a couple of hundred feet away.

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