William Lashner - Marked Man

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It must have been a hell of a night. One of those long, dangerous nights where the world shifts and doors open. A night of bad judgment and wrong turns, of weariness and hilarity and a hard sexual charge that both frightens and compels. A night where your life changes irrevocably, for better or for worse, but who the hell cares, so long as it changes.
It must have been a night just like that, yeah, if only I could remember it.
All Victor Carl knows is that he’s just woken up with his suit in tatters, his socks missing, and a stinging pain in his chest thanks to a new tattoo he doesn’t remember getting: a heart inscribed with the name Chantal Adair.
My apartment is trashed, my partnership is cracking up, I’m drinking too much, flirting with reporters, sleeping with Realtors. Frankly, I’m in desperate need of something hard and clean in my life, and finding Chantal is all I have.
Is Chantal Adair the love of Victor’s life or a terrible drunken mistake? Victor intends to find out, but right now he’s got bigger concerns. His client, a wanted man, needs to come in out of the cold, and he’s got a stolen painting for Victor to use as leverage.
But someone is not happy that the painting has surfaced. Or that the client is threatening to tell all. Or that Victor is sniffing around for information about Chantal Adair. The closer Victor comes to figuring it all out, the deeper into danger he falls, as the ghosts of the past return to claim what’s theirs.

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It was sad in its way that the collection was bound for another location, it was part and parcel of this very building and its history – sad, but not tragic. The Randolph Trust was a monument to a man and his money, but what does a great Cézanne canvas or a Matisse portrait care about such a monument? Put the works in a museum, put them in a brothel, it wouldn’t make a difference, they still would shine. In the end the paintings Randolph collected were too luminous, too perfect to be controlled; mediocrity could be contained, but the greatness of the art Randolph bought had now transcended the cage he built around it.

I was tempted to bang on the door and go inside, to see them all once again, but this wasn’t the second Monday of the month or the alternate Wednesday or Good Friday, and I wasn’t there for the art.

I found her around the back. I had called first, been told that she was working today in the gardens. Did I want to leave a message? “No,” I said, “no message.” What I needed to ask, I needed to ask in person.

“So you’ve come to me at last, my darling,” said Mrs. LeComte. “Are you here to take me up on my offer?”

She was sitting on a small green cart, leaning over and weeding a bed of bright flowers as red as her lipstick. She glanced up at me as my footsteps approached and then turned her attention back to her work. She was wearing a smock, gloves, a wide-brimmed hat, and she looked every inch the suburban dowager tending her garden, except that she was still wearing her improbable high heels and this garden was spectacular, with brilliant beds and marble statues and lovely stone paths. Each tree and bush and patch of flowers was carefully labeled with a neat green sign inscribed in Latin. Around her a crew of gardeners in their blue overalls pruned and raked while she tended her own small plot.

“No, thank you,” I said. “I’m afraid I have to pass.”

“That is rather a shame. In these sorts of mentor-protégé relationships, I’ve found that even with very little sexual desire at the start, through time and intimacy the sexual attraction can grow positively voracious.”

“They say the world will be destroyed in five billion years.”

“Oh, don’t worry, Victor, I’m sure whatever repulsion I feel for you now can eventually be turned around, if you are ardent enough.”

“Is that what happened between you and Mr. Randolph, your repulsion for him was turned around?”

“To whom have you been talking?”

“I just came back from Rochester.”

“How is the little tramp?”

“Older, with children.”

“Serves her right. Whatever she told you was a lie. Wilfred and I were violently attracted to one another from the start. Our passion was a force of nature.”

“As long as it lasted.”

“But while it lasted, it was glorious. I wouldn’t trade our time together, I wouldn’t trade all he gave me, for anything in the world. It was the most precious period in my life.”

“Until the end.”

“Endings are always a problem. Have you seen a film lately? Wilfred, especially in his later years, was attracted to youth. Mine was going, hers was in full bloom. And she wore that tacky turquoise jewelry around her neck like an invitation to rut. But we reconciled after everything, Wilfred and I, so at the end we were simply the best of friends with a delicate shared past. We would sit here in this garden, Wilfred and Mrs. Randolph and myself, sit and drink wine and talk. We talked about everything.”

“About your love life?”

“The Randolphs were quite liberated about those things, and Mrs. Randolph especially liked to hear the details. She much preferred to listen than to participate.”

“But my guess is you never talked about the lover you took between your ending with Randolph and your reconciliation. Was that another mentor-protégé relationship?”

“He was so young, he had so much to learn. And I had all this experience, this wealth of knowledge passed on to me by Wilfred. I was bursting with it all, it needed an outlet.”

“And so you found your Sammy Glick. Ambitious, ruthless, a willing pupil.”

“A mutual friend from Philadelphia made the introduction. Talk about an ardent lover. Wilfred was passionate but somewhat soft where it counted, if you catch my drift. A bit like you, I’m certain. But Teddy was something else entirely. Violent and stirring, filled with a need to devour. Whoosh. I can still feel the tingle in my loins.”

“Yuck,” I said.

“Squeamish, Victor?”

“Absolutely. So who came up with the idea of robbing the trust and taking your revenge on the lover who had jilted you?”

“It just came up. We were on the beach, at night, in each other’s arms, and it just came up.”

“Oh, I bet it did.”

She laughed. “That, too. And then, on the beach, with a fire blazing and our naked bodies up against each other, covered with sweat and between two blankets, with the soft sand beneath us and the velvet sky above, we worked it out.”

“Love is a many-splendored art heist. How did you pull it off?”

“Oh, Victor, some secrets must remain, don’t you think?”

“I’m surprised you’ve told me as much as you have.”

“I don’t respond well to rudeness.”

“I’ve tried to be polite.”

“Not you. I care as much about your manner as I care about the manner of the worm that burrows in my soil.”

“So you’ve heard from him in the past few days.”

“Not directly, but yes. You must be worrying him. For some reason he thought it opportune to send me a message.”

“Let me guess. It was hide the Monet and keep your mouth shut.”

“Don’t get too clever, Victor, you’ll end up in therapy.”

“And you’re disobeying. Aren’t you afraid of what he’ll do to you?”

“I’m tougher than I look, dear. I love him still, but if ever we came face-to-face again I’d pluck his eyes out quick as a raven.” She took hold of one of the flowers she had been tending and, with a quick tug, yanked it from the ground. “Such brilliant crimson. Aren’t they a vision?”

“Where is he?”

“I don’t know.”

“You must have an idea.”

“No. None. Not anymore.”

“When was the last time you saw him?”

“The day after. He said he’d send for me.”

“And you’re still waiting.”

“I think of him in the late hours when the wind blows gently outside my window. There is always one that comes to you in the middle of the night, like a ghost, and for me it is he.”

“Do you know anything about the girl?”

“What girl? Oh, the one in the picture. Why do you keep asking about her?”

“Let me ask one other thing. Who passed along his message? Was it a little man with a sweet scent and a Southern accent?”

“Don’t be silly. What would I be doing with such a creature?”

“Then who?”

“You know what time it is, Victor?”

“About noon?”

“No, dear. It’s that time when dusk approaches and the dark night beckons. A good time to settle old scores.”

“That’s what I’m here for,” I said cheerfully.

“He asked a favor. This is many years ago, when I was no longer waiting like Falstaff for the summons. ‘I shall be sent for in private to him.’ For a while after, we were still in touch. A few phone calls, idle talk about our life together. Australia was the plan. I had been, he said he wanted to go. But he couldn’t yet leave, he said. It would be too suspicious, he said. In those days he was back in California, where we had first met. I wanted to rush out, but I heeded his warning. What else was I to do? Years passed, the urge died. And then he called, a voice out of my past, asking a favor. A young lawyer was looking to hook up with a large, prosperous firm. It would help if there was a prestigious client he could bring along with him. Could I perhaps convince Mr. Randolph to give him a look? When he appeared at the trust, freshly scrubbed for the interview, I recognized him at once, and yet I put in the word.”

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