Jonathan Kellerman - Bones

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Bones: краткое содержание, описание и аннотация

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When it comes to writing deftly layered, tightly coiled novels of suspense, #1 New York Times bestselling author Jonathan Kellerman reigns supreme as 'master of the psychological thriller' (People). Now, Kellerman has worked his magic again in this chilling new masterpiece.
The anonymous caller has an ominous tone and an unnerving message about something 'real dead… buried in your marsh.' The eco-volunteer on the other end of the phone thinks it's a prank, but when a young woman's body turns up in L.A.'s Bird Marsh preserve no one's laughing. And when the bones of more victims surface, homicide detective Milo Sturgis realizes the city's under siege to an insidious killer. Milo's first move: calling in psychologist Alex Delaware.
The murdered women are prostitutes-except the most recent victim; a brilliant young musician from the East Coast, employed by a wealthy family to tutor a musical prodigy, Selena Bass seems out of place in the marsh's grim tableau.
Conveniently-perhaps ominously-Selena's blueblood employers are nowhere to be found, and their estate's jittery caretaker raises hackles. But Milo's instincts and Alex's insight are too well-honed to settle for easy answers, even given the dark secrets in this troubled man's past. Their investigation unearths disturbing layers-about victims, potential victims, and suspects alike-plunging even deeper into the murky marsh's enigmatic depths.
Bizarre details of the crimes suggest a devilish serial killer prowling L.A.'s gritty streets. But when a new murder deviates from the pattern, derailing a possible profile, Alex and Milo must look beyond the suspicion of madness and consider an even more sinister mind at work. Answers don't come easy, but the darkest of drives and desires may fuel the most devious of foes.
Bones is classic Kellerman-relentlessly peeling back the skin and psyches of its characters and revealing the shadows and sins of the souls beneath. With jolt after jolt of galvanizing suspense, it drives the reader through its twists and turns toward a climax as satisfying as it is shattering.

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Duboff shook a finger at Milo. Milo remained impassive. Duboff got in the car, still ranting. Drove off.

Milo returned, scissoring his hand to mimic moving jaws.

Reed said, “Weird and hostile, but I guess if he was guilty he’d have tried to be friendly. One part of his story is definitely true-stopping by the office after nine and talking to the volunteer. The kid’s name is Chance Brandt, and he’s part of how we found out about Selena in the first place-what I was about to tell you before Numb Nuts interrupted us.”

“Tell away.”

Reed looked at his watch. “Better yet, how about we meet the kid face-to-face, I can fill you in along the way? All I’ve had is phone contact with his father, want to make sure I get the facts right. I’ve got an appointment at their house in thirty, going to be tight unless we start out now.”

“You drive, we’ll ride along, Detective Reed.”

***

Milo sat shotgun in Reed’s blue-black Crown Victoria. I got in back.

“Moe short for Moses?”

“Yes, sir.”

“Ah.”

“You’re thinking about a baby floating in the reeds, the whole marsh thing?”

“It did occur to me.”

Reed laughed. “Back when I was born, my mother was kinda biblical.” A beat later: “Moses never got to see the Promised Land.”

Milo said, “Tell me about the Brandt kid.”

CHAPTER 5

Good-looking kid, insolent eyes.

Chance Brandt sprawled on an oversized brocade sofa in the oversized great room of an oversized Mediterranean mansion on Old Oak Road in Brentwood. The house smelled of take-out pizza and expensive perfume.

Chance wore tennis clothes. So did his mother, a stunning, long-legged blonde with sea-green eyes and obviously dominant chromosomes. Some of her frosted lipstick had caked and her mouth was pale. She wanted to hold her son’s hand but didn’t dare.

Sitting on the boy’s other side was Dad: dark, beefy, huge-chinned, bald, still in blue dress shirt and gold Hermès tie.

Enraged attorney, always a joy to behold.

“Unbelievable. Now this.” Steve Brandt glared at his son as if Oedipus had materialized.

The boy said nothing.

Brandt said, “I do wills and estates, can’t help you here, Chance.”

Susan Brandt said, “I’m sure there’s nothing to help.”

Her husband aimed venomous eyes her way. She gnawed her lower lip rosy, folded her arms.

Moe Reed said, “Chance, tell us what happened.”

Steve Brandt snorted. “Without benefit of counsel? I think not.”

“Sir, if all he did was take a phone call, there’s no need for counsel.”

Chance smiled.

His father flushed. “Something’s funny, genius?”

Susan Brandt’s breath caught, as if snagged on barbed wire. Green eyes moistened.

Milo said, “As Detective Reed explained, we’re investigating a homicide. If Chance is involved, he absolutely does need legal advice and we want him to have it as soon as possible. But we have no indication of that. Certainly, it’s your prerogative to request a lawyer in any circumstance, and if that’s the route you take, we’ll have this conversation at the police station, in an interview room with videotaping, paperwork, et cetera.”

“You’re threatening me,” said Steve Brandt. His smile was unpleasant.

“Absolutely not, sir. It’s simply what we’d need to do. At this point, Chance isn’t being looked at as anything other than a witness. To a phone call, at that. So I really don’t see why you wouldn’t want to cooperate fully.”

Chance’s eyes shifted to us. No more smugness, just confusion.

Steve Brandt folded his arms across his chest.

Milo said, “Okay, sir, please make sure Chance is here tomorrow at seven a.m. when we send a squad car for him. Or, if the paper clears sooner, it could be tonight.”

He started to rise.

Steve Brandt said, “Hold on. Let me talk to my son in private. Then I’ll inform you which way we’re going with this… mess. Fair enough?”

Milo sat back down. “We work hard to be fair.”

***

One hundred fifty-eight seconds later, father and son returned to the room, walking four feet apart.

Father said, “He’ll tell you everything. But could you please let me know how things got to this point? So I’ll know he’s being straight with me.”

Son stared at a window with a view of a black-bottomed pool.

Moe Reed looked at Milo. Milo nodded.

Reed said, “At eleven-thirty p.m. we received a call about a dead person in the Bird Marsh. The caller heard about it from someone who heard about it from Chance.”

“How do you know that?” said Steve Brandt.

“Our caller said someone had phoned the marsh volunteer office earlier that evening, talked to Chance, told him to look for a body. Chance thought it was a joke. Our caller took it seriously.”

“Who’s the caller?”

“We’re checking that out.”

The boy’s posture remained slack but sweat had popped on his forehead.

“Thirdhand gossip?” said Susan Brandt. “That doesn’t sound like much.”

Her husband glared. She began fooling with a French-tipped thumbnail.

Steve Brandt said, “Kids blabbing and fantasizing, that’s the sum total?”

“Might’ve been,” said Reed, “except we did find a body. And mode of death was homicide.” Swiveling toward Chance. “We need to know exactly what happened.”

The boy didn’t speak. His father placed a hand on his shoulder, thick fingers digging into white pique, nothing tender about the gesture. Chance squirmed out of his grip.

“Tell them what you know and let’s finish with this.”

“Like you said, someone called,” said the boy.

Reed said, “Who?”

“Some asshole with a weird voice.”

“Language, Chance,” said Susan Brandt, in a defeated voice.

Moe Reed said, “Weird how?”

“Um… like hissy.”

“Hissy?”

“Whispery. Like one of those grinder movies. Some death-bot, whatever.”

“Someone disguising their voice by hissing.”

“Yeah.”

“Can you imitate this person, let us know what it sounded like?”

Chance laughed.

“Do it,” said his father.

“I’m not in Drama, Dad.”

“You’ve caused plenty of drama in this family.”

Shrug. “Whatever.”

“Do it.”

The boy’s lips formed an “F.” Steve Brandt’s knuckles whitened.

Milo said, “Someone hissed at you, Chance. What did they say?”

“Like… uh… there’s something down in the marsh. Something dead.”

“What else?”

“That’s it.”

“Male or female?”

“Male… probably.”

“You can’t be sure?”

“It was like… hissy. Bogus.”

“Faking,” said Reed.

“Yeah. I thought I was being pranked.”

“By who?”

“Whatever. Friends.”

Milo said, “ Prince Albert in a can.”

Chance’s stare was uncomprehending.

Milo said, “Something dead in the marsh.”

“Uh-huh.”

“What else did this hissing person say?”

“Nothing,” said Chance. “It sounded stupid, that’s why I didn’t tell it to the guy who came in right after.”

“What guy?” said Reed.

“Guy who runs the place, real tool. Always checking on me.”

“What’s the tool’s name?” said Reed.

“Duboff. He’s like a hippie you read about in History.”

“Mr. Duboff came into the office right after you took the call.”

“I didn’t take it. I just listened and hung up.”

“How soon after did Duboff come in?”

“Like right.”

“Checking up on you.”

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