Jonathan Kellerman - Bones

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Bones: краткое содержание, описание и аннотация

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When it comes to writing deftly layered, tightly coiled novels of suspense, #1 New York Times bestselling author Jonathan Kellerman reigns supreme as 'master of the psychological thriller' (People). Now, Kellerman has worked his magic again in this chilling new masterpiece.
The anonymous caller has an ominous tone and an unnerving message about something 'real dead… buried in your marsh.' The eco-volunteer on the other end of the phone thinks it's a prank, but when a young woman's body turns up in L.A.'s Bird Marsh preserve no one's laughing. And when the bones of more victims surface, homicide detective Milo Sturgis realizes the city's under siege to an insidious killer. Milo's first move: calling in psychologist Alex Delaware.
The murdered women are prostitutes-except the most recent victim; a brilliant young musician from the East Coast, employed by a wealthy family to tutor a musical prodigy, Selena Bass seems out of place in the marsh's grim tableau.
Conveniently-perhaps ominously-Selena's blueblood employers are nowhere to be found, and their estate's jittery caretaker raises hackles. But Milo's instincts and Alex's insight are too well-honed to settle for easy answers, even given the dark secrets in this troubled man's past. Their investigation unearths disturbing layers-about victims, potential victims, and suspects alike-plunging even deeper into the murky marsh's enigmatic depths.
Bizarre details of the crimes suggest a devilish serial killer prowling L.A.'s gritty streets. But when a new murder deviates from the pattern, derailing a possible profile, Alex and Milo must look beyond the suspicion of madness and consider an even more sinister mind at work. Answers don't come easy, but the darkest of drives and desires may fuel the most devious of foes.
Bones is classic Kellerman-relentlessly peeling back the skin and psyches of its characters and revealing the shadows and sins of the souls beneath. With jolt after jolt of galvanizing suspense, it drives the reader through its twists and turns toward a climax as satisfying as it is shattering.

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“Thank you, sir.”

“I’m sure the family’s fine,” said Weir. “There’s absolutely no reason for them not to be.”

Milo phoned a source at Homeland Security and verified Simon, Nadine, and Kelvin Vander’s flight schedules. All three had traveled first-class on Singapore Airlines, with Simon entering SFO a day before his wife and son.

The next call was to the Seattle money managers, where he cajoled a cagey Ronald W. Balter, Certified Financial Planner, and confirmed that nothing beyond airfare had been billed to the Vanders’ credit cards.

“Do they have a place in Northern California?”

“A home?” said Balter. “No.”

“What about a rental property?”

“No.”

“Any idea where they could be, sir?”

“Of course not.”

“Of course?”

Balter said, “I manage their money, I don’t get involved in their personal life.”

“Mr. Weir seems concerned.”

“I’m sure he is.”

“Why’s that?”

“He’s more involved with their personal life.”

Moe Reed returned to the office and gave a thumbs-up. “Marc Green didn’t want follow-up. He recalled something else Selena told him.”

“Sudden memory jog?” said Milo.

“My feeling is he didn’t want to bring it up in front of his mother. Apparently, Selena had started dating someone a few months before she died. Marc can’t remember exactly when but he thinks it was three, four months ago when she told him. An older guy.”

“How old?”

“She didn’t say. Marc says she was embarrassed about it, so could be there was a serious age gap. The juicy part is she kept up that confession habit of hers, told Marc the guy liked it rough. And so did she, the two of them fit together like a socket and a wrench. Her words.”

“Sounds like something a guy would tell her.”

“I agree, Loo. So now we have a dominance thing consistent with Sheralyn and DeMaura. Maybe on that level Selena wasn’t that different from the others. What do you think, Doc?”

I said, “It does put things in a new light.”

Milo said, “An older guy into rough. She say anything else about him?”

Reed said, “No, no, it’s likely some swinger she met at one of those parties, right?”

Milo said, “Older. Simon Vander would sure qualify. And so would Huck, he’s thirty-seven, which is eleven years older than Selena. The net does seem to be tightening. And things could be even nastier than we thought.”

He summarized the news of the Vanders’ return and disappearance.

Reed said, “Simon’s sounding more like a victim than a bad guy. Unless he did bad things and needs to keep a low profile… to me, it still smells like Huck’s our prime guy. We need to find him, we really do, Milo.”

First time he’d addressed the boss by name.

Optimal workplace adjustment.

CHAPTER 26

At seven p.m. the following day, an LAPD press release offered Travis Huck’s name to the media. The timing was fine-tuned: too late for the papers or the six o’clock news, early enough for a feed to the eleven o’clock broadcast. Or in D.C. Henry Weinberg’s words, “a trickle, not a flood, we’re vulnerable, Lieutenant.”

Departmental spinners described Huck as a “person of interest” and included “a prior felony conviction.” None of the four women found in the marsh was mentioned by name. The Vanders never came up.

In the interim, Milo and Reed and I did walk-throughs of both Vander residences. We hit the beach house first, found no evidence the family had ever lived there. Soggy leather furniture sat on purple wall-to-wall. The smell was salt, rust, an old-paint sourness that shouted disuse. Oars and a man’s wetsuit in the closet said the place hadn’t progressed much past bachelor pad.

Heavy twin doors at the mansion on Calle Maritimo opened to a loose chain of high, broad vanilla rooms, tastefully if blandly furnished, floored with golden limestone. Family photos tilted on a couple of mantels, abstract art hung in the spaces where windows didn’t dominate. A grand piano took up a corner of a cavernous back room. A spinet piano sat in Kelvin’s sky-blue bedroom.

Travis Huck’s quarters consisted of a smallish room past a vast caterer’s kitchen and a lav. Twin bed, IKEA dresser, aluminum reading lamp. Monastic, but cheered by an ocean view. Placement in the service wing said the space had been designed as a maid’s room.

No signs of struggle or body fluids there, or anywhere else, but Milo called for a crime scene team. The legal assistant Buddy Weir sent to keep watch looked alarmed, but she checked with the attorney and he told her to cooperate.

Given a huge backlog, the techs were expected “within days,” and Milo ’s call to the crime scene office didn’t change that. He tried the chief, couldn’t get through, smiled grimly.

Moe Reed said, “Keeping it in low gear?”

“Heaven forbid, kiddo.”

Reed smiled. “I’m learning.”

I left the detectives to their frustration and drove home. The discovery of Selena’s lover had scrambled my theories about the three other women being a rehearsal for her; the case was boiling down to another hideous pattern of sexual sadism.

A killer building up his confidence. Selena, the unlucky upgrade.

I phoned Marc Green to see if there was anything more to tease out.

He’d been hovering on the brink of rage. My voice pushed him over.

I waited until he stopped shouting. “I know it’s tough, but I still need to ask. Is there anything more you-”

“More? All that shit I just told them isn’t enough?”

Slam.

I drove to the Crenshaw District and paid a second visit to Beatrix Chenoweth, Big Laura’s mother. Ready to serve as an anger receptacle again. If anyone was trained for that, I was.

She saw me in graciously, served coffee and chocolate wafers. Waited me out as I approached the topic with as much tact as I could muster.

She said, “Let me understand this: You want to know if Lurlene liked being hurt?”

“We’ve found evidence of that in other victims, so-”

“The answer is yes, Doctor. I didn’t mention it the first time because… because I was so stunned when you all dropped in. I’ve been thinking about calling, but talking about that kind of thing is hard. I won’t pretend Lurlene and I were close, but she was my child. Imagining what happened to her hurts me terribly.”

“I’m sorry.”

“Any progress?”

“Not so far.”

“But you’ve got other victims who… oh, Lord… Lurlene’s time on the streets, part of me has been waiting for this.” Thin, square shoulders rose and fell. Her hands shook. “Did she like being hurt? When she was a child, just the opposite, Lurlene was the one hitting other people and getting in trouble over it. I kept telling her being big meant she needed to be doubly responsible.” Frown. “It wasn’t until later, when I realized what a problem her weight was, that I knew I’d said exactly the wrong thing… did she like being hurt… apparently, yes. I’m talking about later, when she was out of the house. Working.”

She grabbed for a hankie, stanched a sudden burst of tears. “As if that’s a job.”

Clearing her throat, she put steel in her voice: “A couple of times when she came by-for money-I noticed bruises. Here. Here.” Fingering both sides of her own neck. “At first I wasn’t sure they were bruises. Lurlene was dark, took after her father. And the first time she was trying to cover it, wearing a scarf. Which is exactly why I noticed, Lurlene never wore scarves. I spotted something purple beneath the fabric, put my finger there, and she slapped it away.”

Wincing. “Hard, not just a love pat. But I can be as pigheaded as she can and I persisted and she got terribly angry and ripped it off-the scarf-and said, ‘Happy?’

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