Jonathan Kellerman - Bones

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When it comes to writing deftly layered, tightly coiled novels of suspense, #1 New York Times bestselling author Jonathan Kellerman reigns supreme as 'master of the psychological thriller' (People). Now, Kellerman has worked his magic again in this chilling new masterpiece.
The anonymous caller has an ominous tone and an unnerving message about something 'real dead… buried in your marsh.' The eco-volunteer on the other end of the phone thinks it's a prank, but when a young woman's body turns up in L.A.'s Bird Marsh preserve no one's laughing. And when the bones of more victims surface, homicide detective Milo Sturgis realizes the city's under siege to an insidious killer. Milo's first move: calling in psychologist Alex Delaware.
The murdered women are prostitutes-except the most recent victim; a brilliant young musician from the East Coast, employed by a wealthy family to tutor a musical prodigy, Selena Bass seems out of place in the marsh's grim tableau.
Conveniently-perhaps ominously-Selena's blueblood employers are nowhere to be found, and their estate's jittery caretaker raises hackles. But Milo's instincts and Alex's insight are too well-honed to settle for easy answers, even given the dark secrets in this troubled man's past. Their investigation unearths disturbing layers-about victims, potential victims, and suspects alike-plunging even deeper into the murky marsh's enigmatic depths.
Bizarre details of the crimes suggest a devilish serial killer prowling L.A.'s gritty streets. But when a new murder deviates from the pattern, derailing a possible profile, Alex and Milo must look beyond the suspicion of madness and consider an even more sinister mind at work. Answers don't come easy, but the darkest of drives and desires may fuel the most devious of foes.
Bones is classic Kellerman-relentlessly peeling back the skin and psyches of its characters and revealing the shadows and sins of the souls beneath. With jolt after jolt of galvanizing suspense, it drives the reader through its twists and turns toward a climax as satisfying as it is shattering.

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I said, “I can see why the Bird Marsh would be important to him.”

“Obsessed,” said Alma Reynolds. “Sometimes it got in the way.”

“Of what?”

“Us. We’d be relaxing and he’d jump up suddenly, say he needed to drive over, make sure everything was okay. It annoyed me, but I rarely said anything because I could see the psychology behind the idealism. But the night he was-that night, I really didn’t want to go and he defied me. So it had to be something major.”

“He told you the caller promised to solve the murders.”

“And I believed him. When those bodies showed up, Sil took it personally, as if he’d allowed something to happen to his baby. He was also worried the murders would be used to say the marsh was no longer pristine and that would open the door to development. I know it sounds paranoid, but Sil didn’t dance to anyone else’s beat. Just the opposite, the world waltzed, he two-stepped.”

I said, “With that level of anxiety, he’d follow any lead.”

“Exactly. I’m glad I reached you and not Sturgis.”

“Did Sil give any indication he knew who’d called?”

“No,” she said. “I thought about that, trying to remember if he indicated one way or the other, and he didn’t. You’re thinking someone he respected might’ve gotten him over.”

“Someone who supported his work. Do you have a list of Save the Marsh members?”

“Never saw one, don’t know that one exists.”

“Who’s in charge of the office now?”

“Don’t know, don’t want to know,” she said. “I wash my hands of all of it.”

No one answered at Save the Marsh.

The group’s board of directors listed the progressive billionaires who’d tried to build on the land, in addition to Silford Duboff, a woman named Chaparral Stevens, and two men: Tomas Friedkin, M.D., and Lionel Mergsamer, Ph.D.

Chaparral Stevens was a Sierra Madre-based jewelry designer, Dr. Friedkin was a ninety-year-old ophthalmologist, emeritus at the U.’s med school. Professor Mergsamer was a Stanford astronomer.

Not a likely bunch, criminal-wise, but I printed their names.

I looked for fund-raisers held for the marsh, found three Westside cocktail parties, no listed guests.

Backing away from the trees, I thought about the forest: Why had Silford Duboff been lured to his death?

Dispatching him didn’t fit with the thrill-seeking aspect of a sexual psychopath. The only motive that made sense was he’d known too much-knowledge that came about innocently or otherwise.

More bones beneath the muck? Aerial photos had revealed nothing, but the earth had a way of swallowing and digesting death.

Or Alma Reynolds was right and Duboff’s desire to play savior-to undo his childhood trauma-had led him to walk into a trap.

That felt analytically pat, but I turned it over and came up with nothing further. A soft rap on my office door snapped the tape loop.

“You look engrossed,” said Robin.

“No, I’m finished.”

“If you’re not, I can cook.”

I got up and we walked to the kitchen.

She said, “Co-Op-E-Ration, just like on Sesame Street. Want to be Bert or Ernie?”

“Maybe Oscar.”

“That kind of day, huh?”

Blanche waddled in and smiled.

I said, “She can set the table.”

CHAPTER 23

Head, arms, and legs in Missouri,” said Moe Reed. “Head, hands, and feet in New Jersey. Three hands and feet only in…” He scanned his notes. “ Washington State, West Virginia, and Ohio.”

Milo said, “Nothing with just hands.”

“Nope. And no acid wash. Plus, in three cases, they have a good idea who it is but don’t have enough evidence to bring charges.”

We were in a Westside interview room at the end of another draggy day. Milo ’s follow-up call to Buddy Weir had evoked a “still working on it” message from the attorney’s paralegal. Plainclothes surveillance of the house on Calle Maritimo had revealed no movement, other than the entry of a gardener’s crew.

None of the groundsmen had any idea if Huck was inside the house, and when Milo convinced one of them to ring the front door-bell, no one answered.

Huck continued to refuse telephonic invitations to talk with the police.

Reed said, “The one in Jersey, they’re sure is a mob deal. Victim was I.D.’d by a surgical scar on the back.”

“Some goombah with disk problems. Anything else?”

Reed shook his head.

I said, “Any of the amputations spare only one hand?”

“Nope.”

“Because chopping was used to hinder the investigation. Our case has nothing to do with that. Our hands are symbolic.”

“Of what?” said Milo.

“I’m good with questions, not answers,” I said. “But maybe something to do with Selena’s piano playing?”

“People play piano with both hands, Alex.”

“The right hand plays the melody.”

Both their expressions said thanks, but no thanks.

“An alternative,” I said, “is someone’s trying to make the killings appear bizarre.”

“Psychosexual fake-out?” said Milo. “To hide what?”

“I keep coming back to Selena. She really stands out from the others. What if this is all about her and the other women were prep?”

Milo said, “Over a year of prep? What made Selena so important?”

“Something she knew turned her into a threat. Something serious enough to take her computer. Same reason Duboff got killed.”

“Long-term planning is usually about money.”

Reed said, “And the Vanders have big money-it keeps coming back to them. And Huck, who works for them.”

Milo said, “If you’re right about the other women, digging up background on them isn’t a good use of our time.”

I said, “The killer had to connect with them somehow, so it could still bear fruit.”

Reed said, “I’ve been up and down the airport stroll and no one remembers Huck.”

“It’s a transitory population. And people have short memories for all sorts of reasons.”

Milo got up, paced, pulled out a panatela. Moe Reed relaxed when the cigar dropped back into a pocket. “A guy goes for hookers, who says he limits himself to one neighborhood?”

“Another stroll?” said Reed.

“Huck lives in the Palisades,” I said. “For pure fun, he could stay on the Westside. But when he’s trawling for victims, he travels to where he’s less likely to be recognized.”

“Maybe somewhere closer to his kill-crib,” said Reed. “Which could be relatively close to the Vander house. Not that I’ve found anything in the assessor’s files or anywhere else.”

Milo said, “The airport, the marsh-that storage facility-they’re all pretty close together. So the crib could be in that vicinity.”

Reed said, “To find a rental we have to go public, hope someone tips.”

“It may come to that, Moses, but not yet. Let’s stick with the second-stroll angle. If we can find other working girls Huck frequented, learn he’s into rough sex, maybe even put his hands around someone’s neck, it sets up cause for a warrant.”

“I could do Lincoln Boulevard farther north.”

“Good idea. That doesn’t pan out, we move on to the Strip. In fact, we don’t wait. Tonight, you do Lincoln then Sunset from Doheny to Fairfax. I’ll take Sunset East to Rampart, then Downtown. I’ll re-fax Huck’s license to Vice, maybe someone’s memory’ll be jogged.”

“What about surveillance of the house?”

“We continue to leave that to patrol. Huck doesn’t show his face soon, I guess I’ll have to talk to the brass about a press conference. In addition to the deep-burrow risk, we’ve really got nothing on the guy and he’s already been the victim of official injustice. Can’t you just hear the defense attorney’s opening statement?”

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