Robert Parker - Gunman's Rhapsody

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The Barnes Noble Review
Much of Robert B. Parker's fiction – his recent Spenser novel, Potshot, is a notable example – has straddled the boundary between two traditional forms: the private-eye novel and the Western. Parker's latest, the spare, evocative Gunman's Rhapsody, represents his first attempt at a pure, unadulterated Western, moving from Boston and environs to Tombstone, Arizona and focusing on one of Spenser's true spiritual forebears: Wyatt Earp.
Gunman's Rhapsody begins in 1879. Wyatt, whose exploits have already found their way into the dime novels of the period, has just arrived in Tombstone, accompanied by several of his brothers and his common-law wife, Mattie Blaylock. The Tombstone of this era is a semi-lawless boomtown located in the heart of the silver mine district. It also serves as a kind of crossroads, a meeting place for some of the iconic figures of the Old West, figures such as Johnny Ringo, Bat Masterson, Ike Clanton, Katie Elder, and the drunken, slightly demented gunfighter, Doc Holliday.
A single romantic encounter dominates this rambling, almost plotless narrative: Wyatt's discovery of the love of his life: beautiful showgirl Josie Marcus, who happens to be engaged to Johnny Behan, the shady, politically connected Sheriff of Tombstone. Wyatt's affair with Josie – which takes on an obsessive, almost mythical dimension – forms the central element in an interlocking series of personal rivalries and political enmities that will culminate in the gunfight at the OK Corral, and in its bloody, extended aftermath.
Parker's clean elegant style and essentially romantic sensibility prove perfectly suited to the peculiar material of this novel. Without a false note or wasted word, Parker recreates the ambiance of the West, bringing its saloons, jails, and gambling halls and its endless, wide-open vistas, to immediate, palpable life. He brings that same effortless authority to bear in describing the lives and motivations of violent, hard-edged men who live – and sometimes die – according to highly developed codes of personal behavior. The result is a fascinating historical digression that illuminates a piece of the American past while simultaneously illuminating the central concerns of Parker's large, constantly evolving body of work. (Bill Sheehan)

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“We could go to San Francisco,” Josie said. “You could get rich there.”

Across the river a coyote stopped in a splash of sunshine and stared at them calmly, then loped on.

“It’s a city,” Wyatt said. “None of the things I’m good at will make you rich in a city.”

“You could be a policeman.”

Wyatt smiled and shook his head.

“You’re a policeman here, sometimes,” Josie said. “You’ve been a policeman in Dodge City and Wichita and… where, Ellsworth?”

“ San Francisco,” Wyatt said, “the captain tells you what to do and the lieutenant tells you what to do and the sergeant tells you what to do.”

He shook his head again. Josie leaned her head against his shoulder. His shirt was damp with sweat.

“So what are you so good at here?” she said. “Doing what you want to?”

“Yes.”

“When you’re Virgil’s deputy, doesn’t he tell you what to do?”

“He’s my brother.”

“That makes it different?”

“Means he’s asking. He’s got a right to ask.”

“But no strangers.”

Wyatt shrugged and drank some of his coffee.

“What else you good at, staying here?” Josie said.

“I can shoot,” Wyatt said.

“Uh-huh.”

“And I like being where it’s not so crowded,” he said. “I’m a farm boy, you know, from Illinois.”

“Would you ever want a ranch?”

“Maybe someday. Right now I’m a town man. I got interests in saloons and mines.”

“Not a city man,” Josie said. Her voice had a happy, teasing quality to it that he liked. “And not a cowboy. A town man. Right in the middle, I guess.”

“Right in the middle,” Wyatt said.

“Then I guess that’s where I am,” Josie said. “Right in the middle.”

Wyatt smiled at her.

“How’d you get so good at shooting?” Josie said.

“We’re doing it backwards,” Wyatt said, smiling. “First we fall in love, then we learn about each other.”

“So how?” Josie said.

“ Lot of men can be good at shooting, they practice enough.”

“Anybody?”

“Not anybody. You got to have sort of the feel for it. Your hand and your eye need to connect in the right way.”

“And yours do.”

“Yep. Must be in the blood. All of us do. James before he got hurt. Virgil, Morgan, Warren, too, I suspect.”

“I haven’t even met Warren.”

“He’s the baby,” Wyatt said. “I imagine he’ll be along.”

“All the Earps,” Josie said.

“You can trust family.”

“So do you practice more than most men?”

“Probably.”

“Why?”

Wyatt was quiet for a while, looking at the way the sun filtered through the overhanging trees and danced on the still surface of the barely moving river. Josie shifted slightly to be more comfortable. The place where their bodies touched was damp, but neither one cared. They were used to hot as they were used to cold, and both conditions were simply part of the natural order.

“If you come to something natural,” Wyatt said finally, “and it’s something that can be put to use, I always figured you ought to polish it up, best you can.”

She thought about that. Something rustled briefly along the riverbank and went into the water with a splash.

“Have you killed many people?”

“No.”

“But some?”

“Yes.”

“Do you mind?”

Again Wyatt looked at the river. The surface of the water was smooth. Whatever had gone into the river had disappeared without a ripple. Wyatt usually did what he thought he should do, and moved on. Josie was asking questions he had not thought about. It was hard to think about them now, and harder to put them into words. But Josie wanted to know, and he would tell her.

“I’ve never taken any pleasure in it,” Wyatt said. “But if it needs to be done, I’m willing to do it, and when it’s done, it don’t bother me much afterwards.”

“Do you remember your first gun?”

“You mean the first one I shot?”

“Yes.”

“I suppose it was one of my father’s. He was provost during the war. James and Virgil was gone to the war, and Warren was still little, but me and Morgan used to steal a big old Colt forty-four from my father’s room and sneak off and shoot it. It was a percussion cap pistol, Dragoon model, and we’d shoot a thousand rebs at once with it at the far back end of the cornfield.”

“Could you hit anything with it?”

“Not much. It was too big a gun for us.”

“Your father ever catch you?”

“Nope. I suspect he didn’t want to. I’m pretty sure he knew. Be hard shooting off a forty-four Colt around our cornfield without somebody noticing.”

“And you liked shooting it.”

“Sure.”

“Why?”

“I don’t know exactly. Lotta people like it. You ever fire a handgun, Josie?”

“No.”

“Well, there’s a lot of power there. You squeeze off a shot and you feel it.” Wyatt made an enlarging gesture with his hands. “You create it out of nothing… right there in your hand.”

“And it makes you powerful.”

“Yes,” Wyatt said. “It does.”

Twenty-nine

“Things are looking up,” Virgil said. “Ben Sippy skedaddled, and I’m the acting city marshal.”

The two men leaned on the hitching rail outside the Oriental.

“Skedaddled?” Wyatt said.

“Uh-huh.”

“Not just away visiting for a couple of weeks?”

“Clum says there’s money missing.”

“Ahhh,” Wyatt said.

He was dressed for work in a dark suit and a starched white shirt.

“You going to be around?” Virgil said.

“Sure, I’m dealing here, doing some undercover work for Wells Fargo, me and Morgan. I’ll be around, you need a special deputy.”

Virgil nodded. Wyatt waited. He knew Virgil. There was something else. Half a dozen miners, off shift, passed them and turned into the Oriental.

“What’s going on with you and Mattie?” Virgil said.

“Hearing about it at home?” Wyatt said.

Virgil smiled.

“You’re with Josie,” Virgil said, “but you’re still living with Mattie.”

“It’s my house,” Wyatt said. “I’m not going to leave it.”

“And Mattie won’t?”

“She won’t,” Wyatt said.

“You and she still… ah, there any poontang there?”

“Hell no,” Wyatt said. “I sleep in the front room.”

Virgil nodded.

“Guess you can’t just throw her out,” Virgil said.

“No. I threatened it one night and she said if I did she’d just sit outside the house all day.”

“Wouldn’t help much, next sheriff’s election,” Virgil said.

“Nope.”

The two men looked at each other a moment.

“Sorry if it’s causing trouble with Allie,” Wyatt said.

“Can’t be helped,” Virgil said. “You can’t stay with Mattie just ’cause Allie wants you to.”

“I didn’t think Allie liked Mattie,” Wyatt said.

“She don’t.” Virgil took his hat off and fanned his face with it. “Hot as hell, ain’t it?”

“Better get used to it,” Wyatt said. “That’s where we’re all headed.”

Virgil grinned at him and put his hat back on.

“Guess I’ll walk around town,” he said. “You got them miners in there getting drunk, waiting for you to fleece ’em.”

“That’s what they were sent here for,” Wyatt said. Virgil strolled down Allen Street. Wyatt turned and went into the cooler dimness of the saloon.

At the bar Denny McCann nodded at him. Ike Clanton was there, too, with whiskey in front of him. He ignored Wyatt. Wyatt went to the faro table and sat down. Three miners came over directly, carrying their drinks, and sat down with him. Wyatt shuffled and spread the first layout of the evening. He liked dealing faro. He found it relaxing. He had good hands and calmness. The game could engage his attention without demanding it. His reputation kept most of the players in check, and he could think about Josie and the time to come. The house won, of course, and he took a percentage of the winnings.

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