Jonathan Kellerman - The Murder Book

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The Murder Book: краткое содержание, описание и аннотация

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Alex Delaware's relationship with his longterm partner is on the rocks. He is floored when Robin announces she's heading off on a three-month music tour. But he soon has other things to think about. He is sent an envelope with no return address. Inside, he finds an album with gold letters on it – THE MURDER BOOK. It's full of macabre pictures of murders, with brief descriptions of how, and why, the victims died. One picture is marked 'Not solved' – the horrifically mutilated body of a young woman. Unsettled, Alex calls his friend, LAPD detective Milo Sturgis, who seems strangely familiar with the case. What connects the photograph with Milo 's past? What's more, why has it been sent to Alex – and by whom? Ingenious, shocking, unpredictable, THE MURDER BOOK is a masterpiece of suspense fiction that is Jonathan Kellerman at his best.

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A young female voice answered at Allison's office.

"Hi, Dr. Delaware, I'm Connie Martino, Dr. Gwynn's psych assistant. She's in session right now but she told me to let you know that she'd like to speak with you. Her last patient's finished by eight and you can drop by the office if you'd like. Or let me know what works for you."

"Eight works for me."

"Great. I'll tell her."

At seven-forty, I set out for Santa Monica. Allison Gwynn's building was on Montana Avenue, just east of the beach city's boutique row, a pale, one-story late-forties moderne affair with rounded corners and grilled slat windows and apricot-tinted accent lighting. A small patch of daylilies sprouted near the front door, bleached white by the night. Inside were four suites: a three-woman obstetric-gynecology group, a plastic surgeon, an endodontist, and, at the rear, A. GWYNN, PH.D. AND ASSOCIATES.

Allison's waiting room was empty and smelled of face powder and perfume and the merest nuance of stress. The decor was soft chairs and thick wool carpeting and marine prints, everything tinted in variants of soft aqua and beige, as if someone were trying to bring the beach indoors. Halogen spots tuned to dim cast a golden white glow- the beach at twilight. Magazines were stacked neatly. A trio of red call buttons next to the door listed Allison's name above those of two assistants: C. MARTINO, M.A. AND E. BRACHT, PH.D. I rang in, and, a moment later, she opened the door.

Her black hair was tied back into a ponytail and she wore an ankle-length, navy crepe dress above matte brown boots. The dress had a scoop neck that dipped just below her collarbone. The same meticulously applied makeup. Same diamond accents at wrist and neck and ears, but tension played around the big blue eyes. The first time I'd met her, she'd maintained steady eye contact. Now she was focused somewhere over my left shoulder.

"Sorry for bringing you all the way here," she said, "but I didn't want to talk over the phone."

"I don't mind being here."

Her eyebrows rose. "Well, then, come in."

Her inner office was more of the same maritime hues and compassionate lighting. The room was large enough for group therapy, but set up for individual work, with a desk in the corner, a sofa and a pair of facing easy chairs. She took one of the chairs, and I sat down opposite her. The navy dress covered most of her but clung to her body and as she positioned herself, I saw muscle and curve, the sweep of thigh, the tug of bosom.

Remembering her history with Michael Larner, I switched mental gears.

She said, "This may turn out to be nothing, but given the seriousness of what you're doing, I thought it best that I tell you."

She shifted in the chair, showed me another aspect of her figure. Not seductively; her mouth was set tight.

I said, "I appreciate any help you can give me."

The edge of her lower lip insinuated itself between her teeth, and she chewed. Her hands flexed. She shook her head.

Neither of us spoke. Two therapists measuring the silence.

She said, "I recalled something right after we talked. I'd forgotten about it- or maybe it never really registered because at the time… I'm sure it's nothing, but a short while after Willie Burns left Achievement House- maybe a week later- I was with him . Larner. And he was angry about Willie. Worked up. I know because he called me into his office and his anger was obvious. I never really thought about it in terms of Willie because I had my own issues…" She chewed her lip, again. "Let me back up…"

Undoing her ponytail, she shook her hair loose in a sable billow, tied it up again. Tucking her legs under her, she hugged herself and studied the carpet.

"Larner had been bothering me for a while. It began soon after I started volunteering. Nothing blatant- looks, smiles, little asides about my clothes- how cute they were, what a nice healthy girl I was. He'd pass me in the hall and pat me on the head or brush my hip or chuck my chin. I knew what was going on, but what I didn't realize was just how wrong it was." She took hold of her hair, smoothed the ends. "I didn't want to leave Achievement House, thought it would be a good summer experience. And even if I'd told someone, what was he really doing to me?"

"Insidious," I said.

"Insidious and devious and altogether creepy. I tried to avoid him. For the most part, it worked. But that day- it was a Monday, I remember that because I'd been to the beach over the weekend, had gotten tan. Willie Burns had been gone a good week, maybe more. I remember asking about Willie because with him gone the halls were quiet. When he worked, he'd usually be humming, low-key, some kind of bluesy thing. He always looked stoned, but he did have a good voice. And he was friendly, would generally look up and smile, and say, 'Hi.' "

"Friendly to everyone?"

"To the kids. They seemed to like him, though I got the feeling some of them were making fun of him- that drugged-out demeanor. The only time he got furtive was when he was with Caroline. Anyway, he was gone, and an older woman was doing his job- an old Latina who didn't speak English. I asked people what had happened to Willie, but no one seemed to know."

She twisted in her chair, cupped one hand over a knee. "That Monday, I'd been delivering charts when Larner called me into his office. Something about new filing procedures. That sounded strange- why would the director want to talk to a student volunteer about procedure? I didn't want to go, but I couldn't see any way out. If I refused, that would be insubordination. When I got there, Larner's secretary was out in front, and that made me feel better. But then she told me to go right in and closed the door after me. It was summer and I was wearing a sleeveless white sundress and my tan was pretty blatant and I just knew he'd say something about it and started to tell myself I was stupid for not covering up more. But Larner didn't even look at me. He was standing, sleeves rolled up, a cigar in one hand, his back turned, on the phone, listening. I stood near the door. He was rocking on his heels and clenching the phone tight- he was a big, pink disgusting thing, and his hands were tight around the receiver- mottled, like lunch meat. Then he half turned, but he still didn't acknowledge me. His face was different from all the other times I'd seen him. In the past he'd always smiled. Leered. Now he looked furious. Red-faced- he's naturally ruddy, but this time he was like a beet. I remember the contrast with his hair- he had this blond-white hair that looked as if he waxed it. I just stayed there, with my back against the door, and he barked something into the phone and slammed it down. All I caught was Willie Burns's name. Then something about 'We'd better do something about it.' Then he hung up." She held out one hand. "That's it. I never paid much attention to that, because it really wasn't the focus of my memories."

"You had your own issues," I said.

She lowered her head, then raised it very slowly. Her eyes were closed, and her face had lost color.

"After he slammed down the phone, he began to dial another number, then he saw me, gave me this surprised look- surprised and hateful. As if I wasn't supposed to be there. Then there it was- that smile of his. But the anger remained on his face, also, and the combination scared me- predatory. He came around from behind the desk, shook my hand, held on too long, told me to sit down, said something to the effect of 'How's my favorite volunteer?' Then he walked behind me and just stood there, not talking or moving. I could smell his cigar, the smoke kept wafting toward me. To this day, I can't see a cigar without…"

She sprang up, strode to her own desk, and sat down, putting wood and space between us.

"He started talking- softly, in a singsong. How did I like working at Achievement House? Was I finding satisfaction? Had I thought about career choices? Maybe teaching would be good for me because I was clearly a people person. I didn't say much, he really didn't want answers. It was a monologue- droning, hypnotic. Then he stopped talking and I tensed up, and he said, 'Don't be nervous, Allison. We're all friends, here.' Nothing happened for what seemed to be forever. Then suddenly I felt his finger on my cheek, pressing, stroking, and he said something about my skin- how clean and fresh it was, how nice it was to see a young lady who cared about her hygiene."

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