Julia Navarro - The Brotherhood Of The Holy Shroud

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A fire at the Cathedral of Turin and the discovery of a strangely mutilated body attract the attention of Italy's special Art Crimes Department. For the fire is only the latest in a troubling series of arsons and break-ins at the cathedral, which houses what millions believe to be the authentic burial shroud of Jesus Christ.
A cop as well as an art historian, department chief Marco Valoni leads a crack team of investigators in a race to solve a crime he's certain is about to shock the world. Someone is planning to steal the Holy Shroud, and Valoni's only suspect-a mystery man who bears the same scars as the unidentified corpse-is currently serving out a sentence in a Turin prison.
Following a trail that stretches from the humble meeting places of the earliest Christian communities to the highest councils of the Vatican and the boardrooms that rule the world, Valoni and his associates will find themselves in the cross fire of an ancient conflict forged by mortal sacrifice, assassination, and secret societies with ties to the shadowy legend of the Knights Templars.
Spanning centuries and continents, from the storm-rent skies over Calvary, through the glories of Byzantium and the intrigue and treachery of the Crusades, to the modern-day citadels of Istanbul, New York, London, Paris, and Rome, The Brotherhood of the Holy Shroud is a provocative page-turner of the highest order-one that will challenge you to believe.

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Sofia's face burned. She wasn't prepared for this duel, for the frankness of this man, who was so sure of his own superiority and who looked at her with amusement.

"It isn't easy to meet with you."

"No, it isn't, so now that we're here, go ahead and ask whatever you'd like."

"I told you: We suspect that the supposed accident in the cathedral was no accident and that only some of the men who work for you could have set the fire, but why?"

"You know I have no answer for that question. But you have a theory, so tell me what it is and I'll see if I can help you."

At the other end of the terrace, Marco was observing them with amazement, as were the Barrys. At last, John couldn't contain his irritation at the situation any longer and sent Lisa to liberate D'Alaqua.

"Sofia, forgive me, but Umberto has so many friends here who want to talk to him, and you're monopolizing him, my dear. James is looking for you, Umberto."

Sofia felt like a fool.

"Lisa, it's I who is monopolizing Dottoressa Galloni. You'll let us finish our talk, won't you? It's been a long time since I've have such a fascinating conversation."

"Oh, of course, I… well, if you need anything…"

"It's a gorgeous evening, the party is lovely, and you and John are wonderful hosts. I'm so happy you've invited me to share this with Mary and James. Thank you, Lisa."

Lisa beat a quick retreat back to her husband and whispered something in his ear.

"Thank you," said Sofia.

"Please, Dottoressa Galloni, don't underestimate yourself!"

"I never have."

"I think you may have tonight."

"It was stupid for us to come."

"It was obvious, I'll admit. And our hosts' discomfort confirms that they engineered this litde 'encounter.' I'd be surprised if Mary and James knew about it, though."

"They don't-or didn't. I'm sure they're wondering why Lisa invited us, though, because we're totally out of place. I'm sorry; it was a mistake."

"You still haven't answered my question."

"Your question?"

"Yes. I'd like to know your theory of the crime-or alleged crime."

"We believe that someone wants the shroud-whether to steal it or destroy it, we don't know. But we're sure the fire was related to the shroud-and so were all those other so-called 'accidents' in the cathedral in the past."

"That's an interesting theory. Now tell me who you suspect, who you think might want to steal or destroy the shroud, and-especially-why."

"That's what we're looking at now."

'And you have no clues that bear out your suspicions, am I right?"

"That's right."

"Dottoressa Galloni, do you think I want to steal or destroy the shroud?"

D'Alaqua's words were spoken with a hint of mockery that amplified Sofia's sense of ridiculousness.

"I won't say we suspect you directly, but it's possible that some employee of yours might be involved."

"My human-resources man at COCSA, Signor Lazotti-I gave strict orders that he cooperate with you fully. Has he?"

"Yes, we have no complaint there. He's been very efficient and very generous with his time, and he sent us a long report on all the information I requested."

"Then allow me to ask you one more question, Dottoressa Galloni-what did you and your boss expect from this 'chance encounter' with me this evening?"

Sofia lowered her head and took a sip of champagne. She had no answer to that, at least no legitimate answer. You couldn't give a man like D'Alaqua excuses like "Marco had a hunch." For the second time, she felt she'd failed some subtle test.

She shrugged lightly and smiled. "We thought we'd just come and see what happened, Signor D'Alaqua."

"Shall we have something to eat?"

Startled by his abrupt change in course, Sofia looked at him. Had she heard right? But then Umberto D'Alaqua took her gently by the elbow and led her to the long buffet table. James Stuart, accompanied by the Minister of Finance, strolled over to them.

"Umberto, Horacio and I were having a little argument over the effect that the Asian flu is going to have on the European markets this year…"

Sofia listened as D'Alaqua outlined his interpretation of the Asian economic crisis, stunned by his mastery of the subject. She soon found herself drawn into the debate with the Minister of Finance and contesting some of Stuart's points, while D'Alaqua listened with interest. When their litde group broke up, she and D'Alaqua seated themselves at a table with other guests, where he continued to be attentive and charming. Sofia could see that he was at ease and enjoying himself, and she felt herself relaxing too.

"Your friend is delightful." Mary Stuart's cheery voice brought Marco back to reality as he watched his dazzling colleague across the terrace. Or was it Paola's surreptitious nudge in his ribs?

"Yes, she is," Paola replied. "Intelligent, accomplished, and charming."

'And lovely," Mary added. "I've never seen Umberto so interested in a woman. She must be exceptional if Umberto is so taken with her. He looks so happy, so relaxed with her."

"He's single, isn't he?" Paola asked.

"Yes, but we've never understood why. He's got it all-intelligence, looks, education, culture, money- and he's a wonderful person in the bargain. I don't know why you don't see more of him, John, and you, too, Lisa."

"Mary, dear, we don't actually travel in Umberto's circles. Nor yours-even if you are my favorite sister."

"Oh, Lisa, don't be silly."

"I'm not being silly, sweetheart. In my daily life, I don't run across ministers or bankers or multinational businessmen. There's no reason for me to. Or for John to."

"Well, you should see more of Umberto. He loves archaeology. He's financed several digs, and I'm sure you two have a great deal in common," Mary insisted.

It was almost one o'clock when Paola reminded Marco that she had to get up early the next day. Her first class was at eight. Marco asked her to tell Sofia they needed to go.

"Sofia, we're leaving," Paola said, leaning over the dottoressa's chair. "Do you want us to drop you off?"

"Thanks, Paola, I'd appreciate it."

D'Alaqua rose as Sofia did, kissed her hand in farewell, and promptly extended the same courtesy to Paola. He smiled, but his eyes had turned distant again. From time to time, as they had talked, Sofia thought she glimpsed something else there. But she read him perfectly now.

As Lisa and John accompanied them to the door, Sofia glanced a last time at the terrace. Umberto D'Alaqua was conversing animatedly with a group of guests.

They were barely in the car before Marco's curiosity got the better of him.

"So spill it, dottoressa; tell me what the great man said."

"Nothing."

"Nothing?"

"Well, Marco, he did say it was more than obvious that we'd come to the party to see him. He made me feel like an absolute fool, caught flat out in a lie. And he asked straight out-dripping with sarcasm, of course- whether we thought that he was the one after the shroud."

"That's it?"

"The rest of the night we talked about Asian flu, oil prices, art, and literature."

"Well, you two certainly seem to have hit it off," Paola said.

"I suppose we did, in a way, but that's it."

"He might not think so," Paola insisted.

"You two planning on seeing more of each other?" Marco asked.

"No, I don't think that's going to happen. He was charming, as I said, but that's it."

"And that hurts."

"I guess if I was to be perfectly honest about my emotions I'd say it does, but I'm a big girl. I'll get over it."

"Which means it hurts," said Marco, grinning.

"You make a nice couple." Paola wouldn't give up.

"It's nice of you to say so, Paola, but I'm not kidding myself. A man like Umberto D'Alaqua isn't interested in a woman like me. We have nothing in common."

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