Jonathan Kellerman - Dr. Death

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Dr. Death: краткое содержание, описание и аннотация

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"[Kellerman] has shaped the psychological mystery novel into an art form." – Los Angeles Times Book Review
"More than satisfying… Kellerman delves deep into the psyche of his characters, peeling back the layers of secrets to uncover a stunning truth." -The Orlando Sentinel
"Kellerman uses bloody killings, psychological intrigue and a straight-ahead writing style to keep readers turning pages well into the night." -The Denver Post
"Often, mystery writers can either plot like devils or create believable characters. Kellerman stands out because he can do both. Masterfully." – USA Today
"[An] intriguing thriller… A heady blend of criminal profiling and police procedural and another surefire hit for the bestselling Kellerman." -Booklist
***
People are voluntarily dying before their time in California. Some call it assisted suicide when cancer or heart disease or painful old age make the quality of life unbearable. Others say it is murder, that no-one has the right to help others take their own life.
As the debate rages over whether euthanasia should be legalised or not the man at the centre of the row, nick-named Doctor Death, continues his work. Dr Alex Delaware joins in the argument, but when Detective Milo Sturgis comes to him with the suspicion that some of Doctor Death's patients are not willing collaborators, Delaware finds himself on the front line of the affair, and increasingly believes that euthanasia is not the prime motivation. So what is driving Doctor Death to kill so many?

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Which was exactly the point.

Facial hair changed things. I'd been struck by that when trying to reconcile the various photos of Burke. The beard Burke had grown as Huey Mitchell, hospital security guard, as effective as any mask.

He'd gone on to use another Michigan identity. Ferris Grant… the Flint Museum. Another ha ha: I'm an artist! Reverting to Michigan-to familiar patterns- because at heart, psychopaths were rigid, there always had to be a script of sorts.

I studied Mitchell's picture, the dead eyes, the flat expression. Luxuriant mask of a beard. Heavy enough to nurture a giant mustache.

When I tried to picture Ulrich's face, all I saw was the mustache.

I strained to recall his other physical characteristics.

Medium-size man, late thirties to forty. Perfect match to Burke on both counts.

Shorter, thinner hair than any of Burke's pictures- balding to a fuzzy crew cut. Each picture of Burke revealed a steady, sequential loss, so that fit, too.

The mustache… stretching wider than Ulrich's face. As good a mask as any. I'd thought it an unusual flamboyance, contrasting especially with Ulrich's conservative dress.

Financial consultant, Mr. Respectable… Something else Ulrich had said-one of the first things he'd said- came back to me: So far our names haven't been in the paper. We're going to be able to keep it that way, aren't we, Detective Sturgis?

Concerned about publicity. Craving publicity.

Milo had answered that the two of them would probably be safe from media scrutiny, but Ukich had stuck with the topic, talked about fifteen minutes of fame.

Andy Warhol coined that phrase and look what happened to him… checked into a hospital… went out in a bag… celebrity stinks… look at Princess Di, look at Dr. Mate.

Letting Milo know that fame was what he was after. Playing with Milo, the way he'd toyed with the Seattle cops.

Getting as close as he could to criminal celebrity without confessing outright.

It had been no coincidence that he and Tanya Stratton had chosen Mulholland for a morning walk that Monday.

Stratton had come out and said so: We rarely come up here, except on Sundays. Resentful about the change in routine. About Paul's insistence.

She'd complained to Milo that everything had been Paul's idea. Including the decision to talk to Milo up at the site, rather than at home. Ulrich had claimed to be attempting a kind of therapy for Tanya, but his real motive-multiple motives-had been something quite different: keep Milo off Ulrich's home territory, and get another chance at deja vu.

Ulrich had talked about the horror of discovering Mate, but I realized now that emotion had been lacking.

Not so, Tanya Stratton. She'd been clearly upset, eager to leave. But Ulrich had come across amiable, helpful, relaxed. Too relaxed for someone who'd encountered a bloodbath.

An outdoorsy guy-Fusco had said Michael Burke skied, fancied himself an outdoorsman-Ulrich had chatted about staying fit, the beauty of the site.

Once you get past the gate, it's like being in another world.

Oh yeah.

His world.

Amiable guy, but the charm was wearing thin with Stratton. Was she edgy because she'd begun to sense something about her boyfriend? Or just a relationship gone stagnant?

I recalled her pallor, the unsteady gait. Wispy hair. Dark glasses-hiding something?

A fragile girl.

Not a well girl?

Then I understood and my heart beat faster: one of Michael Burke's patterns was to hook up with sick women, befriend them, nurture them.

Then guide them out of this world.

He enjoyed killing on so many levels. The consummate Dr. Death, and one way or the other the world was going to know it. How Eldon Mate's fame-the legitimacy Mate had obtained while dispatching fifty lives- must have eaten at Burke. All those years in medical school, and Burke still couldn't practice openly the way Mate did, had to serve as Mate's apprentice.

Had to masquerade as a layman.

Because since arriving in L.A., he hadn't found a way to bogus his medical credentials, had to represent himself as a financial consultant.

Mostly real-estate work… Century City address. Nice and ambiguous.

Home base, Encino. Just over the hill. Respectable neighborhood for an upstanding guy.

In L. A. you could live off a smile and a zip code.

The business card Ulrich had given Milo was sitting in a drawer at the West L.A. station. I phoned information and asked for Ulrich's Century City business listing, was only half surprised when I got one. But when I tried the number, a recording told me the line had been disconnected. No Encino exchange for either him or Tanya Stratton, nothing anywhere in the Valley or the city.

Tanya. Not a well girl.

A relationship on the wane with Ulrich could prove lethal.

I looked at the clock. Just after six. Light through the office curtains said the sun had risen. If Milo had been up all night at the Glendale crime scene, he'd be home now, getting some well-deserved rest.

Some things could wait. I phoned him. Rick answered on the first ring. "Up early, Alex."

"Did I wake you?"

"Not hardly. I was just about to leave for the E.R. Milo's already gone."

"Gone where?"

"He didn't say. Probably back to Glendale, that double murder. He was out there until midnight, came home, slept for four hours, woke in a foul mood, showered without singing and left the house with his hair still wet."

"The joys of domestic life," I said.

"Oh yeah," he said. "Give me a nice freeway pileup and I know I'm being useful."

Milo picked up his mobile, barking, "Sturgis."

"It's me. Where are you?"

"Up on Mulholland," he said in an odd, detached voice. "Staring at dirt. Trying to figure out if I missed something."

"Son, I'm going to bring some joy into your wretched life." I told him about Ulrich.

I expected shock, profanity, but his voice remained remote. "Funny you should mention that."

"You figured it out?"

"No, but I was just wondering about Ulrich. Because I positioned my car where the van was, walked myself through the scene. When the sun came up it hit the rear window and gave off glare. Blinding glare, I couldn't see a thing inside. Ulrich claimed he and the girl discovered Mate right after sunrise, said he could see Mate's body through the rear window. Now that was a week ago, and the van's windows were higher than mine, but I don't calculate that much of a difference and I don't imagine the sun's angle has shifted that radically. I was waiting around to see if the visibility changed over the next quarter hour or so. By itself it wasn't any big deal, maybe the guy didn't remember every detail. But now you're telling me… Left the bastard's address back at the station, I'll run a DMV on him and the Stratton girl. Time for a drop-in."

"The Stratton girl may be in danger." I told him why.

"Sick?" he said. "Yeah, she didn't look too healthy, did she? All the more reason to visit."

"How're you going to handle Ulrich?"

"I don't exactly have grounds for an arrest, Alex. At the moment, all I can do is scope him out in his natural habitat-my story will be that I'm dropping in for a follow-up, has he thought of anything else? 'Cause we're stumped-he'd like that, right? The cops being stupid, my coming to him for wisdom."

"He'd love it," I said. "If he believed it. But this is a smart man. He'd have to wonder why, after Richard's arrest, you're knocking on his door on a Sunday morning."

Silence. "How about I imply there are complications with the current investigation-stuff I can't talk about. He'll know I mean Zoghbie, but I won't come out and say it. We'll tango around, I can watch his eyes and his feet. Maybe Stratton will give off some kind of vibe. Maybe I'll get her alone, later on in the day."

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