Nevada Barr - Track Of The Cat

The kittens were not found.

The following day Anna rode Gideon up the four-mile trail to the ridge. As long as the light lasted she combed the area looking for the den. Near dark, when she knew her time was running out, she hobbled Gideon in a grassy place and climbed part way down the slope into Big Canyon, a wild area just to the north of the park's boundary over the Texas/ New Mexico border in the Lincoln National Forest.

Perched on an outcropping of limestone, she called down into the forested recesses of the ravines. "Come on kittens, here kitty, kitties. Come on."

The pathetic absurdity of it stung her eyes but she hoped, her heart in her voice, it would trigger some response; a sound from the cougar kittens. For an instant, as the call died away, swallowed by the trees, she thought she heard something. Not mewing, but a strange bird's call, or the wind on a stony bottleneck: four notes from a half-remembered song.

Again and again she called but never heard the sound a second time. Finally she came to doubt she'd really heard anything. Hope was such a creative companion.

Till the moon rose to light their way, Gideon had to pick his way down the mountain in darkness.

That had been nearly a week past. The moon was waning now, the nights dark till after midnight, the moon still up at nine a.m.

Anna could see it, pale against blue sky, over El Capitan. She forced her eyes back down to the 10-343 Case Incident Record she was typing up on the Drury Lion Kill. Offense/ Incident #50-01-00: DEATHS/ACCIDENTAL. Five copies. Five copies of every typographical error she made. This 343 had to be perfect, no strike-overs. This would be the official report requested by Sheila Drury's insurance company. Anna knew she'd end up redoing it half a dozen times unless she could con the secretary or the clerk-typist into typing it for her.

Carpeted half-walls corralled the two clericals in the central area of the administrative offices. The rooms with windows were parceled out to the higher-ups. Government Service and Private Industry did not differ in all respects.

Marta Freeman, the superintendent's secretary, was in the area furthest away. Marta, a determinedly blond, well-endowed woman in her fifties, was given to cleavage, knowing looks, and innuendo. Anna had never felt comfortable with her.

In the next corral, Christina Walters, the clerk-typist, bent over a computer terminal. Her pale brown hair, nearly the color of the oak veneer on the desk tops, fell in a curtain hiding her face. Anna wondered if she dared ask Christina. She scarcely knew the woman. Christina Walters had entered on duty a month or so after Sheila Drury. Most of Anna's time was spent in the field and they had different days off so their paths seldom crossed.

Anna knew she had a little girl who rode a pink tricycle around the housing area on Saturday mornings, wasn't married at the moment, and seemed competent enough. But this was the first time Anna had really noticed her, really looked at her.

Walters was good-looking with a brand of prettiness that was rare in the Park Service. She looked soft. Her hair curled softly, arms and neck and breasts rounded with a softness that somehow fell short of fat. Her muscles weren't corded from carrying a pack, her hands not calloused from shooting or riding or climbing. Her skin wasn't burned brown and creased by the sun and wind.

Urban, Anna thought. Christina Walters had a traditional urban femininity. Strangely, Anna liked it. On another woman it might have set her teeth on edge, but on the fair-haired clerk it looked good. Perhaps, Anna explained the phenomenon to herself, because Christina didn't push it: she chose it.

It crossed Anna's mind to put on a little lipstick and perfume when she got home that night. There'd been a time she'd lived in the stuff, a time she'd required it to feel attractive. With a sudden sense of achievement, she knew she could go back to it now just for fun, just for the sheer sensual pleasure of the commercial feminine luxury.

"Do you need something?" Christina was asking in a low voice with a hint of a drawl and Anna realized she had been staring.

"Do I look that desperate?" she answered with a laugh.

Christina Walters studied her gravely. "Yes."

"I'm afraid I'm fouling up in triplicate here." Anna almost said "fucking up" but there was something about Christina that made her want to seem a gentler person than she was.

"Let me see." Christina walked around the low wall and looked over Anna's shoulder. Delicate perfume drifted from her hair. White Linen, Anna guessed. It suited her.

"It's the 343 on the Drury Lion Kill," Anna said. She half turned in her chair and saw the fleeting freeze on Christina's oval face. An aging, a minute dying, as if for a moment pain- or hatred-had jabbed deep.

"Sony," Anna said with abrupt embarrassment. "I didn't realize you knew her that well."

Christina straightened up, her hair falling to hide her eyes. When she smoothed it back her face was working again. "I didn't know her that well. Here-" she pulled the form out of the typewriter "-it'll only take me a minute." Smiling with what looked like genuine warmth, she fluttered a manicured hand. "Magic fingers."

Anna's radio butted in before she had a chance to say thank you. "Three-one-five; three-eleven."

"Go ahead, Paul.

"Are you near a phone?"

"Ten-four."

"Call me at Frijole. Three-eleven clear."

Anna dialed the Ranger Division's extension and Paul picked up on the first ring. "Mrs. Drury is here," he said. By the formal measured tones, Anna knew Sheila's mother was there in the room with him. "She's come to retrieve Ranger Drury's belongings. Would you accompany her to Dog Canyon and see to it she gets all the help she needs?"

"I'll need a vehicle. I'm in that damned jeep."

"Take mine," Paul said. "Leave the keys in the jeep. I'll use it."

Anna smiled. Paul wanted out from under this chore in a bad way. He was trying to buy her goodwill with the new one-ton Chevy with the fancy arrowheads and striping, flashing light-bars, air-conditioning, and radio console.

"I'll be there in about ten minutes, Paul."

"Ranger Drury's pack will be in the back of the truck. And thanks, Anna." Gratitude warmed his voice.

Perhaps Paul was an empath, she thought as she put the cover back on the abandoned typewriter. Like in the science fiction movies. Maybe other people's pain actually hurt him, even when they were strangers.

"Well, I'm off to Dog Canyon," Anna said to Christina's back. "Mrs. Drury's here to collect Sheila's things. Thanks," she added. "I owe you a beer."

The clerk waved a "De nada."

This beer was a social debt Anna actually considered paying. There was something intriguing about Christina Walters.

Probably just a classy flake, Anna thought uncharitably as she threw her satchel into the jeep. But she was looking forward to that beer.

Mrs. Drury-Mrs. Thomas Drury as she had corrected Paul when he'd introduced her-was in her late fifties or early sixties. Makeup, carefully applied, gave color to her pale skin and muddied her age without making her look younger. Her short, permed hair had been dyed a light brown. Anna assumed the shade was chosen to color the gray but not seem flashy or "fast." Mrs. Drury wore an inexpensive polyester pantsuit of sage green. A purse of the same white leatherette as her low-heeled pumps was clamped tightly beneath one arm. Respectable but not rich, Anna summed her up.

During the two-hour drive to Dog Canyon-twelve miles on foot over the high country, nearly a hundred by road around the park's perimeter-Mrs. Thomas Drury told Anna more than she'd ever wanted to know about the Drury family in general and Sheila in particular.

Sheila's father had died when she was ten "… but in the sixth grade, not the fifth. Sheila may have been odd but she was always bright." Mrs. Drury had gone to work as a secretary then at Minnegasco in St. Paul, Minnesota. It was a good job. She still held it. During the drive from the Dark Canyon turnoff at Highway 62/180 to the Wildersens' goat farm six miles in, she listed the employee benefits.