Lynne Heitman - Hard Landing

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Hard Landing: краткое содержание, описание и аннотация

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On a cold afternoon on the North Shore of Massachusetts, the body of Ellen Shepard is found hanging by the neck in the attic of her home. She leaves no family. She leaves no note. And she leaves vacant her position as the general manager of the notoriously brutal Majestic Airlines operation at Boston’s Logan Airport. The police rule her death a suicide. The company calls it a “tragic loss to the Majestic family.” But the people who worked for her call it what it is-one more victim lost to the devastating secret buried in Logan’s past, and meant to stay there.
Alex Shanahan loves the airline business. At 34 years old, she has no husband, no children, no long-term relationships-not even a dog. She has her job, which over her career has taken her from airport to airport and city to city. She lives among boxes she no longer bothers to unpack and pursues the assignments no one else will take, the ones she considers to be the best opportunities. Taking charge of the Boston operation after Ellen Shepard’s suicide is the perfect challenge for Alex.
From the moment she sets foot at Logan, Alex is pulled into the intrigue of her predecessor’s death. She is welcomed by an obscene depiction of Ellen’s dead body twisting at the end of a rope. It’s a greeting from some of her new employees, a warning that secrets can kill, and a threat that once she knows them it will already be too late.
But Alex wants to know the truth. She follows a trail of corruption and betrayal from the ramp at Logan to the airline’s executive suites. What she uncovers could bring down the airline and destroy the lives and careers of everyone involved. It could also cost Alex her life.

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Dan was past me before I had any chance of stopping him. I saw Little Pete's arm swing around toward the gun.

"Nooooo!" I lunged for his arm, but he whipped around and smashed me in the head with his elbow. Everything flashed white and the bag room tipped like a big, rolling ship. I went all the way to the floor. I saw Dan rush Little Pete-he seemed to be moving very slowly. He went for his knees and Little Pete went down, they both did, falling backward into the open box of rum. The entire case crashed to the ground, rum spilled out onto the floor, and some of the bottles that didn't break shot across the concrete like hockey pucks.

I tried to get up. Everything was going too fast. The two men stayed down for what seemed like a matter of seconds. Dan had landed on top, but then he was on the ground on his back. Little Pete had tossed him aside like a newspaper. Dan came back. Little Pete shoved him again, and this time he bounced off the wall and cracked his shoulder.

Little Pete was reaching to his back, and the thought that any second the gun was going to come out broke through the cotton in my head. But then he fell to his hands and knees, crawling around on the floor. He'd lost it. He'd lost his gun.

My hand found one of the bottles on the floor and I grabbed it. Little Pete was still scrambling for the gun, not paying attention to me.

When he saw me coming, he ducked his head and put his shoulder down. It took both hands to hook him around the neck and keep from flipping over his back. I had to drop the bottle. He reared back like a grizzly bear trying to throw me off, but I held on and found the muffler that was still draped around his neck. I grabbed it, closed my eyes, and squeezed as tight as I could. He gripped my hands and tried to pry me loose. My face was pressed against the back of his head, and the smell of him was in my nose, in my mouth, my head-the sweat and the rum and whatever he put on his hair to make it spike. And blood. He smelled like the blood that was on his shirt. I held on. He tried to shake me off and couldn't. He reached back and tried to pull me forward over his head, and I felt his big, grubby hands groping my back, trying to grab hold. I wrapped my legs around his waist. Then he tried to stand up. I knew once he was up on those powerful legs, he would win.

I heard an ear-splitting yell, felt a brutal jolt, and then all three of us were tumbling through one of the tarps and into a wall. The tarp came down over us like some kind of a jungle trap. In the dark, arms and legs went flying everywhere, nobody landing any punches, nobody having any room.

The tarp came off and we broke apart.

I was on my butt, palms flat to the floor, my back against the wall. My jacket was gone and everything in my body felt broken or ripped. Dan was doubled over holding his gut, coughing up blood and trying to breathe. Little Pete was disappearing behind one of the tarps on his hands and knees, and I knew he would find the gun. I looked up at the wall over my head, then pushed myself up, crawling up by my shoulder blades. My legs didn't want to hold me, and when I made it to the fuse box I couldn't see the switches- something was in my eyes-but I could feel them. I flipped every one. If it was on, I turned it off; if it was off, I turned it on. The lights went out and the room went totally, blessedly dark. I wanted to sink back down to the floor and curl up into a ball on my side.

And then the alarm sounded-three long blasts like the dive signal on a submarine. Yellow-tinted warning lights in the ceiling flashed, making a weird strobe-like effect. A familiar rumble started, stopped, then started again as the bag belt tried to engage, then turned into a train wreck of calamitous noises-high-pitched whining and grinding gears and screeching metal. Angelo's body was mucking up the bag belt works.

I wiped my eyes and looked for Dan. When I got to where he'd been, he was gone.

Under the clanking and grinding, I heard them. The sound of their scuffling was disorienting, suffocating under the flashing lights, and I felt as if something was about to fall on me or into me and I'd never see it coming. I ripped down the tarp that was in my way. As I stumbled toward the two men, I ripped them all down, leaving a trail of plastic dunes in my wake. When I pulled down the last one, I saw Little Pete straightening up and stepping back. It looked like an old black-and-white movie, herky-jerky in the flickering light. Even the grinding belt went silent as he raised his arm and pointed the gun at Dan. But Dan was looking at me.

The shot was so loud, like an explosion. I drove into Little Pete from behind, buckling his knees. He fell over backward on top of me, and some part of me saw Dan go down.

Then I was moving, slipping, stumbling toward the ramp, toward help. It was a straight shot to the door with the tarps down. Just as my hand hit the knob, he was right there. He grabbed my ankle and I fell through the door, onto the ramp and into the storm. My chin hit the hardpacked ice and snow, jarring every tooth in my head. The door had slammed open, bounced against the wall, and slapped back against my elbow, but I couldn't feel it. All I could feel was his grip, like an iron manacle as he tried to pull me back in. I clamped onto the doorjamb with both hands as he gave my leg a vicious yank, lifting me off the ground and nearly ripping both shoulders from their sockets. It was harder and harder to hold on with fingers that were cold and numb. I was slipping, gasping, the door was flapping, and right in front of my nose was the brick … the brick. The doorstop brick was there. Rough and hard and heavy and within my reach. But I had to let go of the doorjamb… only one chance to do it right… try to pull myself forward… aching arms, then let go…

He pulled me inside, but when I rolled onto my back, I had the brick in my hands. I aimed for the top of his skull, but it was so heavy I couldn't wield it fast enough and he had time to flinch. I got him on the side of the head, yet it was enough that he let go and stumbled back and I was up and running. Cold air and wet snow blasted me. I was slipping, barely staying on my feet, moving across the ramp. I turned to look and he was coming, goddamn him, he was coming with the gun in his hand, mouth open, screaming. But I couldn't hear above the roaring.

The Beechcraft was still there. When he raised the gun, I ran to the far side, putting the aircraft between us. I stayed behind the wing, well back of the engines because- because they were running. This airplane was going to move. I leaned down to peer under the belly, to find where he was. He was crouched on the other side, one hand down on the ramp for balance, staring back at me. For a split second we watched each other. The wind was still blowing, the snow was coming down, the noise was deafening, and he was just staring at me.

Then I saw a light, two headlamps and flashing lights coming toward us. I broke forward toward the nose but slipped and fell. From the ground, I saw that he was standing, saw his legs as he circled toward the front of the aircraft. I tried to get up and fell again- this time, I thought, for good because he was rounding the nose cone, coming straight at me.

Behind me the engines revved. The aircraft was about to roll. Every instinct pushed me away, out of its path, but I made myself go backward, crawl on sore elbows, back toward the engine and under the wing. Just as Little Pete cleared the nose cone, the faint whine of a siren began to break through. He heard it, too, because as he came toward me, he smiled and shook his head as if to say, "Too late." He stopped. He raised the gun. The aircraft began to move, and all I could think was that it was so loud I wasn't even going to hear the sound of the shot that would kill me.

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