Lynne Heitman - Hard Landing

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Hard Landing: краткое содержание, описание и аннотация

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On a cold afternoon on the North Shore of Massachusetts, the body of Ellen Shepard is found hanging by the neck in the attic of her home. She leaves no family. She leaves no note. And she leaves vacant her position as the general manager of the notoriously brutal Majestic Airlines operation at Boston’s Logan Airport. The police rule her death a suicide. The company calls it a “tragic loss to the Majestic family.” But the people who worked for her call it what it is-one more victim lost to the devastating secret buried in Logan’s past, and meant to stay there.
Alex Shanahan loves the airline business. At 34 years old, she has no husband, no children, no long-term relationships-not even a dog. She has her job, which over her career has taken her from airport to airport and city to city. She lives among boxes she no longer bothers to unpack and pursues the assignments no one else will take, the ones she considers to be the best opportunities. Taking charge of the Boston operation after Ellen Shepard’s suicide is the perfect challenge for Alex.
From the moment she sets foot at Logan, Alex is pulled into the intrigue of her predecessor’s death. She is welcomed by an obscene depiction of Ellen’s dead body twisting at the end of a rope. It’s a greeting from some of her new employees, a warning that secrets can kill, and a threat that once she knows them it will already be too late.
But Alex wants to know the truth. She follows a trail of corruption and betrayal from the ramp at Logan to the airline’s executive suites. What she uncovers could bring down the airline and destroy the lives and careers of everyone involved. It could also cost Alex her life.

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"Is that you, Dan?"

The second thud had a different quality, more like a deliberate kick, followed by "JesusChristsonova bitch. Yes, it's me."

I let out the deep breath I hadn't even known I'd been holding, climbed the steep stairs, and emerged through a planked floor into the attic. It smelled of mothballs and lumber, and my eyes were drawn immediately to the apex of that familiar pitched roof where I knew Ellen had hung from a rope until Dan had come to find her.

He was sitting on a trunk rubbing his shin. He must have left his coat and tie somewhere. His collar was unbuttoned and I could see the band of his cotton T-shirt. It was warmer in the attic than any other part of the house, except for Ellen's closet maybe, but still cold. I picked my way over to where he was sitting, careful not to step off the planks.

He looked up at me. "What do you think 'fish' means?"

"Is this a trick question?"

"Look at this." He handed me a page from a desk calendar for Monday, December 22, 1997, with the handwritten notation that said FISH 1016.96A.

"Fish? I have no idea. Was this in her office?"

"On the floor behind the desk."

"On the floor? Where's the rest of the calendar?"

"Gone. So's the tape from her answering machine."

"Which one? Inbound or outbound?"

"They're both gone."

"Wow," I said, "that sounds kind of… not random. As if whoever took them knew her and had talked to her on the phone. That wouldn't be Little Pete, would it?"

"It could have been if he was calling in threats to her."

"I guess you're right. The rest of the house doesn't look as if it's been searched. If someone's been in here, they were looking for something specific and they knew where to look." I tapped the calendar page with a fingernail as I tried to think about what we hadn't found. "Did you find any computer diskettes? Or maybe an organizer? Did she carry a briefcase?"

"There's no organizer or disks. Her briefcase is downstairs, but there's nothing in it but work stuff."

"What about her car?"

"It's in the garage. I checked it a few days ago. There's nothing in it."

I looked at the note again. Fish. What could that possibly have to do with anything? He waved me off when I tried to give it back to him. "You keep it. I'll just lose it."

I stuck the calendar page into the pocket of my coat and sat next to him on the trunk. "You have no idea what they might be looking for?"

"Not a clue."

The space was large for an attic. Several matching footlockers were randomly scattered around the floor, as was some old furniture, too tacky to have been Ellen's. For an attic the place was clean, but still not the image I would want to take to my grave. Several cardboard boxes were stacked neatly to one side. "Have you checked these boxes?"

"No. That's why I came up here. Want to take a look?"

We went through the boxes and lockers. Each one had a colored tag, the kind the movers use for inventory, and it made me think about my own moving boxes, which had tags on top of tags. We found nothing that you wouldn't expect to find in the attic- Christmas ornaments and old tax records and boxes of books and clothes. The most intriguing box was labeled personal mementos. I wanted to sit in the attic, take some time, and go through it piece by piece, but for reasons other than what we'd come for. I wanted to find out about Ellen.

When we were finished, Dan and I sat on a couple of the lockers and looked at each other. Illuminated by the bare bulb from the ceiling, his face was all pale angles and deep hollows.

"She didn't have any shoes on."

"What?"

"The rope was over that high beam there." He pointed up into the apex of the roof. "One end of it, anyway. The other end was knotted around that stud. The cops think she climbed up on this and kicked it over." He went over to one of the lockers and nudged it with his toe. "She was wearing some kind of a jogging suit thing, but nothing on her feet. They were white. That's what I saw first when I came up the stairs. Her feet were totally white and… I don't know… like wax or something. It's funny because it was pretty dark up here, but there was light coming from somewhere." He checked around the attic, finding a window at the far end covered with wooden slats, like blinds closed halfway. "Through there, I guess. She was facing me. Hanging, but perfectly still, which was weird. And her eyes… I thought your eyes closed when you died." He bowed his head, and when he raised it again, the light over his head showed every line in his face. "When I think about that day, I still think about her feet. I'd never seen her bare feet."

He found the trunk again, sat down, and put his face down in his hands. "I'm so tired tonight."

I didn't know what to say, so I said nothing. I thought about what it must have been like for him standing by himself in the attic, looking at her that way. I wondered how something like that changes you. As I watched him rubbing his eyes, I found myself wishing I had known him before he had seen her that way.

"Did you see any mail when you were downstairs?" He'd summoned the energy to stand up.

"No, come to think of it. But I wasn't looking."

"I'm going down to see if I can find it."

"I'll be right down. I'm going to turn off the lights first." And I wanted something from her closet. I didn't know why, but I wanted her running log. As Dan clopped loudly down the wooden stairs, I took one last look around the attic and the personal mementos box caught my eye again. It had neat handles cut into the sides, and when I picked it up, it wasn't heavy. I decided to take it also because it didn't belong in the place where she'd died.

I carried the box and the running log to the bottom of the staircase and went back up to get the lights. Dan had not only left every light burning in every room he'd searched, he'd also left a couple of drawers open in Ellen's desk along with the cassette door on the answering machine. Dan was right. Both of the tapes were missing. I had closed everything up and reached over to turn off the desk lamp when I noticed the red light on the fax machine. It was out of paper. According to the message window, there was a fax stored in memory. I knew Ellen would have paper nearby, and it didn't take long to find it. I dropped it in the tray and waited. After a few beeps, the machine sprang to life, sucked one of the pages into the feeder, and started to turn it around, spitting it out, bit by tiny bit. With a surge of nervous anticipation I plucked it out. A second one started right behind it.

It was written in cutout letters like a ransom note. It wasn't addressed to me. It wasn't meant for me, but it still made me shaky enough that I had to sit down. It said, "Ellen Shepard is proof that dogs fuck monkeys." I sat in her chair and stared at it. It had to be from someone at the airport, from one of her employees, and how sick was that? Having to show up at work every day knowing that you might be glancing at or talking to or brushing past the person who wrote this? Thinking about harassment in the abstract was one thing. Holding it in your hands was another.

Probably because I knew what was coming, the second one seemed to take even longer. This one was handwritten, the message scrawled diagonally. "Mind your own business, cunt."

And they kept coming, one after another, each more crude and disgusting than the last. As they rolled off, I checked the time and date stamps and the return fax number. They'd all been sent in the middle of the night from the fax machine in the admin office-my office. But at least they were old. At least there wasn't someone at the other end right this minute feeding the stuff in as fast as I could pull it off. Real-time torment-that was a thought that made my stomach lurch, and it occurred to me that maybe she had left the paper tray empty for a reason.

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