Victor Gischler - The Pistol Poets

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The Edgar-nominated author of Gun Monkeys is back with a thrill-a-minute suspense novel that mixes crime and academia-with hilarious results. Here Victor Gischler draws us into a wild and wicked world, where tenured professors are busy burying bodies, cash-up-front P.I.'s hunt for missing coeds and one desperate street-tough has to decide which he'd rather be: a live poet or a dead criminal.
An unlucky grad student just got himself killed in a robbery gone bad. And as lowly drug lieutenant Harold Jenks races with the killer out of the alley, a light goes off in his head: He'll steal the dead kid's identity. Now Jenks, who once lorded it over seven square blocks in East St. Louis, is headed due west. With a.32 in his pocket, a 9mm Glock taped across his back, and a rap sheet nearly as long as Finnegans Wake, he's cruising the halls of academia as Eastern Oklahoma U's newest grad student, looking for action and hoping he can stay one couplet ahead of his violent past.
While this new bad boy on campus makes mincemeat of his metaphors, across campus visiting professor Jay Morgan has a more pressing problem: What to do about the dead coed in his bed. The professor's no killer, but try telling that to private eye Deke Stubbs. With the professor on the lam and Stubbs hot on his trail, more trouble blows into town. Now, as St. Louis drug boss Red Zach and his minions converge on Fumbee, Oklahoma, looking for a consignment of missing cocaine, the bullets start flying faster than the zingers at a faculty hate fest. For Morgan and Jenks, now desperate fugitives from poetic justice, survival means learning new skills-and learning fast. Because if they find out they're bottom-of-the-class, that means they're already dead.
Featuring the sleaziest, sorriest, and most captivating group of criminal lowlifes, sexed-up academics, poets, and rappers ever to collide in one crime novel, The Pistol Poets speeds deliriously to its electrifying payoff.

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Behind him, a toilet flushed. One of the stall doors creaked open. Morgan turned and looked into the bloodshot eyes of Professor Larry Pritcher. He stood stiff, neck still in the brace. The professor had tacked up a “wanted” poster offering a reward for information leading to the person or persons who’d assaulted him with Finnegans Wake.

“Oh, hello, Morgan.” Pritcher talked through clenched teeth. “Hope you don’t mind if I don’t shake hands. I can barely lift my arms.”

“Did they… uh… ever find out who attacked you?” Morgan asked.

“No. I suspect a disgruntled undergraduate. I was rather free with the F’s last semester. My own injuries are of little consequence, but my Italian ten-speed was damaged beyond repair.”

“How’s the reading going?”

“Every poem feels like a punch in the face,” Pritcher said. “I’d go home except for the blizzard. Take care, old boy.”

Pritcher left the men’s room. Morgan splashed more water on his face, scooped some into his mouth, and swallowed. He dried himself with a paper towel.

Back in the lobby he flagged down two kids, torn jeans, skateboarder haircuts. “Who’s reading?”

“Some fag,” said the kid. “It sucks. We’re leaving.”

Wouldn’t that be nice, thought Morgan. To live such a simple life. It sucks. I’m leaving.

He stopped at the door to the auditorium. Maybe he could. Why not? Why couldn’t he just leave? Why should the skateboard kids have more freedom than he? Jones didn’t need him anymore. He’d make or break on his own. The dean expected him to make an appearance. Ostensibly, this was Morgan’s show. It had been his responsibility to get Ellis into shape for the reading. But there was no Ellis. The show, apparently, was a drag and would go down in history as the most embarrassing thing that had ever happened in Green County.

The hell if Morgan would stick around for that. He headed for the door but stopped when he heard the girl with orange hair back at the podium. The first two readers were done, and she was getting reading to introduce the old man.

Okay , Morgan told himself. He’d stay for one poem, see if the old man fainted or what. Morgan could at least do that.

The orange-haired girl said, “I’ve been asked to read this before we introduce our final reader.” She had a card in her hand. “The national weather service has issued a severe storm warning for eastern Oklahoma and parts of western Arkansas. I’ve been told that Fumbee city workers are now getting the plows out of the garages, but it will be a while before the roads are safe for travel.”

A low, hopeless groan rose from the crowd.

“But not to worry,” she said. “We have another fine poet for your entertainment. Originally, Sherman Ellis was scheduled to read, but there’s been a change. I’d like to introduce our next reader, Mr. Fred Jones.”

It took the old man long seconds to cross the stage. He looked ridiculously small and frail from the back of the auditorium. Someone giggled. The old man reached the podium, shuffled his papers, and wiped sweat off his forehead with a bony hand. Morgan’s heart broke a little bit.

He couldn’t quite see the bigwigs in the front row, but Lincoln Truman’s head leaned toward the dean’s. Confused murmurs.

“I’m Fred Jones,” he said into the microphone. He cleared his throat. “My first poem-”

Morgan couldn’t stand it. He closed the door, turned around, and headed for the nearest exit. He felt queasy, guilty. His hand reached for the door and froze when he heard the laughter. Aw hell, they’re laughing him off the stage. Aw, shit.

Go, get out the door, he told himself. You didn’t ask for any of this . But Morgan couldn’t move, couldn’t leave the old man. He went back, flung open the door in the back of the auditorium.

And the cheers washed over him. Students on their feet, howling.

Morgan blinked, rubbed his eyes to see if somehow Metallica had appeared and taken the stage. No. It was the old man. He shuffled his papers again and leaned toward the microphone. “My next poem is called ‘The Zydeco Gangster.’ ” He read:

When I came from Philly to the Big Easy in ’72
in a baby blue Impala full of smack,
I was already pushing gray around the ears.
And I don’t move so quick no more,
and the back gives me trouble,
and the hands are kinkin’ up.
The hands are key.
So when the dagos hired me
to work the Quarter,
I got a big moulie shadow to do the bone work.

The old man’s narrative unfolded. He read it like a pro, voice spinning its magic over the crowd. Morgan too was mesmerized. Jones was a natural. His gift radiated from him like a beacon.

So I went to hear his song
on a humid night in some bayou shithole,
and Che was huffin’ on the accordion,
and another bony moulie
was beating time on a washboard,
and the shuffling, breathless racket
sounded like the time we leaned on Tiny Allen
in the homo bar
at the rotten end of Bourbon.

The poem was sad and sweet and nostalgic, yet comic at the same time. Morgan did not remember this one. It hadn’t been in the stack of papers the old man had handed to him weeks ago.

So I’m talking to Little Mike on the phone
with Big Mike on the extension
and they say everything is jake back in Philly.
I try to explain the zydeco shakedown,
and how it’s so different from
the tearful, slow Pagliacci pleading
when we’d bear down on the mark
like a lumbering toilet-paper mummy
in a Peter Cushing flick,
but they don’t get it.
So I ask Big Mike if he remembers the time
we chopped down the glassblower over on Sullivan the brrrrpt da bript brip chingle chingle bript
when we riddled his display cases with Mac-10s,
the nine-millimeter percussion
the tambourine tinkle of broken glass,
and I think he’s starting to get zydeco.
And we laughed and laughed
and wondered if the Motor City fellas
do it to Smokey Robinson.

The crowd roared, the applause shaking the building. It was right up their alley. A whole generation who’d thought poetry had to be about flowers and bumblebees. Now they’d heard poetry on steroids. Gritty. Extreme poetry like in a Mountain Dew commercial. Morgan stayed to hear three more. The old man’s voice had found strength. Perhaps they enjoyed it for the wrong reasons. Maybe there are no right or wrong reasons. It might not have been the reading Dean Whittaker wanted, but Morgan thought it was beautiful.

forty-four

Even over the blizzard, Morgan still heard the kids cheering. The snow mixed with a little sleet. Morgan didn’t care, didn’t mind that it stung his face. His smile was a mile wide. Something good and right had finally happened. Morgan ducked his head into the wind, put one foot in front of the other toward Albatross Hall. He wanted to find Valentine, have a drink, toast to Fred Jones’s success. It was after working hours, and the main doors were locked. His keys jingled in his shaking hands. Finally, he found the slot, inserted, turned the key, and pushed the door open. They grabbed him by both arms, rushed him into Albatross Hall, and shoved him to the floor. Morgan hit hard. He flipped over, looked up at ten black men in long coats. All had pistols out. A man in a bright yellow suit pointed down at him. “Stay put, motherfucker.” Morgan nodded. “Okay.” “Anybody else in this building?” “I don’t think so,” Morgan lied. “What’s up there?” The black guy in charge pointed his gun at the ceiling. “Dorms or something?” “Offices.” “What you doing here?” “My office. I left something. A book.” Morgan looked at the guns pointed at him and felt sick. “There’s nothing here of any value. What do you want?” “We’re gonna go upstairs and kill everyone we see.” Morgan gulped. What the hell’s going on? “What you want to do, Zach?” one of them asked. The man in yellow said, “Fan out and search the floor. We’ll work our way up. If Maurice said they were here, then they’ve got to be here someplace.” “We ain’t seen Maurice.” “We’ll find him,” Zach said. “What about this guy?” Zach’s henchman indicated Morgan with a trigger-pulling motion to the head. “Don’t shoot. They’ll hear it upstairs,” Zach said. “Just knock him a good one.” The henchman leaned over Morgan. The butt of his pistol came down sharp and fast across the back of his skull.

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