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James Patterson: Thriller: Stories to Keep You Up All Night

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James Patterson Thriller: Stories to Keep You Up All Night

Thriller: Stories to Keep You Up All Night: краткое содержание, описание и аннотация

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An anthology of stories Be prepared to be thrilled as you've never been before Featuring North America's foremost thriller authors, Thriller is the first collection of pure thriller stories ever published. Offering up heart-pumping tales of suspense in all its guises are thirty-two of the most critically acclaimed and award-winning names in the business. From the signature characters that made such authors as David Morrell and John Lescroart famous to four of the hottest new voices in the genre, this blockbuster will tantalize and terrify. Lock the doors, draw the shades, pull up the covers and be prepared for Thriller to keep you up all night. *** "Thriller will be a classic. This first-ever collection of thriller stories, from the best in the business, has it all. The quality blew me away." – Greg Iles "The best of the best storytellers in the business. Thriller has no equal. Action, intrigue, and entertainment at the highest level. Adventure on a grand scale you won't forget." – Clive Cussler "Thriller is entertaining, fast-paced, and just plain fun. It will take you to the most terrifying heights of suspense." – Tess Gerritsen

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At the time Child was also an experienced media professional, aware that his second book had to be written before significant reaction to his first had even been received. To avoid stereotyping- which can affect a writer as much as any performer-Child determined to make his second book, Die Trying, as different as possible, albeit part of the same series. His plan was to stake out a wide "left field, right field" territorial span between books one and two, one in which the rest of the series could happily roam. Therefore Die Trying featured third-person narration and a classic high-stakes, multi-strand thriller structure. But, in its first draft, that structure went one strand too far. There was a character-James Penney-who had an appealing introduction and backstory, but who clearly didn't have any valid place to go. So Penney wasn't featured in the completed novel. Instead, he languished on Child's hard drive until a request came from an obscure British anthology for a short story. Child repackaged Penney's narrative and added a prequel-style ending, featuring a brief glimpse of Jack Reacher's early career. The story was published, but with limited distribution. Now it comes to life again, revised and renewed, in hopes of reaching a wider audience.

JAMES PENNEY'S NEW IDENTITY

The process that turned James Penney into a completely different person began thirteen years ago, at one in the afternoon on a Monday in the middle of June, in Laney, California. A hot time of day, at a hot time of year, in a hot part of the country. The town squats on the shoulder of the road from Mojave to L.A. Due west, the southern rump of the Coastal Range Mountains is visible. Due east, the Mojave Desert disappears into the haze. Very little happens in Laney. After that Monday in the middle of June thirteen years ago, even less ever did.

There was one industry in Laney. One factory. A big spread of a place. Weathered metal siding, built in the sixties. Office accommodations at the north end, in the shade. The first floor was low grade. Clerical functions took place there. Billing and accounting and telephone calling. The second story was high grade. Managers. The corner office on the right used to be the personnel manager's place. Now it was the human resources manager's place. Same guy, new title on his door.

Outside that door in the long second-floor corridor was a line of chairs. The human resources manager's secretary had rustled them up and placed them there that Monday morning. The line of chairs was occupied by a line of men and women. They were silent. Every five minutes the person at the head of the line would be called into the office. The rest of them would shuffle up one place. They didn't speak. They didn't need to. They knew what was happening.

Just before one o'clock, James Penney shuffled up one space to the head of the line. He waited five long minutes and stood up when he was called. Stepped into the office. Closed the door behind him. The human resources manager was a guy called Odell. Odell hadn't been long out of diapers when James Penney started work at the Laney plant.

"Mr. Penney," Odell said.

Penney said nothing, but sat down and nodded in a guarded way. "We need to share some information with you," Odell said. Penney shrugged at him. He knew what was coming. He heard things, same as anybody else.

"Just give me the short version, okay?" he said. Odell nodded. "We're laying you off." "For the summer?" Penney asked him. Odell shook his head. "For good," he said.

Penney took a second to get over the sound of the words. He'd known they were coming, but they hit him like they were the last words he ever expected Odell to say.

"Why?" he asked.

Odell shrugged. He didn't look as if he was enjoying this. But on the other hand, he didn't look as if it was upsetting him much, either.

"Downsizing," he said. "No option. Only way we can go." "Why?" Penney said again.

Odell leaned back in his chair and folded his hands behind his head. Started the speech he'd already made many times that day.

"We need to cut costs," he said. "This is an expensive operation. Small margin. Shrinking market. You know that."

Penney stared into space and listened to the silence breaking through from the factory floor. "So you're closing the plant?"

Odell shook his head again. "We're downsizing, is all. The plant will stay open. There'll be some maintenance. Some repairs, overhauls. But not like it used to be."

"The plant will stay open?" Penney said. "So how come you're letting me go?"

Odell shifted in his chair. Pulled his hands from behind his head and folded his arms across his chest defensively. He had reached the tricky part of the interview.

"It's a question of the skills mix," he said. "We had to pick a team with the correct blend. We put a lot of work into the decision. And I'm afraid you didn't make the cut."

"What's wrong with my skills?" Penney asked. "I got skills. I've worked here seventeen years. What's wrong with my damn skills?"

"Nothing at all," Odell said. "But other people are better. We have to look at the big picture. It's going to be a skeleton crew, so we need the best skills, the fastest learners, good attendance records, you know how it is."

"Attendance records?" Penney said. "What's wrong with my attendance record? I've worked here seventeen years. You saying I'm not a reliable worker?"

Odell touched the brown file folder in front of him.

"You've had a lot of time out sick," he said. "Absentee rate just above eight percent."

Penney looked at him incredulously.

"Sick?" he said. "I wasn't sick. I was post-traumatic. From Vietnam."

Odell shook his head again. He was too young. "Whatever," he said. "That's still a big absentee rate." James Penney just sat there, stunned. He felt like he'd been hit by a train.

"We looked for the correct blend," Odell said again. "We put a lot of management time into the process. We're confident we made the right decisions. You're not being singled out. We're losing eighty percent of our people."

Penney stared across at him. "You staying?"

Odell nodded and tried to hide a smile but couldn't.

"There's still a business to run," he said. "We still need management."

There was silence in the corner office. Outside, the hot breeze stirred off the desert and blew a listless eddy over the metal building. Odell opened the brown folder and pulled out a blue envelope. Handed it across the desk.

"You're paid up to the end of July," he said. "Money went in the bank this morning. Good luck, Mr. Penney."

The five-minute interview was over. Odell's secretary appeared and opened the door to the corridor. Penney walked out. The secretary called the next man in. Penney walked past the long quiet row of people and made it to the parking lot. Slid into his car. It was a red Firebird, a year and a half old, and it wasn't paid for yet. He started it up and drove the mile to his house. Eased to a stop in his driveway and sat there, thinking, in a daze, with the engine running.

He was imagining the repo men coming for his car. The only damn thing in his whole life he'd ever really wanted. He remembered the exquisite joy of buying it. After his divorce. Waking up and realizing he could just go to the dealer, sign the papers and have it. No discussions. No arguing. He'd gone down to the dealer and chopped in his old clunker and signed up for that Firebird and driven it home in a state of total joy. He'd washed it every week. He'd watched the infomercials and tried every miracle polish on the market. The car had sat every day outside the Laney factory like a bright red badge of achievement. Like a shiny consolation for the shit and the drudgery. Whatever else he didn't have, he had a Firebird.

He felt a desperate fury building inside him. He got out of the car and ran to the garage and grabbed his spare can of gasoline. Ran back to the house. Opened the door. Emptied the can over the sofa. He couldn't find a match, so he lit the gas stove in the kitchen and unwound a roll of paper towels. Put one end on the stove top and ran the rest through to the living room. When his makeshift fuse was well alight, he skipped out to his car and started it up. Turned north toward Mojave.

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