Carla Neggers: Tempting Fate

There had been no reconciliation, no understanding. Twenty-five years later, Eugene Chandler remained horrified and humiliated by what he regarded as his older daughter’s betrayal, her underhandedness. He continued to believe that by encouraging Lilli to be something she wasn’t, Nick Pembroke bore at least partial responsibility for her disappearance.

The story of Casino picked up where The Gamblers had left off. It painted a less romanticized, more realistic picture of Ulysses Pembroke, not shying away from how he’d gambled away his fortune at Saratoga ’s gaming tables and New York ’s stock market, how he’d wanted desperately to do the right thing but always came up short. In Casino he didn’t get the girl, and he didn’t ride off into the proverbial sunset. As in real life, he was shot dead by an anonymous sore loser outside Canfield Casino, now a Saratoga landmark. Three weeks later his wife gave birth to their son on the gleaming ballroom floor of the outrageous mansion he’d built near the Saratoga Race Course. Unable to find a buyer for her husband’s eclectic, unaffordable estate, his widow had stripped it of anything she could sell to make a life for herself and her child.

The last scene in the movie showed her holding her baby as she gathered up the keys to every wrought-iron gate on the property. Ulysses had had two keys made for each gate, one of brass, one of gold. His widow sold off the gold keys.

It was a nice touch-an example of Ulysses Pembroke’s profligacy. For years Dani had thought it pure fiction. She’d never seen hide nor hair of any gold keys.

Until a few weeks ago.

While rock climbing on the old Pembroke estate, she’d run across an old gate key on a narrow ledge. It turned out to be twenty-four-karat gold. And it matched exactly the brass key to the wrought-iron gate of the pavilion at the springs.

Dani had hung both keys on a gold chain. They’d attracted no comments whatever in New York. Her consultants apparently had been more interested in looking into her eyes for any sign she was going off the deep end.

She touched the keys as she watched the movie. In a performance as enriching as it was painful, the thirty-year-old heiress to the Chandler fortune managed to capture not only the soul of her character-a stunning, tragic singer in late Victorian America, a complex woman of torn loyalties and dreams she herself didn’t dare acknowledge-but also of countless women like her. She bridged the gap between rich and poor, between educated and illiterate, between virgin and harlot.

Lilli Chandler Pembroke tore out her own heart and gave it to every woman in her audience.

To her own daughter.

Yet if millions of moviegoers had their image of the famous missing heiress forged by her one short, unforgettable scene in Casino, Dani’s central vision of her mother was of her smiling and waving from the basket of a hot-air balloon.

She’d looked so happy.

As Dani had called up to the balloon as it lifted off with her promise to save her some raspberries, she’d never guessed-couldn’t have imagined-that she’d never see her mother again.

It was late when the theater emptied, but Saratoga was a late-night town, and the sidewalks were still crowded. Dani cut through Congress Park, past stately Canfield Casino. She wouldn’t have been surprised if she walked right over the spot where Ulysses Pembroke had been murdered.

On the other side of the park she crossed onto Union Avenue, a wide street lined with beautifully restored Victorian houses. The air was cool, fragrant with grass, pine and summer flowers. She passed the historic racetrack, quiet so late at night, its tall, pointed wrought-iron fences and red-and-white awnings silhouetted against the dark grounds.

Soon she came to the narrow, unpretentious driveway and discreet sign that marked the entrance to the Pembroke. Not long ago there’d been no sign, just the crumbling, pitted driveway. No more. Transforming Ulysses Pembroke’s dilapidated house and grounds into an inn and spa had been Dani’s biggest gamble. So far, it looked to pay off.

The biggest miracle, she thought, was that Nick hadn’t sold the property to a mall developer years ago, never mind that she’d threatened everything short of murder if he did. Instead, she’d leased the land from him and revived Ulysses’s long-defunct mineral springs, turning it into a profitable company that enabled her to buy out her grandfather. Of course, Nick liked to claim he’d never have sold out on her. Hadn’t he hung on to the old place, let it be a drag on his finances, for decades? But Dani was unimpressed. Nick Pembroke was a gambler. This time he’d just gambled on her.

Walking up the driveway, she could smell the roses even before she passed the rose garden she’d restored, first on her own, with goatskin gloves and some books on roses, then later with a gardener and landscape architect. The garden was free and open to the public, as Ulysses Pembroke himself had intended when he’d first planted roses there over a hundred years ago.

Beyond the gardens the paved road veered to the right, onto the hillside where she could see the lights of the main house through the trees. It was as big and ugly and ostentatious-and amusing-as one would have expected of someone as grandiose as her great-great-grandfather. The outbuildings were just as unconventional: a sixteenth-century stable the legendary rascal had had shipped stone by stone from Ireland; a Vermont red barn for which he’d had no discernible use; a marble bathhouse with Roman columns. There were two guesthouses and more gardens-informal, formal, vegetable, flower, herb, perennial, annual. Dani had had everything gutted, renovated, spruced up, modernized, restored-whatever was necessary, she did.

Risky, maybe, but what was the worst that could happen? She could fulfill her Chandler grandfather’s expectations and fall flat on her face.

She didn’t follow the road up to the main buildings now. Instead she headed straight along a narrow dirt road, onto a wooden bridge. She could hear the brook below her tumbling over rocks. The dirt road curved sharply to the right and opened into a clearing. In the middle stood her gingerbread cottage. She’d had it painted pink, mauve and purple, planted its front yard with a wild-looking mix of flowers. The area bordered woods that led to the far edge of the estate and Pembroke Springs.

Dani went into the cottage through the front door and shook off the nostalgia that had gripped her since arriving back in Saratoga. She sorted through her mail. There were more cards from friends congratulating her on the opening of the Pembroke, and there were more requests for media interviews. Please, wouldn’t she reconsider her aversion to reporters? Her marketing team had counseled that the judicious, well-rehearsed interview could be good for business. Dani had countered that business was fine.

On the bottom of the pile was the card from her aunt.

She’d been expecting it.

It was burgundy on cream-the Chandler racing colors-and addressed to Miss Danielle Chandler Pembroke, inviting her to the hundredth annual Chandler lawn party next Friday evening.

Dani was always invited. She just wasn’t expected to attend.

Twenty-five years.

She dropped the card into the trash and made herself a cup of chamomile tea, wondering if she should even bother going to bed. She knew she’d never sleep tonight.

“You and your kooky office.”

Dani grinned up at Ira Bernstein from the overstuffed couch in her office at the Pembroke. She’d been at work since dawn; it was now just before noon. She had her feet up on a coffee table of cherrywood and green-tinted glass she’d picked up at a yard sale in the Adirondacks. She liked to think of it as art deco. Ira insisted it was junk.