Ridley Pearson - Killer Weekend

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The #1 New York Times bestseller returns with a completely new setting-the magnificent natural beauty of Sun Valley, Idaho -and a heart-stopping story in which a local sheriff struggles to protect a controversial politician from the elegant plan of a hired assassin.
Eight years ago, in Sun Valley-snowcapped playground for the wealthy and ambitious-all that stood between U.S. Attorney General Elizabeth Shaler and a knife-wielding killer was local patrolman Walt Fleming. Now Liz Shaler returns to Sun Valley as the keynote speaker of billionaire Patrick Cutter's world-famous media and communications conference, a convergence of the richest, most powerful business tycoons. The controversial attorney general is expected to announce her candidacy for president. It's a media coup for Cutter-but a security nightmare for Walt Fleming, now the county sheriff.
As the Cutter conference gets under way, authorities learn of a confirmed threat on Shaler's life, and various competing interests-the Secret Service, the FBI, Cutter's own security forces -begin jockeying for jurisdiction. Amid the conference's opulent extravagances, Walt is suddenly shaken by an apparent murder, his nephew's arrest, and a haunting legacy from his family's past. The clock ticks down toward Shaler's keynote address as we track the chilling precision of her assassin's preparations.

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“You’re flipping me out. What do you mean ‘not an accident’?”

“I need your passport on my desk by five P.M. I don’t get it by five, I’ll seek a warrant.”

“Where are you coming from? Me? I liked Allie. Not an accident? Leave me out of this. Please.”

“No way to do that. I’m sorry to say this, Danny, but you might want to call Doug.” Doug Aanestad had served as Danny’s attorney during the drug bust.

“I’m starting over here. I actually have something good going.” He was pleading now. He looked a little pitiful. Sounded childish as he mumbled, “I have a business plan. A good one. Ask Paddy. Come on, Walt. You know this town. I’m toast.”

“It’s messy,” Walt said. “I wish I could tell you otherwise.”

“Me in a mess?” Danny asked, sarcastic anger boiling out of him. “Now there’s something new. Give me a break, Walt. Come on! Please.”

As Walt stood, he stopped the iPod from recording and pocketed the device. He placed a hand on Danny’s shoulder, tried to think of something to say, then turned for the door.

Sixteen

F iona was leaning against the Cherokee’s front bumper, impatiently tapping a newspaper against her thigh. She wore khaki capris and a lavender shirt with oversized white buttons. Valet parking had left the Cherokee under the lodge’s massive portico out of the noonday sun. Walt unlocked it with the remote, and Fiona climbed in without invitation.

As Walt took the wheel she said, “Drive me over to my car, please. It’s too hot to walk, and I’ve been waiting an eternity.” She rolled down the window. “I looked for you everywhere.”

“You could have called,” he pointed out.

“I tried. You weren’t picking up.”

“Ah…I was in the basement. The bowling alley.”

She looked at him askance.

“Business,” he said. “I’m a sucky bowler. Don’t go there.”

“It’s my fault,” she said, as Walt turned into the massive parking lot looking for her car. He hoped she might direct him, but her tone told him to keep his mouth shut. “You know when you’ve got a name or something right on the tip of your tongue, but you can’t for the life of you remember it? It was like that for me.” She looked at him, her eyes begging that he make the connection.

Walt stared back blankly.

“The bird droppings,” she said, holding the newspaper out in front of him now and blocking his vision.

He took her by the wrist, moved the paper out of his way, and pulled over. “What about them?”

“I made the photos.”

“I was there, Fiona. I know that.”

“Not those photos,” she said dismissively, as if it was the clearest thing in the world. “Read!”

Walt took the paper from her. It was folded open to page five. The article was titled “Bombs Away: County Pound Goes to the Birds.” Walt recalled his father teasing him about the article.

“And there’s something else-” she said.

Walt cut her off. “Let me read.”

“I blew it.”

“Hang on. Swallows at the pound,” he said, remembering.

“Hundreds of them leaving bird droppings on all the cats and dogs,” she said, caught up in his enthusiasm. “The health department threatened-”

“To close them down. Yes.”

“Bird droppings, Walt.” She stared at him, once again somewhat condescendingly. “The cougar that was darted was transferred to the Humane Society until Fish and Game figures out what to do with her. She was at the pound, Walt.”

“Oh, shit.”

“Yeah. That’s about the size of it.”

Seventeen

W alt entered the shed extension of the Humane Society a few minutes behind his deputy, Randy Anderson, and a few minutes ahead of Fiona, who’d headed home to pick up equipment. The garish green steel building sat atop a sagebrush knoll three miles out Croy Canyon, west of Hailey, where coyotes cried in the wee hours of the morning and area snowplows struggled to reach in the dead of winter. The volunteer worker, a middle-aged woman Walt recognized from the softball bleachers, threatened him with a cup of coffee. Walt politely declined. He and Anderson donned latex gloves and slipped their boots into paper covers. Anderson, a lanky guy with a narrow, boyish face and big teeth, was as close as Walt’s sheriff’s office got to a forensics technician. He’d taken a single course called Death Sciences at a technical school outside of Nampa, just after high school.

“You got everything?” Walt asked him, not sure he wanted the answer.

“Yeah. All set.” Anderson hoisted a black duffel bag. “Take me about five minutes to mix the chemicals.”

Walt approached the interior door that led to the kennel. From the other side came a chorus of loud barking. He opened it, revealing a central aisle that gave way to shelves of cages of varying sizes on either side. The occasional plywood partition segregated the cat cages from the dogs. Though every effort was made to keep the room smelling clean, it was a losing battle. To Walt’s left stood a much larger, heavily reinforced cage. As with others along the left wall, it offered a sliding door to an outside run, currently padlocked shut. Pacing silently wall to wall, the cougar kept a wary eye on him.

All down the center aisle he noticed ghostly white stains that had been vigorously scrubbed off the concrete. He looked up and saw the scars where hundreds of the swallows’ mud nests had been plucked off the ridgepole. Dozens more had yet to be removed. A few bold swallows peeked their heads from the remaining nests. Made of dried mud and grass, they looked like tiny caves.

“It’s a never-ending battle,” the volunteer said from behind him. “And a health issue. Most of the smell is the bird poo, I’m afraid. We’re still working on a more permanent solution.”

“Can we move the cat?” Walt asked.

“Oh, no, sir. Not us. Have to call Fish and Game to do that.”

He shouted, “ Anderson, will the luminol hurt the cat?”

“Shouldn’t. No, sir. It’s basically nothing more than hydrogen peroxide.”

“Then hurry it up.”

Twenty minutes later, Anderson had sprayed the concrete flooring inside most of the cage. The cougar wisely chose to stay as far away as possible during this, pacing the opposite wall from Anderson.

Fiona arrived. She had donned a hairnet, gloves, and shoe covers and made a point to set up her camera gear quickly.

“Was she alive when he did it?” Fiona asked.

“We don’t know anything yet. Let’s take it step by step.”

Anderson returned from mixing another batch. He backed them away from the cage and sprayed the outside perimeter as well.

“I’m all set,” Fiona announced.

“Okay, then.” Anderson plugged in a two-foot tube light-a black light like the kind McClure had used in the morgue. “Okay,” he said, somewhat nervously. “Anything blue-green is evidence of blood.”

Walt asked the volunteer to leave the room. He shut the door, and as he did the dogs barked viciously in a chorus that ran chills down his spine. He switched the long wire of overhead lights off. The room went dark. Mixed in with the dogs was the sound of Fiona gasping.

Then Anderson croaked out in raspy voice, “Mother of God.”

Eighteen

T he cage floor was stained in ungainly neon green smears and streaks and splatters. It looked like a monochromatic Jackson Pollock painting. Walt maintained his poise as he imagined a semiconscious, paralyzed Ailia Holms being mauled, bitten, clawed, and dragged around the cage.

As Fiona clicked off time exposures, Walt thought he heard her crying. Anderson pointed out the long green tail that tapered from the edge of the cage toward the room’s central drain.

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