Michael Connelly - The Last Coyote

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The Last Coyote: краткое содержание, описание и аннотация

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Harry's life is a mess. His new house has been condemned because of earthquake damage. His girlfriend has left him. He's drinking too much. And he's even had to turn in his badge: he attacked his commanding officer and is suspended indefinitely pending a psychiatric evaluation. At first Bosch resists the LAPD shrink, but finally he recognizes that something is troubling him, a force that may have shaped his entire life. In 1961, when Harry was twelve, his mother was brutally murdered. No one was ever even accused of the crime. Harry opens up the decades-old file on the case and is irresistibly drawn into a past he has always avoided. It's clear that the case was fumbled. His mother was a prostitute, and even thirty years later the smell of a coverup is unmistakable. Someone powerful was able to keep the investigating officers away from key suspects. Even as he confronts his own shame about his mother, Harry relentlessly follows up the old evidence, seeking justice or at least understanding. Out of the broken pieces of the case he discerns a trail that leads upward, toward prominent people who lead public lives high in the Hollywood hills. And as he nears his answer, Harry finds that ancient passions don't die. They cause new murders even today. The Last Coyote is that rarest of novels, a moral thriller, a breakneck-paced tale that opens up the heart's most secret wounds. No one who reads it will remain unchanged or forget the passion of Harry Bosch. Before he can get back on the beat, Harry has to convince the LAPD psychiatrist-and more importantly, himself-that he's emotionally up to it.

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I see trees of green

Red roses, too

I see them bloom

For me and you

And I think to myself

What a wonderful world

The song made him feel lonely and sad but that was okay. Loneliness had been the trash can fire he huddled around for most of his life. He was just getting used to it again. It had been that way for him before Sylvia and it could be that way again. It would just take time and the pain of letting her go.

In the three months since she had left, there had been the one postcard and nothing else. Her absence had fractured the sense of continuity in his life. Before her, his job had always been the iron rails, as dependable as the sunset over the Pacific. But with her he had attempted to switch tracks, the bravest jump he had ever made. But somehow he had failed. It wasn’t enough to keep her and she was gone. And now he felt he had run clear off the tracks. Inside, he felt as fragmented as his city. Broken, it seemed at times, at every level.

He heard a female voice from nearby singing the words of the song. He turned to see a young woman a few stools away, her eyes closed as she sang very softly. She sang only to herself but Bosch could hear.

I see skies of blue

And clouds of white

The bright blessed day

The dark sacred night

And I think to myself

What a wonderful world

She wore a short white skirt, a T-shirt and a brightly colored vest. Bosch guessed she wasn’t older than twenty-five and he liked the idea that she even knew the song. She sat straight, her legs crossed. Her back swayed with the music of the saxophone. Her face was framed by brown hair and was turned upward, her lips slightly apart, almost angelic. Bosch thought she was quite beautiful, so totally lost in the majesty of the music. Clean or not, the sound took her away and he admired her for letting it. He knew that what he saw in her face was what a man would see if he made love to her. She had what other cops called a getaway face. So beautiful it would always be a shield. No matter what she did or what was done to her, her face would be her ticket. It would open doors in front of her, close them behind her. It would let her get away.

The song ended and she opened her eyes and clapped. No one else had applauded until she began. Then everyone in the bar, Bosch included, joined in. Such was the power of the getaway face. Bosch turned and flagged the bartender for another shot and beer. When it was down in front of him he took a glance over at the woman, but she was gone. He turned and checked the bar’s door and saw it closing. He’d missed her.

Chapter Eight

ON THE WAY home he worked his way up to Sunset and took that all the way into the city. Traffic was sparse. He had stayed out later than he had planned. He smoked and listened to the all-news channel on the radio. There was a report about Grant High finally reopening in the Valley. It was where Sylvia had taught. Before going to Venice.

Bosch was tired and guessed that he probably wouldn’t pass a breath test if stopped. He dropped his speed to below the limit as Sunset cut through Beverly Hills. He knew the cops in BH wouldn’t cut him a break and that would be all he’d need on top of the involuntary stress leave.

He turned left at Laurel Canyon and took the winding road up the hill. At Mulholland he was about to turn right on red when he checked the traffic from the left and froze. He saw a coyote step out of the brush of the arroyo to the left of the roadway and take a tentative look around the intersection. There were no other cars. Only Bosch saw this.

The animal was thin and ragged, worn by the struggle to sustain itself in the urban hills. The mist rising from the arroyo caught the reflection of the street lights and cast the coyote in almost a dim blue light. And it seemed to study Bosch’s car for a moment, its eyes catching the reflection of the stoplight and glowing. For just a moment Bosch believed that the coyote might be looking directly at him. Then the animal turned and moved back into the blue mist.

A car came up behind him and honked. Bosch had the green light. He waved and made the turn onto Mulholland. But then he pulled to the side. He put the car in park and got out.

It was a cool evening and he felt a chill as he walked across the intersection to the spot where he had seen the blue coyote. He wasn’t sure what he was doing but he wasn’t afraid. He just wanted to see the animal again. He stopped at the edge of the drop-off and looked down into the darkness below. The blue mist was all around him now. A car passed behind him and when the noise receded he listened and looked intently. But there was nothing. The coyote was gone. He walked back to his car and drove on Mulholland to Woodrow Wilson Drive to home.

Later, as he lay in his bed after more drinks and with the light still on, he smoked the last cigarette of the night and stared up at the ceiling. He’d left the light on but his thoughts were of the dark, sacred night. And the blue coyote. And the woman with the getaway face. Soon all of those thoughts disappeared with him into the dark.

Chapter Nine

BOSCH GOT LITTLE sleep and was up before the sun. The last cigarette of the night before had nearly been his last for all time. He had fallen asleep with it between his fingers, only to be jolted awake by the searing pain of the burn. He dressed the wounds on two fingers and tried to return to sleep, but it wouldn’t take him. His fingers throbbed and all he could think of was how many times he had investigated the deaths of hapless drunks who had fallen asleep and self-immolated. All he could think of was what Carmen Hinojos would have to say about such a stunt. How was that for a symptom of self-destruction?

Finally, as dawn’s light began to leak into the room he gave up on sleep and got up. While coffee brewed in the kitchen he went into the bathroom and rebandaged the burns on his fingers. As he taped the fresh gauze on, he glanced at himself in the mirror and saw the deep lines under his eyes.

“Shit,” he said to himself. “What’s going on?”

He had black coffee on the back deck while watching the silent city come awake. There was a crisp chill in the air and the earthy smell of eucalyptus was rising from the tall trees down in the pass. The marine fog layer had filled the pass and the hills were just mysterious silhouettes in the mist. He watched the morning begin for nearly an hour, fascinated by the show he had from his deck.

It wasn’t until he went back inside for a second cup that he noticed the red light flashing on his phone machine. He had two messages that had probably been left the day before and that he hadn’t noticed after coming in last night. He pressed the play button.

“Bosch, this is Lieutenant Pounds calling on Tuesday at three thirty-five. I have to inform you that while you are on leave and until your, uh, status with the department is decided, you will be required to return your vehicle to the Hollywood Division garage. I have here that it is a four-year-old Chevrolet Caprice, tag number one-adam-adam-three-four-zero-two. Please make arrangements immediately to have the car turned in and checked out. This order is per Standard Practices Manual citation three dash thirteen. Violation could result in suspension and/or dismissal. Again, this is an order from Lieutenant Pounds, now three thirty-six on Tuesday. If there is any part of this message that you do not understand, feel free to contact me at the office.”

The machine reported the message had actually been left at 4 P.M. Tuesday, probably right before Pounds had gone home for the day. Fuck him, Bosch thought. The car’s a piece of shit anyway. He can have it.

The second message was from Edgar.

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