Sue Grafton - U Is For Undertow

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It's April, 1988, a month before Kinsey Millhone's thirty-eighth birthday, and she's alone in her office doing paperwork when a young man arrives unannounced. He has a preppy air about him and looks as if he'd be carded if he tried to buy booze, but Michael Sutton is twenty-seven, an unemployed college dropout. Twenty-one years earlier, a four-year-old girl disappeared. A recent reference to her kidnapping has triggered a flood of memories. Sutton now believes he stumbled on her lonely burial when he was six years old. He wants Kinsey's help in locating the child's remains and finding the men who killed her. It's a long shot but he's willing to pay cash up front, and Kinsey agrees to give him one day. As her investigation unfolds, she discovers Michael Sutton has an uneasy relationship with the truth. In essence, he's the boy who cried wolf. Is his current story true or simply one more in a long line of fabrications?
Grafton moves the narrative between the eighties and the sixties, changing points of view, building multiple subplots, and creating memorable characters. Gradually, we see how they all connect. But at the beating center of the novel is Kinsey Millhone, sharp-tongued, observant, a loner – 'a heroine,' said The New York Times Book Review, 'with foibles you can laugh at and faults you can forgive.'

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Henry said, “I’ll tell you something else that just occurred to me. Suppose when Sutton stumbled into the clearing, the two weren’t digging the hole to bury a child. What if their intent was to bury the tainted money?”

I stared at him. “And they buried the dog instead? How’d they manage that?”

“Simple. One stays in the woods to keep an eye on the site. The other goes off, steals the dog’s corpse, and brings it back. They drop the mutt in that hole and hide the money somewhere else.”

“How’d they know about the dead dog?”

“Beats me,” he said. “You told me yourself that a couple of hundred people could have known about the shed and the pickup routine.”

“All this because they were worried the little kid would blab?”

“Why not? I’m just brainstorming here, but it makes sense to me.

Didn’t you tell me Patrick packed the money in a gym bag he tossed on the side of the road?”

“Right.”

“So picture this. They leave Rain asleep in the park. They’ve counted the money so they know it’s all there. Once they get home they discover the bills are lighting up like neon. Either they meant to dump the cash or their intention was to get it out of sight until they felt it was safe to spend. Once the little kid appeared, they decided it was too dangerous to leave the money in that spot.”

“The dead dog’s a bit melodramatic, don’t you think? Why not just fill in the hole?”

“They were setting up a cover story to explain what they were doing in the first place. Sure enough, the police exhume the dog and that’s the end of it. No big mystery. Someone’s buried a pet. Might have taken twenty-one years, but it shows you how wily these guys were.”

“ ‘Were’? Nice idea. Like maybe they’re dead or in prison.”

“One can only hope,” he said.

When I got home I decided to let Henry’s suggestions percolate overnight. I’d been overthinking the whole subject and it had only served to confuse instead of enlighten me. Meanwhile, something else had occurred to me. I realized I might have a way to find out if Hale Brandenberg was being honest about Aunt Gin’s sexual orientation. It didn’t matter one way or the other, but I’m a stickler for the truth (unless I’m busy lying to someone at any given moment). There might be evidence at hand.

I went up the spiral stairs to the loft. I have an old trunk at the foot of the bed that I use for storage. I cleared the top and opened the lid, removing neatly folded piles of winter clothing I’d packed away in mothballs. From the bottom I hauled out a shoe box of old photographs that I dumped on the bed. If Aunt Gin had a “special friend” whose existence Hale was trying to conceal, I might find glimpses of her in pictures taken at the time. Aunt Gin had socialized with a number of married couples, but she also had gal pals.

Snapshots tell a story, not always in obvious ways but taken as a whole. Faces appear and disappear. Relationships form and fall apart. Our social history is recorded in photographic images. Maybe someone had captured a moment that would speak to the issue. I sat on the bed and picked through the pictures, smiling at the photos of people I recognized. Some I could still name. Stanley, Edgar, and Mildred. I blanked on Stanley ’s wife’s name, but I knew the five of them played card games-canasta and pinochle. The kitchen table would be littered with ashtrays and highball glasses, and they’d all be laughing raucously.

I found shots of two single women I remembered-Delpha Prager and one named Prinny Rose Something-or-other. I knew Aunt Gin had worked with Delpha at California Fidelity Insurance. I wasn’t sure where she’d met Prinny Rose. I studied their photos, with Aunt Gin and without, in groups where one or the other appeared. If there were secret smiles between them, surreptitious glances that might have been picked up on camera, I couldn’t see the signs. I suppose I’d imagined arms thrown over one another’s shoulders, hands slightly too close together on a tabletop, an intimate look or gesture neither was aware she’d revealed. I didn’t see anything even remotely suggestive. In point of fact, there wasn’t a single view of Aunt Gin making physical contact with anyone, which was confirmation of a different kind. She was not a touchy-feely person.

I did marvel at how young she looked. While I was growing up, she was passing through her thirties and forties. Now I could see she was pretty in a way I hadn’t seen before. She was slender. She favored glasses with wire frames and she wore her hair pulled up in a bun that should have looked old-fashioned, but was stylish instead. She had high cheekbones, good teeth, and warmth in her eyes. I’d thought of her as schoolmarmish, but there was no evidence of it here.

I came to an envelope sealed with tape so old and yellow it had lost its sticking power. On the outside she’d written MISCELLANEOUS 1955 in the bold cursive I recognized. My interest picked up. I withdrew an assortment of snapshots. I appeared in the first few photographs, age five, my expression bleak. I was small for my age, all bony arms and legs. My hair was long, bunched up on the sides where bobby pins held the strands back. I wore droopy skirts and brown shoes with white socks that sagged. By that Christmas I’d been living with her for six months or so, and apparently I’d found nothing to smile about.

The next photograph I came to generated an exclamation that expressed my surprise and disbelief. There was Aunt Gin enclosed in the arms of a man I recognized on sight, though he was thirty years younger. Hale Brandenberg. She had her back up against his body, her face turned slightly as she smiled. His face was tilted toward hers. The next five pictures were of the two of them, mostly horsing around. In one they played miniature golf, clowning for a photographer who might have been me since the tops of their heads were missing and I could see the blur of a finger inadvertently covering a portion of the aperture. Another photograph had been taken in the gazebo in the hilltop park so popular with my high school classmates. There were two snapshots of the three of us, me sitting on Hale’s knee with a snaggletoothed grin. I was probably six by then, in first grade, losing my baby teeth. My hair had been chopped short, probably because Aunt Gin got annoyed having to fiddle with it. Hale looked like a cowboy movie star, clean-shaven, tall, and muscular, in a flannel shirt, blue jeans, and boots. I didn’t remember his being in our lives, but there he was. No wonder he’d seemed familiar when I first laid eyes on him. Furthermore, it occurred to me that Aunt Gin had been just about my age, thirty-eight, when this late romance blossomed.

I understood why he was so sure about her sexuality and why he was so well acquainted with her parenting skills. I had a hundred questions about the two of them, but now was not the time to ask. Maybe at a later date, I’d take him out for a drink and tell him what I’d discovered. For the moment, I returned the snapshots to the tattered envelope, which I set to one side while I put the remainder in the shoe box and repacked the trunk. I hardly knew what to think about my discovery. Hale might have been a stand-in father to me if he and Aunt Gin had stayed together. She didn’t set much store by marriage and she probably wasn’t suited for a long-term relationship. But she’d been happy for a while, and in those few images, I could see that I’d been happy as well.

31

JON CORSO
Summer 1967

The whole of the affair with Destiny lasted three and a half weeks, and ended abruptly when Jon least expected it. She was a gift he wasn’t sure he deserved. His attraction to her was so strong and so compelling he assumed it would be with him the rest of his days. She was voluptuous, bawdy, and uninhibited. Her two pregnancies had left their marks, but she was completely unapologetic. Freckles, moles, scars, the small drooping breasts, the softly bulging abdomen, and saddlebag thighs-none of it mattered. She threw herself into sex with joy and abandonment. He would sleep with countless women afterward whose bodies were close to perfect, but most were embarrassed and self-conscious, unhappy with the size of their breasts or the shape of their asses, pointing out shortcomings that meant nothing to him. To him, they were beautiful, but they required constant reassurances about these imaginary flaws.

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