Sue Grafton - U Is For Undertow

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It's April, 1988, a month before Kinsey Millhone's thirty-eighth birthday, and she's alone in her office doing paperwork when a young man arrives unannounced. He has a preppy air about him and looks as if he'd be carded if he tried to buy booze, but Michael Sutton is twenty-seven, an unemployed college dropout. Twenty-one years earlier, a four-year-old girl disappeared. A recent reference to her kidnapping has triggered a flood of memories. Sutton now believes he stumbled on her lonely burial when he was six years old. He wants Kinsey's help in locating the child's remains and finding the men who killed her. It's a long shot but he's willing to pay cash up front, and Kinsey agrees to give him one day. As her investigation unfolds, she discovers Michael Sutton has an uneasy relationship with the truth. In essence, he's the boy who cried wolf. Is his current story true or simply one more in a long line of fabrications?
Grafton moves the narrative between the eighties and the sixties, changing points of view, building multiple subplots, and creating memorable characters. Gradually, we see how they all connect. But at the beating center of the novel is Kinsey Millhone, sharp-tongued, observant, a loner – 'a heroine,' said The New York Times Book Review, 'with foibles you can laugh at and faults you can forgive.'

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“Is that you, Jon?”

He followed the sound of her voice and found her sitting on the edge of the pool, her gypsy skirt pulled up around her as she dangled her legs in the water. She wore a tank top, a white one, and he could see the freckles that covered her shoulders and chest. “Sun damage,” she said when she caught his look.

“Where’d everybody go? I saw Creed and his folks in the car with the kids.”

“It’s Sky Dancer’s birthday and he asked if he could go to the band concert in the pocket park on the hill. Deborah packed a picnic lunch. They’ll be gone for hours.”

“Why didn’t you go?”

“Because I was hoping to see you. You want to see me?” She lifted her skirt, showing him that she was naked from the waist down. She opened her legs, exposing herself.

Irritably, Jon said, “What’s the matter with you? Would you cut that out?”

She laughed. “Don’t be a stick in the mud. It’s just us.”

He scanned the surroundings, realizing how sheltered the area was from the eyes of neighbors. The trellised fencing that stretched out on each side of the cabana was overgrown with wisteria that obstructed the view into the Unruhs’ backyard.

“This is a very bad idea,” he said.

“I think it’s a very good idea.”

He put his hands in his pockets, his gaze restlessly searching the perimeter of the property. The air was hot and he could hear birds. Two houses away, a lawn mower buzzed, and even at that remove he could smell the cut grass.

She ran her hands down along her belly and between her legs. “What would you give for a piece of this?”

“I’m not going to pay you.”

“I’m not talking about money, shithead. I’m talking about what it’s worth to you.”

“What about Creed?”

“We have an open relationship.”

“He knows you’re doing this?”

“He probably has a pretty good idea. As long as we don’t rub his nose in it, so to speak, then what’s it to him? Creed doesn’t own me and I don’t own him.”

“Anyone could walk in,” he said. “What if the mailman comes by or the UPS guy, delivering a package?”

“If you’re so worried about being seen, why don’t we go into the cabana where we can talk and get to know each other a little bit. If you feel uncomfortable, all you have to do is say so. I’m not going to knock you down and jump your bones.”

She held a hand up, wanting him to pull her to her feet.

Jon ignored her.

“You’d prefer to do it all out here?”

“No.”

“Then help me up.”

Jon grabbed her hand and pulled her to her feet. Primly she shook her skirt down. “All nice and neat,” she said.

She moved toward the cabana. Jon followed her with a mounting sense of disbelief. This couldn’t be happening. Passing through the door, she lifted her crossed arms and pulled the tank top over her head.

Inside, she’d made a pallet of blankets. Two joints at the ready with a roach clip, a pack of matches, and an ashtray. She unbuttoned her skirt and stepped out of it. Her figure was womanly-generous ass, small breasts with brown nipples as big and flat as fifty-cent pieces. The thatch of hair between her legs was dark and bushy. She knelt on the blanket, picked up a joint, and lit it. She took two or three quick draws and held the smoke in. She closed her eyes and toked once more before releasing the smoke in a thin stream. “You’re wasting time, Jon. Don’t just stand there with your clothes on. You can do better than that.”

He hesitated, looking down at her as though measuring the drop from a ten-meter board. He stripped off his T-shirt and then stepped out of his pants. When he took off his jockey shorts, he saw the change come over her face.

“Oh my god, you’re beautiful. Incredible. I’d forgotten what eighteen looks like.” She crawled to the edge of the blanket and ran a hand along his bare flank and then looked up at him. He bent and kissed her upturned mouth.

28

Wednesday afternoon, April 20, 1988

Wednesday afternoon I took Cabana Boulevard up the hill to Seashore Park, a city-owned stretch of palm trees and grass that skirts the bluff overlooking the Pacific. That morning I’d called Michael and asked him to meet me there. In my shoulder bag I had the file folder of clippings about Keith Kirkendall and copies of the photographs his sister had given me the day before. My body hummed with dread, but there was no avoiding the conversation. I couldn’t bear to lay the revelation at his feet, but there was no escape.

The day was sunny and the air mild with scarcely any breeze at all. While I waited I walked the length of the chain-link fence that had been erected to prevent citizens from tumbling off the cliff. The drop to the ocean below was a good sixty feet. At high tide, the surf concealed the rocks. At low tide, the rocks were laid bare. Either way, a fall would be fatal. Looking down I could see the telltale muddy plume where a sandbar had formed, and the waves were breaking differently from how they did a hundred yards on each side. Most people think of the effluence as a riptide, but the proper term is “rip current.” Tides are the function of the moon’s gravitational pull. A rip current is a treacherous outflow that runs in a narrow line perpendicular to the beach, sometimes extending as far as twenty-five hundred feet. The term “undertow,” used to describe the same phenomenon, is a misnomer as well. A rip current moves along the surface of the water, a function of the hidden shape of the shore itself. This one, like the rip current that swept Sutton’s mother to her death, was an artifact of the same attempt by the city engineers to create a safe harbor where there was none before. As with so much in life, good intentions often generate unexpected results.

I heard Sutton’s MG approaching long before I saw him pull into the small parking lot. He had the top down and his hair had been whipped into an untidy thatch that he smoothed as he stepped out of the car. He wore a sweatshirt and shorts, and the sight of his knobby knees nearly broke my heart. As before, I was struck by his youthfulness. When he was fifty instead of twenty-six, he’d look the same. I couldn’t picture him portly or bald. I couldn’t picture him with heavy jowls or a double chin. As he aged, his face would shrink away from his skull, but it would otherwise retain its boyish cast.

On the phone I hadn’t specified the reason for the meeting. I felt badly about it now because he suspected nothing, which made him all the more vulnerable. Though I didn’t understand the psychological dynamic, I sensed that after the destruction he’d brought down on his family, he’d moved from villainy to victimhood. By rights, the family should have been the ones to lay claim to all the suffering. Instead the burden was his.

There was a bench situated at the halfway point between us. As he approached from the narrow parking strip, I crossed the grass and sat down, placing the folder beside me, saying, “Hi, Michael. I appreciate your meeting me.”

He sat down. “I was going into town anyway, so it was easy enough to swing by. How are you?”

“Not bad,” I said. “How’s Madaline?”

“Good. I’m on my way to pick her up, as a matter of fact.”

“Good? I heard she was arrested for public drunkenness.”

“She was, but the judge said he’d give her probation if she promised to straighten up her act.”

“I see. And what does that consist of?”

“AA meetings twice a week. She doesn’t have a car so I take her over and pick her up afterward.”

“Has it occurred to you she’s taking advantage of you?”

“This is just until she gets back on her feet. She’s trying to find a job, but there’s not a lot available here in her field.”

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