Sue Grafton - U Is For Undertow

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It's April, 1988, a month before Kinsey Millhone's thirty-eighth birthday, and she's alone in her office doing paperwork when a young man arrives unannounced. He has a preppy air about him and looks as if he'd be carded if he tried to buy booze, but Michael Sutton is twenty-seven, an unemployed college dropout. Twenty-one years earlier, a four-year-old girl disappeared. A recent reference to her kidnapping has triggered a flood of memories. Sutton now believes he stumbled on her lonely burial when he was six years old. He wants Kinsey's help in locating the child's remains and finding the men who killed her. It's a long shot but he's willing to pay cash up front, and Kinsey agrees to give him one day. As her investigation unfolds, she discovers Michael Sutton has an uneasy relationship with the truth. In essence, he's the boy who cried wolf. Is his current story true or simply one more in a long line of fabrications?
Grafton moves the narrative between the eighties and the sixties, changing points of view, building multiple subplots, and creating memorable characters. Gradually, we see how they all connect. But at the beating center of the novel is Kinsey Millhone, sharp-tongued, observant, a loner – 'a heroine,' said The New York Times Book Review, 'with foibles you can laugh at and faults you can forgive.'

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“That’s a tough pill to swallow.”

“What choice did I have? I’ve made my peace with it. The money was theirs and they could do with it as they pleased. Maybe that was always my father’s intent, to look after him.”

I could see where she was going. “So you think Michael’s memory of the two guys digging is just more of the same.”

“Basically,” she said. “How did he come up with this story in the first place? Doesn’t that sound suspect to you?”

“I’ll admit I was skeptical at first,” I said. “He says he read a reference to Mary Claire in the paper and it triggered his memory of the whole event.”

“That was years ago. What makes him so sure?”

“He said he saw them on his sixth birthday, July 21, and that’s how he made the association. Your mother left him at Billie Kirkendall’s while she ran errands. He was wandering around the property when he saw them.”

“It sounds bogus to me.”

“It wasn’t his imagination. There was something buried there.”

“Oh, please,” she said. “Michael’s a drama queen. He can’t seem to help himself. Sometimes I think he’s delusional or spaced out on drugs. He’s incapable of telling the truth. It’s not in his nature. He can’t tell the difference between what’s really true and what he imagines.”

That caught my attention. In my brief relationship with him, I could cite my experience in support of her claim. He was evasive, omitting critical information from his account of himself. When I called him on it, he’d corrected himself and filled in the blanks. If I hadn’t, I would have ended up with an erroneous impression. I felt protective nonetheless. I didn’t want to sit and say nothing while his sister trashed him. “I don’t think he fabricated the story. He was six. Maybe he didn’t understand what he’d witnessed, but that doesn’t mean he lied.”

“That’s exactly my point. He takes a simple moment and he embellishes, invents, and exaggerates. Next thing you know, there’s an elaborate conspiracy afoot. He sees two men digging a hole and suddenly it’s about Mary Claire’s murder and her being buried in that grave.”

“You’re implying that he did this deliberately, which I find hard to believe.”

“I’m not telling you this stuff just to hear myself talk. This is how his mind works. You can’t believe a word he says.”

“This comes a little late from my perspective.”

“Don’t kid yourself. You haven’t seen the last of him. It’s never over with him. Have you met any of his friends?”

The shift in subject caught me off guard. “One. A girl named Madaline. He told me she was addicted to heroin…”

“And now she’s clean, but not sober,” Diana interjected, derisively. “Did he mention she’s a lush? Twenty-two years old and she’s on probation for public drunkenness. Of course, he’s the one who ferries her to AA meetings. He collects losers like her, anyone in worse shape than he is, if you can imagine such a thing. Sutton’s wounded birds. He gets into rescue mode so he can feel good about himself. There’s usually two or three of them hanging around at any given time. They move in. They borrow money. They take his car without permission and wind up in fender-benders that he ends up paying for out of pocket. Some land in jail, while loudly protesting their innocence. He bails them out and brings them home again because they have nowhere else to go. That’s when they steal his credit cards and go on a spending jag.”

“Poor judgment.”

“Very poor. I can’t tell you the money he’s gone through. What scares me is thinking about what’ll happen when he’s emptied all his bank accounts. He’s never really worked. He’s held jobs, but none for long. The money he inherited is the only thing keeping him afloat. Once that’s gone, he’ll end up on my doorstep, begging for help. What’s my choice then? I take him in or he ends up living on the street.”

“You’re not obligated.”

“That’s what my brothers tell me.”

“Why do it then?”

“I guess I feel guilty because he’s such a mess and the rest of us are okay…”

As she went on, I could hear my own story echoed in hers. My grievances, my determination to hang on to everything that seemed unfeeling or unfair. Her complaints were legitimate, but so what? The recital of her woes only made matters worse, keeping the pain alive when it should have been laid to rest.

Diana must have realized I’d clocked out. “Why are you looking at me that way?”

“I have family issues of my own and they sound just like yours. Different scenario, but the angst is the same. Personally, I’m getting tired of hearing myself whine. And if I’m tired, what about the people around me who have to put up with my shit?”

“It’s not the same.”

“Sure it is. What’s the point in going over and over it? I’ll bet you’ve told the same story a hundred times. Why don’t you give it a rest?”

“If I give it up, Michael wins. Bad behavior triumphs over good yet again. Well, I’m sick of it. After the havoc he’s wreaked, why should I let him off the hook?”

I could feel myself getting irritated. I understood where she was coming from, but the events she’d described were years in the past. Waltzing into my office to unload it all on me was out of line. She’d turned venom into a lifestyle and it wasn’t attractive. On first meeting, I’d been put off by her aggressiveness. Now I was put off by her attempt to rope me into Sutton bashing.

“What hook, Diana? He’s not on the hook except in your mind. He’s living his own life and if he’s screwing up right and left, what’s it to you?”

Her smile was tight. “You say that now, but you’re not done with him. Trust me. You gave him credence which has been in short supply of late. He’ll come back. Some new crisis will emerge, some disturbing turn of events…”

“That’s my lookout, don’t you think?”

“You really don’t believe me, do you?”

“I’ve heard every word. I understand why you’re pissed off at him, but I take offense at the wholesale condemnation. Give the kid a break. You came here to warn me. You’ve done that and I thank you. I’m on red alert.”

That shut her down. She withdrew as though I’d slapped her.

She snatched up her shoulder bag and took out a business card. “Here’s my number if you should ever need to get in touch. I’m sorry to have taken up so much of your time.”

As she reached the door, she paused. “You want to hear the best part?”

I was going to fire off a smart remark, but I held my tongue.

“Six days after Daddy died, Michael saw the light. He became a retractor. He disavowed his claims about the sexual abuse. He said he realized Marty Osborne had planted all those memories. Oops. Big mistake. He took it all back. So that’s who you’re dealing with. Have a nice day.”

She left the office, banging the door shut behind her.

11

I had dinner that night at Rosie’s, the tavern located half a block from my apartment. It’s the perfect setting for the neighborhood drinking crowd and serves as a ready substitute for my nonexistent social life. In the summer months the softball rowdies dominate the bar, celebrating victories so minor they scarcely warrant column space in the local sports pages. From time to time they put together touch-football teams, the losers paying off the winners with a pony keg. Prior to the Super Bowl, there are endless noisy debates, arguments, and wagers, which are finally settled by pitching in ten bucks each and drawing names from an oversized beer stein Rosie keeps behind the bar.

Rosie is Hungarian by birth and though she’s been in Santa Teresa most of her life, she refuses to give up her accent or her tortured sentence structure. She and Henry’s brother William were married Thanksgiving Day three and a half years ago. It’s an unlikely match, but one that’s turned out to be good for both of them.

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