Dan Simmons - Drood

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Drood: краткое содержание, описание и аннотация

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On June 9, 1865, while traveling by train to London with his secret mistress, 53-year-old Charles Dickens — at the height of his powers and popularity, the most famous and successful novelist in the world and perhaps in the history of the world — hurtled into a disaster that changed his life forever.
Did Dickens begin living a dark double life after the accident? Were his nightly forays into the worst slums of London and his deepening obsession with corpses, crypts, murder, opium dens, the use of lime pits to dissolve bodies, and a hidden subterranean London mere research… or something more terrifying?
Just as he did in
, Dan Simmons draws impeccably from history to create a gloriously engaging and terrifying narrative. Based on the historical details of Charles Dickens's life and narrated by Wilkie Collins (Dickens's friend, frequent collaborator, and Salieri-style secret rival),
explores the still-unsolved mysteries of the famous author's last years and may provide the key to Dickens's final, unfinished work:
. Chilling, haunting, and utterly original,
is Dan Simmons at his powerful best.

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You see, Dear Reader, in our time, the almost-three-million of us in London lived and walked above the corpses of at least that many of our common dead, and almost certainly more. As London grew and devoured its surrounding suburbs and villages, those graveyards were also subsumed, and it was to them that the hundreds of thousands upon hundreds of thousands of rotting bodies of our beloved dead were consigned. St Martin-in-the-Fields churchyard, for instance, was only about two hundred feet square, but by 1840, some twenty-five years before this eventful night, it was estimated to contain the remains of between 60,000 and 70,000 of our London departed. There are many more there now.

In the 1850s, about the time of the Great Stink and the worst of the terrible cholera epidemics, it was becoming apparent to all of us that these overcrowded churchyards were creating a health risk to those unlucky enough to live nearby. Every burial place in the city was—and remains—overcrowded to the point of overflow. Thousands of bodies were buried in shallow pits beneath chapels and schools and workplaces and in empty lots and even behind and beneath private homes. So the Burial Act of 1852—a piece of legislation which Dickens had spoken for—demanded that the General Board of Health establish some cemeteries open to all the dead regardless of their religion.

Perhaps you also know, Dear Reader, that until recently in my lifetime, all those to be buried in England had to receive Christian burial in parish churchyards. There were few exceptions. It was as late as 1832 that an act of Parliament put an end to the common practice of my fellow Englishmen burying suicides in public highways with a stake driven through the dead sinner’s heart. The Act—a paragon of modern thought and philanthropy—allowed the corpses of suicides to be buried in churchyards with Christians, but only if the dead one was interred between the hours of nine PM and midnight, and always then without the rites of the Church. And I should mention that the compulsory dissection of murderers’ corpses was also abolished in 1832—that enlightened year! — and even murderers may be found in Christian cemeteries in this liberal era.

Many—I should say most —of those graves remain unmarked. But not necessarily undiscovered. Those men digging new graves each day or night here in London invariably sink their spades into rotting flesh—layers of it, I am told—and then into unnamed skeletons beneath. Some churchyards hire men to check the grounds each morning for chunks of decaying parishioners that have risen to the surface—especially after heavy rains—in too-eager anticipation of the Final Trumpet Call. I have seen these workers carrying arms and hands and other, less distinguishable parts, in wheelbarrows while in the pursuit of their rounds, rather like a diligent gardener on an estate will carry off fallen limbs and branches after a storm.

These new interment areas were called “burial grounds” as distinct from parish “churchyards” and they had been very popular. The first burial grounds were commercial ventures (and as was still the custom in so many places on the Continent, if the family fell behind on payment on their loved ones’ graves, the bodies were dug up and tossed aside, the beautiful headstones used to pave retaining walls or walkways, and the earth sold to a more reliable customer), but since the 1850s Acts enforcing the closure of many overflowing London churchyards, most of our new cemeteries were of the municipal variety, with separate seating, as it were, for religious Conformists (complete with chapels and consecrated ground) and a different area for Dissenters. One wonders if they were uncomfortable spending Eternity within a cricket pitch’s distance of one another.

The burial ground we were approaching now in the dark looked to have been an ancient churchyard at some point—until the church was abandoned as the neighbourhoods here got too dangerous for decent people, then its structure burned down in order to raise more tenements so that landlords could squeeze more money out of immigrants with nowhere else to light—but the churchyard itself had remained and been used… and used… and used… perhaps taken over by Dissenters a century or two ago, then converted to a bury-for-profit graveyard some time in the last twenty years.

As we approached the sweating walls and black iron fence of the place, I wondered who would pay even a penny to be buried here. There had once been large trees within the churchyard, but these were only calcified skeletons now, dead for generations, with their amputated arms rising towards the black buildings leaning over the site on every side. The stench from within this walled and fenced space was so terrible that I reached for my handkerchief before remembering that Dickens had taken it earlier in the night to drape across the dead babies. I half expected to see an actual green cloud of miasma hanging over this place and—in truth—there was a sick glow to the mist that had arrived to serve as harbinger for the next warm-blanket of rain.

Dickens reached the high, closed, black iron gate first and tried to open it, but it was locked with a massive padlock.

Thank God, I thought.

But Detective Hatchery reached under his coat and brought a heavy ring of keys from his impossibly burdened belt. He had Dickens hold the bullseye lantern while he fumbled through the clanking keys before finding the one he wanted. It fit in the lock. The huge gate, all black arches and scallops, opened slowly with such a creaking that it seemed as if it had been decades since anyone had paid to open it to rid themselves of a loved one’s corpse.

We walked between the dark headstones and sagging sepulchres, passing under the dead trees and down uneven paving stones on narrow lanes between ancient vaults. I could tell by the spring in his step and the clack of his cane that Dickens was enjoying every second of this. I was concentrating on not retching from the stink and not stepping, in the darkness, on anything soft and yielding.

“I know this place,” Dickens said suddenly. His voice in the darkness was loud enough to make me leap a small distance into the air. “I have seen it in daylight. I have written about it in The Uncommercial Traveller . But I was not within its gates before tonight. I called it the ‘City of the Absent’ and this particular place ‘Saint Ghastly Grim’s.’ ”

“Aye, sir,” said Hatchery. “It once were exactly that.”

“I did not see the skulls and crossbones decorating the iron spikes on the gate,” said Dickens, his voice still far too loud for the circumstances.

“They are still there, Mr Dickens,” attested Hatchery. “I did not feel it politick to shine my light up on ’em. ’Ere we are, sirs. Our entrance to Undertown.”

We had stopped before a narrow, sealed crypt.

“Is this a joke?” I asked. My voice may have sounded a bit brittle to my companions. I was overdue for an application of my medicinal laudanum; the gout was causing many parts of my body to hurt and I could feel a terrible headache tightening like a metal band around my temples.

“No, Mr Collins, no joke, sir,” said Hatchery. He was fumbling at his key ring again and now he set yet another massive key into an ancient lock on the metal door of the crypt. The tall door groaned inward when he leaned his weight against it. The detective shone the light inside and waited for Dickens or me to enter.

“This is absurd,” I said. “There can be no Undertown or underground anything here. Our boots have been squelching in the reeking muck of the Thames for hours. The water table here must be shallower than these graves around us.”

“That does not prove to be the case, sir,” whispered Hatchery.

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