Scott Mariani - The Alchemist

He sat down with the notebook on his knee, guessing wildly at a few possibilities and quickly working out the coded versions in combined letters and numbers. First he tried the French for ‘House of the Raven’. It was a long shot, but he was desperate.

LA MAISON DU CORBEAU

He twisted the dials this way and that, entering the complex sequence. E/4, I/26; R/2, I/26…It took him a minute or two to dial up the entire phrase. He sat back and waited for something to happen. Nothing did. He sighed impatiently and tried another combination. The Cathar treasure.

LE TRESOR DES CATHARES

No good either. This could take for ever. He glanced at the axe lying on the floor and wondered fleetingly whether he should just hack the damn thing out of the wall and try to shoot his way into it from behind. He smiled to himself as he recalled what a grizzled Glaswegian sergeant-major had once said to him: ‘If in doubt, lad-resort tae violence’. Maybe it wasn’t a bad maxim, in the right circumstances.

Then his eye fell on the painting that he’d taken down from the wall, and he stooped to look at it more closely.

What an idiot I am. The key!

The large silvery key that the old man was clutching had something written in tiny letters up its shaft. He dropped down on his knees to read it.

LE CHERCHEUR TROUVERA

The seeker shall find. Ben grabbed his pen and feverishly scribbled the phrase out in code.

E/4, R/18; N/22, V/12, R/18, A/17, N/22, V/12,

R/18, A/11, A/17;

O/13, A/17, E/23, A/11, U/9, R/18, A/17, I/26

His heart was thumping as he dialled in the last number. From deep within the safe’s mechanism he heard a metallic clunk. Then there was silence. He grasped the handle of the safe door and yanked it. It held firm. He swore. The combination must have been the wrong one, or else something had gone wrong with the safe’s mechanism after all these years. The door was stuck fast.

A sound from behind startled him, and he twisted around as his hand went for the Browning.

The fireplace was opening. A gentle shower of dirt fell from the chimney as soot-encrusted panels swung slowly open to reveal a space just large enough for him to walk through.

Ben took a deep breath and stepped through the fireplace into the darkness. He flashed his torch around him and blinked at what he saw.

He was in a narrow room, some six metres long and three deep. At one end sat a large old oak table, covered in a thin layer of dust. On it rested a heavy metal chalice, like a huge wine goblet studded around the edge with iron rivets. Lying in the goblet, staring up with empty eyes, was a human skull. On either side of this grim ornament sat two iron candlesticks, two feet high with broad round bases and each holding a thick church candle.

His torch was dimming; he reached into his pocket for his lighter and lit the candles. He picked up one of the heavy candlesticks, and the flickering light threw shadow around the room. The toothless skull leered at him. Around the walls were dusty shelves lined with books. He picked one up and blew the dust and cobwebs off it. Holding the candle close he read the old gilt script on the leather cover- Necronomicon. The Book of the Dead. He replaced it and picked up another leather-clad book. De Occulta Philosophia. Secrets of Occult Philosophy.

It looked as though he was in someone’s private study, long since abandoned. He put the books back carefully on the dusty shelf and swept the heavy candlestick around him. The walls of the room were painted with murals depicting alchemical processes. He walked up close and studied one that showed a hand emerging from a cloud. The Hand of God? From the hand, water was dripping into a strange vessel that was being held up by little winged nymphs. From an opening at the bottom of the vessel there flowed an ethereal, misty substance scattered with alchemical symbols and the label Elixir Vitae.

He turned away and raised the candle to illuminate other corners of the room. Above the entrance he’d come through, a face looked down on him. It was an oil portrait in a broad gilt frame. The face belonged to a heavily built man with a grizzled beard and a thick mane of silvery hair. Looking out from under the bushy grey eyebrows, his eyes seemed to twinkle with a sense of humour that belied his stern expression. A gold plaque below the portrait read in stark gothic letters:

FULCANELLI

‘So we meet at last,’ Ben murmured. He moved away from the portrait and walked around the edges of the room, looking down at the floor. The stone tiles were partly covered by a dusty old rug. Beyond the edges of the rug he could see the outer parts of a mosaic pattern on the floor. He knelt and set the candlestick down with a metallic clunk. Clouds of dust floated up in the wavering light. He lifted the edge of the rug, and a large spider scuttled out and disappeared into the shadows. He rolled the rug up into a long tube and pushed it against the wall. He blew the dust away, revealing the coloured stone mosaic set into the flagstones. After a minute or two of brushing and blowing he stepped back to look at it.

The pattern was about fifteen feet long and took up the whole width of the study. Here they were again, the twin star-circles. At the exact centre of the design was a circular flagstone with an iron ring inset flush with the floor. He grasped the ring with both hands and pulled hard. There was a rush of escaping cold air from below.

He shone his torch down into the hole. The fading beam lit up a spiral stairway carved into solid rock, descending into blackness.

The long descending stone spiral carried him down into solid rock. As he corkscrewed deeper and deeper into the vertical tunnel, the sound of the storm outside faded away to nothing.

After a while, the staircase ended and met a level passageway that snaked off into the dark. There was only one way to go, and the only sound was his echoing footsteps and the drip of water. The smooth rounded walls of the tunnel were high enough for him to walk upright. It must have taken centuries to dig this out of the mountain terrain. A rough tunnel would have done just as well, yet whoever had created this had been interested in far more than utility. They were chasing perfection. But why? Where was the tunnel leading? He walked on.

Without warning, the tunnel snaked around a sharp bend and for a moment he thought he’d come to a dead end. But then he felt something stirring his hair. A cool breeze, coming from above. He raised the torch. There was a passage to the left, more steps leading upwards. He climbed on and on. It seemed to him that he was going up much further than he’d come down. That could mean only one thing-that he was now climbing up above ground level. He remembered the cliff next to the house, and realized that he must be inside the mountain. Deep inside it, surrounded on all sides by thousands of tons of solid rock.

His torch was getting dimmer. When it faded away to yellow and then to nothing, he stuffed it in his pocket and used his Zippo lighter to see by. It was getting colder, and wind was whistling around him even though the walls of the stairwell were close and tight. His fingers were burning as the metal of the lighter heated up, and he was worried about the flammable fuel inside igniting if it overheated too much. Suddenly his foot missed a step in the darkness, and he slipped and almost fell. He paused for a moment, his heart pounding. He let the scalding hot lighter cool down for a while, then relit it and climbed on.

The stairway soon ended and Ben found himself in a chamber. He clambered to his feet. Holding up his lighter, he blinked in amazement. The chamber seemed to stretch out far and wide on all sides. He came to a stone pillar that seemed to grow out of the floor, all the way to the vaulted archways of the ceiling some six feet above his head. The pillar had been laboriously smoothed and carved, covered in intricate designs depicting religious scenes and icons. A few feet away from it was another similar pillar, and then another.