John Levitt - Unleashed

I frantically tried several doors until I found one that was unlocked and ducked inside. It was a sculptor’s studio, and thank God the artist wasn’t home. The room was full of large twisted metal sculptures, elongated figures that were all sharp angles and rough surfaces. Interesting, perhaps, but of no use to me. I can work with metal, but barely, and it takes me forever to accomplish anything.

But there was clay there, too, bags of it, and that I can work with. The first thing I needed to do was buy some time. That’s always the case-every time you really need a moment to come up with a clever spell or elegant solution to a problem, something’s just about to rip your heart out. So first things first-block the door and keep it from getting in until I was ready to deal with it.

I grabbed a lump of clay and threw it toward the door. Then I poured some talent into it, expanding both its properties and its size, until the entire door was covered with a thick, gluey coating. More energy, not quite heat, but a magical analogue. It was like having a giant kiln operating at unheard-of temperatures. In seconds, I had the door layered over with a hard shell of baked enamel.

She didn’t even try to open the door. She hit it full force like a grizzly separated from her cubs. The door splintered, and the hardened shell I’d so cleverly constructed shattered like a vase dropped on a stone floor. Shards of hardened clay flew everywhere, and then she was inside, standing in front of me, finally in her true form and glory.

She stood on two legs, like a bear, six and a half feet tall. She was thick, long fur covered her, and long claws grew from the ends of powerful arms ending half in paws and half in hands. Her muzzle was narrow and elongated, like an anteater’s, with an almost perfectly circular mouth like that of a giant lamprey. Useful for sucking out the brains of her victims, I would imagine. A long snakelike tongue flicked in and out the mouth, and when she opened it a double row of teeth gleamed wetly. Where the hell was Victor?

Lou took one look and dove under a workbench, hiding behind a rolled-up tarp. I scrambled behind one of the sharp metal sculptures, putting some cover between her and me. She made a keening sound and reached out with those half-paw-half-hands, hooking a claw over one of the metal struts of the sculpture. Lou came out from under the bench and bolted past her through the ruined door and was gone. So much for the faithful dog defending his master to the death.

The sculpture toppled with a crash, and then she was scrambling over it to get to me. I reached out with talent to the fluorescent light fixture and diverted the flow of electricity into the metal sculpture. The effect wasn’t much; fluorescents don’t use much current, but it was enough to make her howl and jump away as if she’d landed on a hot stove. She stumbled back and tripped on a pile of scrap wood in the corner.

Without thinking, I reached out and gathered up the wood, using one of the metal sculptures as my pattern, and fashioned a creature of my own, one to rival even her. It was tall and spindly, but full of jagged wooden edges and sharp points, and it projected an aura of power and menace. Several of the wood pieces were studded with nails, and I turned those into jaws capable of rending flesh. It was a golem, insensitive to pain, neither alive nor dead, and a formidable creature indeed.

Not really, though. It was all bluff. At heart it was nothing more than random pieces of wood, and one good blow from her paw would scatter it over the room. She didn’t know that, however. I moved it toward her and it creaked noisily forward like a clockwork monster in an old horror film. The bluff wasn’t going to work for long, though. She automatically backed away until she came up against a wall, and I could see her tensing for a desperate spring.

But the distraction worked. I took my chance and was out the door in two seconds. I was halfway down the corridor before she figured out the golem was no real threat at all, destroyed it, and came after me again. She was no more than fifteen feet behind me when I heard a volley of high-pitched barks from up ahead, and then the door at the other end of the hallway flew open and Lou came charging through, followed closely by Victor, Glock automatic in his hand. I stopped short and plastered myself against the corridor wall, giving Victor a clear shot.

The sound of the Glock going off in the confines of the corridor wasn’t nearly as loud as I’d expected. More of a flat cracking sound, a quick series of pops that seemed almost harmless rather than lethal. But that was deceptive.

The shape-shifter jerked, stumbled, and went down snarling. She got back up to her feet, took a few more hesitant steps, and crumpled to the floor again. Victor ran right past me up to where she lay and put two more shots into her head from close range. She jerked twice, quivered, and lay still.

I expected doors to fly open at any moment, questioning heads to appear, and horrified screams to start echoing through the hallway. None of that happened. Maybe there was no one in the building right now, or maybe anyone working there was too immersed in creative throes to notice. Or more likely, they had developed a finely tuned sense of urban self-preservation, and well understood that when you hear gunshots in the hall, sticking your head out of your door to see what is going on is not the smartest thing to do.

But now we had another problem. We were standing in a hallway next to the body of a monster out of a Hierony mus Bosch painting. Somebody was bound to wander in before too long, and we could hardly leave it there to be found. Victor had obviously been thinking the same thing. He straightened up from where he had been crouched down examining the body.

“We need a tarp,” he said.

I remembered the tarp I’d seen in the sculpture room, under a bench. I ran back, squeezed through the ruined door, and pulled it out from under the bench where it had been stashed. We spread it out in the hallway next to the shape-shifter and rolled her onto it. Then we rolled it a couple more times until it was covered up. The shape-shifter was hidden, but now it looked exactly like what it was: a tarp containing a dead body.

Victor bent over the tarp, made some gestures, and tensed with effort. The tarp shimmered briefly and then I was looking at an old spruce tree, like something left over from a long-ago Christmas. It was a perfect illusion-the needles were brown halfway along their length, and little piles had apparently fallen off and onto the floor. The man has ability.

We grabbed the corner of the tarp and pulled it along the hallway and out the door.

“I’ll get the car,” Victor said. “Watch the body.” He disappeared around the corner of the building.

“Try to make it back this time,” I called after him.

With a little effort I could cut through the illusion and see the tarp, bulging in the middle. I watched it anxiously, afraid beyond reason that it would start to move. I was sure the shape-shifter was dead, but that didn’t stop me from obsessively checking every few seconds.

I was starting to get nervous when Victor returned. I didn’t think there was going to be enough space to cram the body into the small trunk-a BMW M5 is not a family sedan, after all. But she hadn’t stiffened up yet-that takes a number of hours-so we were able to force it in with some judicious pushing and folding. Squishing sounds could be heard from under the tarp as we squeezed her in, which made me queasy. Once we got the body stowed securely we drove slowly away, as if nothing out of the ordinary had happened.

“Okay, where the hell were you?” I said as we drove away from the shipyard. “That thing almost got me, you know.”