Peter James - Looking Good Dead

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Looking Good Dead: краткое содержание, описание и аннотация

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Tom Bryce did what any decent person would do. But within hours of picking up the CD that had been left behind on the train seat next him, and attempting to return it to its owner, he is the sole witness to a vicious murder. Then his young family are threatened with their lives if he goes to the police. But supported by his wife, Kellie, he bravely makes a statement, to the murder enquiry team headed by Detective Superintendent Roy Grace, a man with demons of his own – including his missing wife – to contend with. And from that moment, the killing of the Bryce family becomes a mere formality – and a grisly attraction. Kellie and Tom's deaths have already been posted on the internet. You can log on and see them on a website. They are looking good dead. 'Destined for the bestsellers' – "Independent on Sunday". 'A terrific tale of greed, seduction and betrayal' – "Daily Telegraph".

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A former journalist, he looked more like a City trader than a newspaper man. In his early forties, with slicked-back black hair, mutantly large eyebrows and a penchant for sharp suits, he had the tough task of brokering the increasingly fragile relations between police and public.

Roy Grace, swigging a bottle of mineral water, stared at him across his desk, feeling empathy with the man. Ponds wasn’t trusted by many police and the press were always suspicious of his motives. It was not a job anyone could win at. One police PRO had ended up in a sanatorium; another, Grace remembered well, sipped from a hip flask all day long.

Ponds had just laid the entire collection of morning newspapers on Grace’s desk and was now sitting in front of him, wringing his hands. ‘At least we managed to keep it off the front page, Roy,’ he said apologetically, his eyebrows rising like two crows preparing for flight.

They’d been lucky; a Charles and Camilla story took most of the front-page splashes. It was a reflection of modern times that the headless torso story made just a few lines on the inside pages of some papers, and was not mentioned at all in others. But, like the entire half-page of the Daily Mail open in front him, Two Dead After Police Car Chase had made every single national paper.

‘You did your best,’ Grace said. Unlike many of his colleagues he recognized the importance of public relations.

‘You handled the conference well,’ Pond Life said. ‘The best thing we can do is build on the torso story today. I’ve set a con for two. You up for that?’

‘Ready to slay ’em,’ Grace retorted.

‘Can you give me anything for them, in advance?’

Grace fiddled with the bottle cap, screwing it on then unscrewing it again. ‘No matches from the fingerprints. We’re waiting for a DNA report from the labs. Meantime we’re checking through the missing persons lists.’

‘Are we telling them the head’s missing?’

‘I don’t want anyone to know that yet. I’m just going to say that the body was badly mutilated, which is hampering the identification.’

‘I thought I was the one who doctored the truth for you guys.’

Grace smiled. ‘You’ve obviously been a good teacher.’

The eyebrows now flexing like wings in flight, Ponds asked, ‘Any hot leads?’

‘Come on, Dennis. Now you’re sounding like a journalist.’

‘I’d like to throw them a bone.’

‘There are several possible matches.’

‘Yes, but I hear the most likely is a Brighton girl, a trainee solicitor. Is that right?’

Stunned at this information, Grace asked, ‘Where did you hear that?’

The PRO shrugged. ‘Word on the street.’

‘What street? Who the hell told you that?’

Ponds stared at the Detective Superintendent. ‘Three different journalists have already rung my office.’

Grace remembered his conversation with Glenn Branson over his mobile phone yesterday afternoon, when Glenn was speculating who the young woman might be. Had someone listened in? That was near impossible – the new phones sent digitized signals, scrambled. With anger rising inside him and jabbing his bottle at the ceiling, Grace said, ‘Who the fuck talked to them? Dennis, that dead girl, whoever she is, has a family. Maybe a husband, maybe a mother, maybe a father, maybe kids, who all loved her. We’re not in any state to start speculating.’

‘I know that, Roy. But we can’t lie to the press, either.’

Thinking as ever about Sandy, Grace said, ‘Look, can’t you understand that everyone who has a missing loved one who fits her description is going to be glued to every word that’s printed, to everything that’s said on television and on the radio? I’m not in the business of raising hopes, I’m in the business of finding criminals.’

Dennis Ponds jotted furiously on a shorthand pad. ‘That’s good,’ he said. ‘That last line. Can I use that in our press release?’

Grace stared at the man for a moment. So typical of a press officer that. Sound bites. That’s all Ponds ever wanted, really. He nodded and looked at his watch, wanting to get over to the Incident Room and brief his team there. Then he needed to get to the post-mortem, which would start at 10 a.m.

There was another reason why he was anxious to attend the post-mortem, and it had nothing to do with the poor young woman whose butchered remains were now being further butchered by the pathologist. It had everything to do with another young woman in the mortuary, with whom he had a date tonight.

Underneath the mountain of newspapers on his desk was the men’s style magazine FHM. Grace had hoped to grab a few minutes this morning to scan the magazine and see what the hottest men’s fashions were. Glenn Branson kept ribbing him about his clothes, his haircut, even his damned watch. His trusty old Seiko – which Sandy had given him – was too small, apparently, too yesterday; gave out the wrong signals about him. Probably even gave out the wrong kind of time.

How the hell could you be cool? At nearly thirty-nine was it even worth trying? Then he thought about Cleo Morey, and his stomach did a sort of backflip into wet cement with excitement. And yes, he realized it was. It was hugely worth trying.

Dennis Ponds stayed nattering for what felt an eternity, but Grace tolerated it because he knew he needed Ponds onside at the moment, and this was good bonding. Besides, Ponds passed on some interesting gossip about the Chief Constable, the Assistant Chief, Alison Vosper, and then had a moan about Chief Superintendent Gary Weston, Grace’s immediate boss, who, Ponds said, seemed to be more interested in horse races and dog tracks than in policing, and that people were starting to notice and talk.

Whatever the truth, it wasn’t smart of his ambitious boss to let his reputation slip. As a friend, he ought maybe to say something – but how to? And besides, Grace knew – but did not want to admit to himself – that he sometimes felt a little jealous of Gary Weston’s lifestyle, his adoring family, his easy social graces, his effortless rise up through the ranks. He was trying to remember who it was who had said, ‘Every time a friend of mine succeeds, something inside me dies.’ Because, sadly, it was true.

Finally Dennis Ponds left. As the door closed Grace picked up the magazine and began to browse through it. Within minutes his gloom had returned. There were twenty different fashion looks on twenty different pages. Which would make him look modern and smart for his date? And which a total loser?

There was only one way to find out, he thought, resigning himself to a serious loss of face.

14

Grace left his office and walked through into the Management Support Assistants’ area, where Eleanor was stationed along with three other MSAs. Together these four women provided the secretarial backup for all the senior CID officers in CID headquarters, apart from Gary Weston, who had his own full-time assistant.

One of his dislikes about the building was its depersonalizing sense of uniformity. Perhaps simply because it was fairly newly refurbished, or perhaps because it was away from the city itself, the building felt sterile. It didn’t have the chunks out of the walls made in scuffles with villains or by someone in a hurry with a metal object, or the threadbare patches of carpet, or the nicotine-stained ceilings of most police stations. There were no cracked windows, busted chairs, wonky desks – all the patina of use that gave a place character – although, admittedly, not always welcome character.

Eleanor had a spray of violets on her desk in a dinky china vase, a photograph of her four kids but curiously not one of her husband, a half-filled-out Sudoku puzzle torn from a newspaper and her plastic lunch box.

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