James Ellroy - L. A. Confidential

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The movie Janet Maslin of the New York Times calls:
"Gangbusters! A shrewd, elegant film with a flawless ensemble cast and style to burn"; L.A. Confidential is an epic crime novel that stands as a steel-edged time capsule-Los Angeles in the 1950s, a remarkable era defined in dark shadings.
A horrific mass murder invades the lives of victims and victimizers on both sides of the law-three cops treading quicksand in the middle.
Detective Ed Exley wants glory. Haunted by his father's success as a policeman, he will pay any price, break any law to eclipse him.
Detective Bud White watched his own father murder his mother-he is now bent on random vengeance, a time bomb with a badge.
Celebrity cop Jack Vincennes shakes down movie stars for a scandal magazine. An old secret possesses him-he'll do anything to keep it buried.
Three cops in a spiral, a nightmare that tests loyalty and courage, a nightmare that offers no mercy, allows for no survivors. Here is James Ellroy's masterpiece… darkness to haunt you in shades of red, gray, and black.

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EXTRACT: L.A. «Herald-Express», November 10:

MOBSTER COHEN SURVIVES BOMB ATTEMPT

A bomb exploded under the home of paroled mobster Mickey Cohen early this morning. Cohen and his wife, Lavonne, were not injured, but the bomb did destroy a wardrobe room that housed three hundred of Cohen's custom-made suits. Cohen's pet bulldog, alseep nearby, was treated for a singed tail at Westside Veterinary Hospital and released. Cohen could not be reached for comment.

Confidential letter, addendum to the outside agency investigation report required on all incoming commanders of Internal Affairs Division, Los Angeles Police Department. Requested by Chief William H. Parker.

11/29/57

Dear Bill-

God, we were sergeants together! It seems like a million years ago, and you were right. I did relish the chance to slip briefly back into harness and play detective again. I felt slightly treacherous interviewing officers behind Ed and Preston's back, but again you were right: firstly in your overall policy of outside agency validation for incoming I.A. chiefs, and secondly in choosing an ex-policeman predisposed to like Ed Exley to query brother officers on the man. Hell, Bill, we both love Ed. Which makes me happy to state that, basic investigation aside (the D.A.'s Bureau is conducting it, aren't they?), I have nothing but positives to report.

I spoke to a number of Detective Bureau men and a number of uniformed officers. One consensus of opinion held: Ed Exley is very well respected. Some officers considered his shooting of the Nite Owl suspects injudicious, most considered it bold and a few tagged it as intentionally grandstanding. Whatever, my opinion is that that act is what Ed Exley is most remembered for and that it has largely eclipsed the bad feelings he generated by serving as an informant in the Bloody Christmas matter. Ed's jump from sergeant to captain was greatly resented, but he is considered to have proven his mettle as divisional floater: the man has run seven divisions in under five years, established many valuable contacts and has earned the general respect of the men serving under him. Your basic concern: that his "not one of the boys" nature would provoke anger when it was learned that he would be running I.A., seems so far to be unfounded. Word is out that Ed will take over l.A. early in '58, and it is tacitly assumed that he will vigorously pursue the assignment. My guess is that his reputation for sternness and intelligence will deter many potentially bent cops into sticking to the straight and narrow.

It is also known that Ed has passed the exam for promotion to inspector and is first on the promotion list. Here some notes of discord appear. It is generally viewed that Thad Green will retire in the next several years and that Ed might well be chosen to replace him as chief of detectives. The great majority of the men I spoke to voiced the opinion that Capt. Dudley Smith, older, much more experienced and more the leader type, should have the job.

Some personal observations to supplant your outside agency report. (1) Ed's relationship with Inez Soto is physically intimate, but I know he would never violate departmental regs by cohabitating with her. Inez is a great kid, by the way. She's become good friends with Preston, Ray Dieterling and myself, and her public relations work for Dream-a-Dreamland is near briffiant. And so what if she's a Mexican? (2)1 spoke to I.A. Sgts. Fisk and Kieckner about Ed-the two worked Robbery under him, are junior straight-arrow Exley types and are positively ecstatic that their hero is about to become their C.O. (3) As someone who has known Ed Exley since he was a child, and as an ex-police officer, I'll go on the record: he's as good as his father and I'd be willing to bet that if you made a tally you'd see that he's made more major cases than any LAPD detective ever. I'm also willing to bet that he's wise to this affectionate little ploy you've initiated: all good cops have intelligence networks.

I'll close with a favor. I'm thinking of writing a book of reminiscences about my years with the Department. Would it be possible for me to borrow the file on the Loren Atherton case? Without Preston and Ed knowing, please-I don't want them to think I've gone arty-farty in my waning years.

I hope this little addendum serves you well. Best to Helen, and thanks for the opportunity to be a cop again.

Sincerely,

Art De Spain

LAPD TRANSFER BULLETINS

1. Officer Wendell A. White, Homicide Division to the Hollywood Station Detective Squad (and to assume the rank of Sergeant), effective 1/2/5 8.

2. Sgt. John Vincennes, Surveillance Detail to Wilshire Division Patrol, effective when a replacement officer is assigned, but no later than 3/15/58.

3. Capt. Edmund J. Exley to permanent duty station: Commander, Internal Affairs Division, effective 1/2/5 8.

PART THREE. PART THREE. Internal Affairs

CHAPTER FORTY-TWO

The Dining Car had a New Year's hangover: drooping crepe paper, "1958" signs losing spangles. Ed took his favorite booth: a view of the lounge, his image in a mirror. He marked the time-3:24 P.M., 1/2/58. Let Bob Gallaudet show up late-anything to stretch the moment.

In an hour, the ceremony: Captain E. J. Exley assumes a permanent duty station-Commander, Internal Affairs Division. Gallaudet was bringing the results of his outside agency validation-the D.A.'s Bureau had gone over his personal life with a magnifying glass. He'd pass-his personal life was squeaky clean, putting the Nite Owl boys in the ground outgunned his Bloody Christmas snitching-he'd known it for years.

Ed sipped coffee, eyes on the mirror. His reflection: a man a month from thirty-six who looked forty-five. Blond hair gone gray; crease lines in his forehead. Inez said his eyes were getting smaller and colder; his wire rims made him look harsh. He'd told her harsh was better than soft-boy captains needed help. She'd laughed-it was a few years ago, when they were still laughing.

He placed the conversation: late '54, Inez analytical-"You're a ghoul for watching that man Stensland die." A year and a half post-Nite Owl; today made four years and nine months. A look in the mirror, a claim on those years-and what he'd had with Inez.

His killings pushed Bud White out: four deaths eclipsed one death. Those first months she was all his: he'd proven himself to her specifications. He bought her a house down the block; she loved their gentle sex; she accepted Ray Dieterling's job offer. Dieterling fell in love with Inez and her story: a beautiful rape victim abandoned by her family dovetailed with his own losses- once divorced, once widowered, his son Paul dead in an avalanche, his son Billy a homosexual. Ray and Inez became father and daughter-colleagues, deep friends. Preston Exley and Art De Spain joined Dieterling in devotion-a circle of hardcase men and a woman who made them grateful for the chance to feel gentle.

Inez took friendships from a fantasy kingdom: the builders, the second generation-Billy Dieterling, Timmy Valburn. A chatty little clique: they talked up Hollywood gossip, poked fun at male foibles. The word "men" sent them into gales of laughter. They made fun of policemen and played charades in a house bought by Captain Ed Exley.

All claims came back to Inez.

After the killings, he had nightmares: were they innocent? Impotent rage made his finger jerk the trigger; the dramatic resolution made the Department look so good that little facts like "Unarmed" and "Not Dangerous" would never surface to crush him. Inez stilled his fears with a statement: the rapists drove her to Sylvester Fitch's house in the middle of the night and left her there-giving them time to take down the Nite Owl. She never told the police about it because she did not want to recount the especially ugly things that Fitch did to her. He was relieved: «guilty» dead men shored up the justice in his rage.

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