James Ellroy - L. A. Confidential

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The movie Janet Maslin of the New York Times calls:
"Gangbusters! A shrewd, elegant film with a flawless ensemble cast and style to burn"; L.A. Confidential is an epic crime novel that stands as a steel-edged time capsule-Los Angeles in the 1950s, a remarkable era defined in dark shadings.
A horrific mass murder invades the lives of victims and victimizers on both sides of the law-three cops treading quicksand in the middle.
Detective Ed Exley wants glory. Haunted by his father's success as a policeman, he will pay any price, break any law to eclipse him.
Detective Bud White watched his own father murder his mother-he is now bent on random vengeance, a time bomb with a badge.
Celebrity cop Jack Vincennes shakes down movie stars for a scandal magazine. An old secret possesses him-he'll do anything to keep it buried.
Three cops in a spiral, a nightmare that tests loyalty and courage, a nightmare that offers no mercy, allows for no survivors. Here is James Ellroy's masterpiece… darkness to haunt you in shades of red, gray, and black.

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"Agreed. Bob, you and Exley talk to Cohen and Whalen. Captain, did you have capable men on your job?"

Millard smiled. "Three capable men and Trashcan Jack Vincennes. No offense, Ellis. I know he's involved with your wife's sister."

Loew flushed. "Exley, do you have anything to add?"

"Bob and the captain covered my points, but there's two things I want to mention. One, Susan Lefferts was from San Berdoo. Two, if it's not the Negroes in custody or another colored gang, then the car by the Nite Owl was a plant and we are dealing with one huge conspiracy."

"I think we have our killers. And on that note, are you making progress with Miss Soto?"

"I'm working at it."

"Work harder. Good efforts are for schoolboys, results are what counts. Go to it, gentlemen."

Ed drove to his apartment-a change of clothes for the run to McNeil. He found a note on the door.

Exley-

I still think you're everything I said you were, but I called the house and talked to my sister and she said you came by and were obviously concerned about my welfare, so I'm thawing a little bit. You've been nice to me (when you weren't covering angles or beating up people) and maybe I'm an opportunist myself and I'm just using you for shelter until I get better and can accept Mr. Dieterling's offer, so since I live in a glass house I shouldn't throw stones at you. That's as close to an apology as I'm going to give you and I will continue to refuse to cooperate. Get the picture? Is Mr. Dieterling for real about a job at Dream-a-Dreamland? I'm going shopping today with the rest of the money you gave me. Keeping busy makes me think about it less. I'll come by tonight. Leave a light burning.

Inez

Ed changed and taped his spare key to the door. He left a light burning.

CHAPTER THIRTY-TWO

Jack in his car, waiting to tail Bud White. Mangled hands, fruit-caked clothes-a shift breaking down garage doors, high-spirited darkies japping the search teams-rooftop hit-and-runs. No luck on Coates' Merc; Millard's bomb still exploding, lucky he heard by phone-he would have shit his pants otherwise.

" Vincennes, two witnesses have contacted Ellis Loew. They said Duke Cathcart was involved in some kind of unrealized scheme to push that smut we've been chasing. My guess is that it doesn't connect to the Nite Owl, but have you come up with anything?"

He said, "No." He asked if the other guys on the squad hit pay dirt. Millard said, "No."

He didn't tell him his reports were all bullshit. He didn't tell him he didn't care if the smut gig and the Nite Owl were doubled up from here to Mars. He didn't tell him he wouldn't rest easy until he had Sid Hudgens' file in his hand and the niggers sucked gas-guilty or not.

Eyes on the bullpen back door: blues hauling in sex geeks. Bud White inside-rubber hose work. He blew his tail last night- Dudley was pissed. Tonight he'd stick close, then hit Hudgens: get the Malibu Rendezvous wiped.

White walked out. Good light: Jack saw blood on his shirt. He hit the ignition, waited.

CHAPTER THIRTY-THREE

No colored lights-white light behind closed curtains. Bud pushed the buzzer.

The door opened-backlight on Lynn Bracken. "Yes? Are you the policeman Pierce told me about?"

"That's right. Did Patchett tell you what it was about?"

She held the door open. "He said you weren't quite sure yourself, and he said I should be candid and cooperate with you."

"You do everything he tells you?"

"Yes, I do."

Bud walked in. Lynn said, "The paintings are real and I'm a prostitute. I've never heard of Kathy what's-her-name, and Dwight Gilette would never sexually abuse a female. If he were going to kill one, he would have used a knife. I have heard of that man Duke Cathcart, essentially that he was a loser with a soft spot for his girls. And that's all the news that's fit to print."

"You finished?"

"No. I have no information on Dwight's other girls, and all I know about that Nite Owl thing is what I read in the papers. Satisfied?"

Bud almost laughed. "You and Patchett had «some» talk. Did he call you last night?"

"No, this morning. Why?"

"Never mind."

"It's Officer White, isn't it?"

"It's Bud."

Lynn laughed. "«Bud», do you believe what Pierce and I have told you?"

"Yeah, pretty much."

"And you know why we're humoring you."

"You use words like that, you might make me mad."

"Yes. But you know."

"Yeah, I know. Patchett's running whores, maybe other stuff on the side. You don't want me to report you on it."

"That's right. Our motives are selfish, so we're cooperating."

"You want some advice, Miss Bracken?"

"It's Lynn."

"Miss Bracken, here's my advice. Keep cooperating and don't fucking ever try to bribe me or threaten me or I'll have you and Patchett in shit up to your ears."

Lynn smiled. Bud caught it- Veronica Lake in some turkey he saw, Alan Ladd comes home from the war to find his bitch wife snuffed. "Do you want a drink, «Bud?»"

"Yeah, plain scotch."

Lynn walked to the kitchen, came back with two short ones. "Are they making progress on the girl's killing?"

Bud knocked his back. "There's three men on it. It's a sex job, so they'll round up all the usual perverts. They'll give it a decent shot for a couple of weeks, then let it go."

"But you won't let it go."

"Maybe, maybe not."

"Why are you so concerned?"

"Old stuff"

"Old personal stuff?"

"Yeah."

Lynn sipped her drink. "Just asking. And what about the Nite Owl thing?"

"That's coming down to these mg-colored guys we arrested. It's a big fucking mess."

"You say 'fuck' a lot."

"You fuck for money."

"There's blood on your shirt. Is that an integral part of your job?"

"Yeah."

"Do you enjoy it?"

"When they deserve it."

"Meaning men who hurt women."

"Bright girl."

"Did they deserve it today?"

"No."

"But you did it anyway."

"Yeah, just like the half dozen guys you screwed today."

Lynn laughed. "Actually, it was two. Off the record, did you beat up Dwight Gilette?"

"Off the record, I stuck his hand down a garbage disposal."

No gasp, no double take. "Did you enjoy it?"

"Well… no."

Lynn coughed. "I'm being a bad hostess. Would you like to sit down?"

Bud sat on the sofa; Lynn sat an arm's length over. "Homicide detectives are different. You're the first man I've met in five years who didn't tell me I look like Veronica Lake inside of a minute."

"You look better than Veronica Lake."

Lynn lit a cigarette. "Thank you. I won't tell your lady friend you said that."

"How do you know I got a lady friend?"

"Your jacket is a mess and reeks of perfume."

"You're wrong. This is me taking a pass on a pass."

"Which you..

"Yeah, which I seldom fucking do. Keep cooperating, Miss Bracken. Tell me about Pierce Patchett and this racket of his."

"Off the-"

"Yeah, off the record."

Lynn smoked, sipped scotch. "Well, putting what he's done for me aside, Pierce is a Renaissance man. He dabbles in chemistry, he knows judo, he takes good care of his body. He loves having beautiful women beholden to him. He had a marriage that failed, he had a daughter who died very young. He's very honest with his girls, and he only lets us date well-behaved, wealthy men. So call it a savior complex. Pierce loves beautiful women. He loves manipulating them and making money off them, but there's real affection there, too. When I first met Pierce I told him my little sister was killed by a drunken driver. He actually cried. Pierce Patchett is a hardcase businessman, and yes, he runs call girls. But he's a good man."

It played straight. "What else has Patchett got going?"

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