Mo Hayder - The Devil of Nanking aka Tokyo

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'There is an act, a very particular form of torture, which anthropologists and historians occasionally ruminate over. It is an act still reported from time to time from far-flung war zones around the world. What is unusual is that in spite of the oral evidence it has never been captured on film. But if film did exist, some people say, the most likely place it would come from, the place that was always whispered, the place that first comes to mind, is Nanking.'
Student Grey Hutchins comes to Tokyo seeking a rare piece of film showing the notorious Nanking Massacre in which, in one city, the Imperial Japanese Army butchered up to 300,000 civilians. Only one man can help her, a survivor of the massacre, and now a visiting professor at the prestigious University of Todai in Tokyo; a man who is rumoured to possess documentary evidence of Nanking.But first Grey must gain his trust. Desperate and alone, she accepts a job as a hostess in an upmarket nightspot catering for Japanese businessmen and wealthy gangsters. One gangster dominates – an old man in a wheelchair guarded by a terrifying entourage – who is said to rely on a powerful elixir for his continued wealth and well-being. It is an elixir that others want for themselves – at any price.
With its focus on the Tokyo underworld and China in the late 1930s, and a woman who has a lot to prove and even more to hide, this is a literary thriller of the highest order.

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I put my hand on her arm and pointed up the slope of rubble. It was a small climb, and I covered it easily, turning back and reaching down for the handle of the cart. She did her best, trying to lift it, trying to push it up the scree to me, but it was almost impossible for her, and I had to double back and drag it up with all my strength, my feet sliding hopelessly on the rubble, the stones avalanching down and making a noise I was sure would wake every Japanese soldier in Nanking.

Eventually I reached the top of the scree. There, I let the cart roll as far down the other side as possible, until I couldn’t lean any further and had to let it topple away, bouncing down the stones and falling on its side, all our belongings tumbling out into the snow. I held out a hand to Shujin, hauling her up, her ponderous weight coming slowly, so slowly, her eyes all the time on mine. We half scrambled, half slid down the other side of the wall, where we fell on to our belongings, grabbing them up in armfuls, throwing what we could into the cart, then racing blindly into a group of maple trees, me bumping the cart wildly behind me, Shujin doubled over as she ran, a bundle of clothing clasped to her chest.

‘We’ve done it,’ I panted. We huddled in the shadows under the trees. ‘I think we’ve done it.’ I squinted out into the darkness. On our right I could just make out a few slum dwellings, unlit and probably uninhabited. A track ran in the shadow of the wall and about twenty yards along it, in the direction of Taiping gate, a goat was tethered under a tree. Apart from that there was not a soul to be seen. I put my head back against the tree and breathed out, ‘Yes, we have. We have.’

Shujin didn’t answer. Her face seemed not sullen, but unnaturally tight and drawn. It wasn’t the fear alone. She had hardly spoken in the last few hours.

‘Shujin? Are you well?’

She nodded, but I noted she would not meet my eyes. My sense of unease increased. It was clear to me that we couldn’t rest here – that we needed to get to the salt dealer’s house as soon as possible. ‘Come along,’ I said, offering her my hand. ‘We must keep going.’

We loaded up the cart, stepped out of the clump of trees and began to walk, looking around ourselves in disbelief, astonished to be here, as if we were children stepping through a magic world. The streets grew narrower, the houses more sparse, the road underfoot giving way to a dirt track. Purple Mountain rose up silently on our right, blotting out the stars, while on the left the land fell away, leading back down to the blackened ruins of our city. The relief was exhilarating: it drove me along, intoxicated. We were free of Nanking!

We walked rapidly, stopping every now and then to listen to the silence. Beyond the five islets on the Xuanwu lakes a fire was glowing in the trees. We took it for a Japanese camp and decided to cut off the path and head across the foot of the mountain, moving along one of the many storm gullies. From time to time I would leave Shujin and slither down the small embankment to check that we were keeping parallel with the road. If we stuck to this course we would reach Chalukou eventually.

We saw no one – not a man, not an animal – but now something else was on my mind. Increasingly I was concerned for Shujin. She looked more tense than ever. From time to time she would allow a hand to float down to her stomach.

‘Listen,’ I said, slowing to whisper to her. ‘The next time the snow clears for a moment, look to where the road bends.’

‘What is it?’

‘There. Do you see? The trees?’

She squinted into the snow. In the torched remains of a wild sugar-cane field stood a ghostly snow-covered windlass, spidery above a well. Next to it was a border – a row of bushes.

‘A mulberry orchard. If we reach that we’ll be able to see the outskirts of Chalukou. We’re nearly there. That’s all you have to do, these few last yards…’

I broke off.

‘Chongming?’

I held my finger to my lips, looking down at the land sloping into the darkness. ‘Did you hear anything?’

She frowned, bending forward and concentrating on the silence. After a while she looked back up at me. ‘What? What did you think you heard?’

I didn’t answer. I couldn’t tell her that I thought I had heard the sound of the devil touching down in the dark countryside nearby.

‘What is it?’

From out of the trees to the left of the track came a sweep of headlights, and an ear-shattering roar. About two hundred yards away a motorcycle leaped up over the lip of a bank, found its balance on the higher land, and pivoted round, sending up a plume of snow. It stopped, seeming to come to a rest facing us directly.

‘Run!’ I grabbed Shujin’s arm and threw her bodily into the trees above the track. I grabbed the handcart and stumbled up the slope behind her. ‘Run! Run!’

Behind me the rider throttled the engine, making it roar. I didn’t know if he’d seen us, but he seemed to aim the motorcycle at the track we were on. ‘Keep going. Keep going.’ I stumbled through the thick snow, the cart twisting behind me, threatening to shed its load.

‘Which way?’ Shujin hissed from above. ‘Which way?’

‘Up! Keep going up the mountain.’

56

When the footsteps began their stealthy progress up the metal stairs, I could have kept quiet. I could have gone silently to my room, crawled out of the window, disappeared into the muffling snow and never found out what was in the plastic bag. But I didn’t. Instead I hammered on Jason’s door, yelling at the top of my voice: ‘ Jason! JASON, GO! ’ As the Nurse’s horrible shadow appeared out of the gloom of the staircase, I launched myself away, skidding, still shouting, bounding down the corridor in a way that was so frantic it must have looked like exuberance, not fear, all the way to the garden staircase – ‘ JASON! ’ – throwing myself down the steps, half sliding, half falling, slamming into the screen at the bottom, diving out into the snowy night.

Outside I paused, just for a second, breathing hard.

The garden was silent. I glanced through the branches at the gates to the street, then back to the plastic bag, which hung only a few tantalizing yards to my left, just above the do-not-go-here stone. I looked back to the gates, then to the bag, then up at the gallery. A light came on, glaring across the garden.

Do it -

I launched myself sideways from the doorway, not through the wisteria tunnel but away from the gates, towards the bag, scurrying crablike into the undergrowth, hugging the wall where it was darkest. Overhead the branches bounced, throwing snow everywhere. The shadow of the carrier-bag flickered across my head. When I got to the deep shadows and the undergrowth was too thick to go any further, I sank down on to my haunches, panting silently, my pulse rocketing in my temples.

The bag swayed lazily overhead, and beyond it the silvered windowpanes outside Jason’s room sent back a reflection of the trees and swirling snowflakes. A few beats of silence passed, then something in the house splintered deafeningly – a door flying back on its hinges, or furniture being overturned – and almost immediately came a sound I will never forget. It was the sort of sound the rats in the garden sometimes made at midnight when a cat had them skewered. It unravelled through the house like a whip. Jason was screaming, a terrible, penetrating sound that raced round the garden and lodged in my chest. I clamped my hands over my ears, shuddering, unable to listen to it. My God. My God. I had to open my mouth and gulp in air: big, panicked lungfuls because for the first time in my life I thought I might faint.

The bag in the tree shifted in a small breeze and a little snow shook out of its soft hollows. I looked up at it, my eyes watering with fear. There was something inside it, something wrapped in paper. I could see it clearly now. Jason’s cries crescendoed, echoing into the night, bouncing off the walls. I didn’t have long – it had to be now. Concentrate… concentrate. Sweating, trembling uncontrollably, I stood on tiptoe, groped for the branch, pulling it down and reaching cold fingertips up to the bag. A little ice fell off it, the plastic crackled under my fingers, and for a moment I pulled my hand back instinctively, startled that I’d actually touched it. The bag swayed a little. I took a deep breath, stretched up and grabbed it more firmly, just as Jason stopped screaming and the house fell into silence.

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