Ron Rash - Burning Bright

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Burning Bright: краткое содержание, описание и аннотация

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A collection of stories
In Burning Bright, the stories span the years from the Civil War to the present day, and Rash's historical and modern settings are sewn together in a hauntingly beautiful patchwork of suspense and myth, populated by raw and unforgettable characters mined from the landscape of Appalachia. In "Back of Beyond," a pawnshop owner who profits from the stolen goods of local meth addicts – including his own nephew – comes to the aid of his brother and sister-in-law when they are threatened by their son. The pregnant wife of a Lincoln sympathizer alone in Confederate territory takes revenge to protect her family in "Lincolnites." And in the title story, a woman from a small town marries an outsider; when an unknown arsonist starts fires in the Smoky Mountains, her husband becomes the key suspect.
In these stories, Rash brings to light a previously unexplored territory, hidden in plain sight – first a landscape, and then the dark yet lyrical heart and the alluringly melancholy soul of his characters and their home.

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“I’d always heard they was a few of them planted in this cemetery,” the old man says, “but I never figured to see one.”

The coffin spries Wesley up some. I dig enough room to the side to set my feet so they’re not on the lid. Rust has sealed it, so I take the flat end of the pickax and crack the lid open like you’d crowbar a stuck window. I about break my pickax handle but it finally gives. I get down low but I can’t lift the lid off by myself.

“You got to help me,” I tell Wesley and he gets down beside me.

It’s no easy thing to do and we both have to step lively in hardly no room to keep the lid from sliding off and landing on our feet. Soon as we get it off, Wesley puts his left hand on his right shoulder, and I’m thinking it’s some kind of salute or something, but then he starts rubbing his arm and shoulder like it’s gone numb on him.

“The Lord Almighty,” the old man says, and Wesley and me step some to the side to get where we can see good too.

Unlike the other one, you can tell this was a man. The bones are most together and there’s even a hank of red hair on his skull. You can tell he’s in a uniform too, raggedy but what’s left of the pants and coat is butternut. I look over at Wesley and he’s seeing nothing but what’s made of metal.

There’s plenty to fill up his eyeballs that way. A belt buckle is there with no more than a skiffing of rust on it. Buttons too, looking to be a half dozen. But that’s not the best thing. What’s best is laying there next to the skeleton, a big old sword and scabbard. Wesley reaches for it. The sword’s rusted in but after a couple of tugs it starts to give. Wesley finally grunts it out. He holds the sword out before him and I can see he’s figuring what it’ll fetch and the grin on his face and the way his eyes light up argue a high price indeed. Then all of a sudden he’s seeing something else, and whatever it is he sees isn’t giving him the notion to smile anymore. He lets the sword slide out his hand and leans back against the wall, his feet still in the coffin. He slides down then, his back against the wall but his bottom half in the coffin, just sitting there like a man in a jon boat. His eyes are still open but there’s no more light in them than the bottom of a coal shaft.

“See if they’s a pulse on him,” the old man says.

I step closer to Wesley, footlogging the coffin so I won’t step on the skeleton. I lay hold of Wesley’s wrist but there’s no more alive there than in his eyes.

I just stand there a minute. All the bad fixes I’ve been in are like being in high cotton compared to where I am now. I can’t even begin to figure what to do. I’m about to tell the old man to level that shotgun on me and pull the trigger for my brain’s not bringing up a better solution.

“I don’t reckon he’ll be strutting around and playing Johnny Reb with his sword and belt buckle,” the old man says. He looks at me and it’s easy enough for him to guess what I’m feeling. “You shouldn’t get the fantods over this,” he says. “His dying on you could be all for the better.”

“How do you reckon that?” I ask, because I sure can’t figure it that way.

“What if he was speaking the truth when he said we’re the only three that knows about this?” the old man says.

“I never said a word.”

“I got no doubting about that,” the old man says. “Far as I can tell you don’t say nothing unless it’s yanked out of you like a tooth.”

“I don’t think he’d have spoke about this,” I say. “There’s not many that would think good of him if he did, and some might even tell the law. I don’t figure him to risk that.”

“Then I’d say he’s helped dig his own grave,” the old man says. “Stout as he is, I don’t notion you could get him out of there alone and I’m way too old to help you.”

“We might could use a rope,” I say. “Pull him out that way.”

“And what if you did,” the old man says. “You think you can drag that hunk of lard behind you like a little red wagon. Even if you can, where you headed with him?”

That’s a pretty good question, because here to the truck is a good half mile. I’d have a better chance of toting a tombstone that far.

“It doesn’t seem the right sort of thing to do,” I say. “I mean for his kin and such not to never know where he’s buried.”

“Those that wears the badges ain’t always the brightest bulbs,” the old man says, “but they won’t need the brains of a stump to figure what he and you was up to if they find him here.” The old man pauses. “Is that truck his or yours?”

“His.”

“You leave that truck by the river and the worst gossip on your buddy there is he was fool enough to get drunk and fall in. You bring the law here they’ll know him for a grave robber. Which way you notion his kin would rather recollect him?”

The old man’s whittling it down to but one path to follow. I try to find a good argument against him, but I’m too wore down to come up with anything. The old man takes out his watch.

“It’s nigh on four o’clock. You get to filling in and you could get that grave leveled by the shank of morning.”

“It’s two graves to fill,” I say. “We dug another one up the hill a ways.”

“Well, get as much dirt in them as you can. Even full up they’ll be queer looking with all that fresh dirt on them. I’ll have to figure some kind of tall tale for folks that might take notice, but I been listening to your buddy all night so I’ve picked up some good pointers on how to lie.”

I look at the sword and think how the blade maybe killed somebody during the Civil War and in its way killed another tonight, at least the wanting of it did.

“He was lying about this stuff not being worth much,” I say. “I need the money so I’m going to sell it, but I’ll go halves with you.”

“You keep it,” the old man says. “But I’ll take what’s in your partner’s wallet. He’ll need it no more than the lieutenant there needs that sword.”

I pull the wallet from Wesley’s back pocket, give it to the old man. He pulls out a ten and two twenties.

“I knew that son of a bitch was lying about having no more money,” he says, then throws the wallet back in the hole.

I reach the sword and scabbard up to the old man and then the buckle and buttons. I think how easy it would be for him to rooster that trigger and shotgun me. He leans closer to the hole and I see he’s still got that shotgun in his hand and I wonder if he’s figuring the same thing, because it’d be easy as shooting a rat in a washtub. He gets down on his creaky old knees, and I guess my fearing is clear to him for he lays down the shotgun and gives me a smile.

“I was just allowing I’d give you some help out of there,” he says and offers his hand. “Just don’t jerk me in there with you.”

I take his hand, a strong grip for all his years, and reach my other hand over the lip. It’s one good heave and I’m out.

I fetch the shovel and set to the covering up, dead tired but making good time because I’m figuring if it doesn’t get done I’ll have some serious jailhouse time to wish I had. Plus it’s always easier to fling dirt down than up. I get the hole filled and walk up to the other grave, the shovel and pickax in one hand and the sword and bedsheet in the other. The old man and his dog follow me. I get it half full before the pink of morning skims Bluff Mountain.

“I got to go now,” I say. “It’s getting near dawn.”

“Leave the shovel then,” the old man says. “I can fill in the rest. Then I’m going to plant chrysanthemums on the graves, let that be the why of the dirt being rooted up.”

I have no plans to find out if that’s what he does do. My plan is not to be back here again unless someone’s hauling me in a box. I walk on down the hill. It’s Sunday so I don’t see another soul on the road. I park the truck down by the river, no more than a mile from Marshall. I get my handkerchief out and wipe the steering wheel good and the door handle. Then I high-step it, staying in the woods till I’m to the edge of town. I hunker down there till full light, figuring it’s all worked good as I could have hoped. They’ll soon find the truck, but no one spotted me near it. Wesley and me never were buddies, never went out to bars together or anything, so there’s none likely to figure me in his truck last night. I hide the sword and bedsheet under some leaves to get later. When I cross the road in front of Jackson’s Café, I figure I’m home free.

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