Jonathan Kellerman - Deception

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Deception: краткое содержание, описание и аннотация

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Masterly storytelling and expert insight into the darkest of human compulsions make #1 New York Times bestselling author Jonathan Kellerman's Alex Delaware novels as compelling as they are addictive. And just when you think he has taken his spellbinding tales of mystery and psychological suspense to the limit, with Deception he takes a bold leap into terrifying and uncharted new territory.
Her name is Elise Freeman, and her chilling cry for help – to whoever may be listening – comes too late to save her. On a DVD found near her lifeless body, the emotionally and physically battered woman chronicles a year-and-a-half-long ordeal of monstrous abuse at the hands of three sadistic tormentors. But even more shocking than the lurid details is the revelation that the offenders, like their victim, are teachers at one of L.A. 's most prestigious prep schools. With Elise now dead by uncertain means, homicide detective Milo Sturgis is assigned to probe the hallowed halls of Windsor Prep Academy. And if ever he could use Dr. Alex Delaware's psychological prowess, it's now.
From the get-go, this case promises to be an uphill climb for truth and a down and dirty fight for justice. Allegations of rape, assault, and possibly murder at this esteemed institution renowned for molding Ivy Leaguers make for a social and political time bomb – especially given that one of the students has connections high up in City Hall. As the scandal-conscious elite of L.A.
close ranks around Windsor Prep, Alex and Milo must penetrate the citadel of wealth and scholarship to expose the hidden anguish, dirty secrets, and deadly sins festering among society's manor-born. But power and position are not easily surrendered, for that's when the best and the brightest turn brutal and ugly. Searching for predators among the privileged, Alex and Milo may well be walking into a highly polished death trap.

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The dog studied our approach, dark, bear-like, unmoving but for intelligent eyes that cut through the haze.

The man was in his early thirties, bullnecked and crew-cut with a fuzzy chin-beard and the top-heavy physique of a silverback gorilla. "You're cops, right? I came out with Rufus and seen you." He hooked a thumb at Fidella's house. "What'd he do?"

Milo said, "What makes you think he did anything?"

"He didn't?"

"What's on your mind, sir?"

The man shifted his weight. The dog didn't budge. "Tell the truth, Officer, none of us likes him living so close."

"None of us being…"

"Me, my wife, also the Barretts-two houses down, they also got kids."

"You're worried about your kids?"

"Not yet," said the man. "So far, he just bothered the wives."

"Bothered them how?"

"Trying to sell 'em stuff they didn't want. With my wife it was a guitar for my oldest. But Sean don't play the guitar, Sean's into sports, she told him that. He kept pushin', telling Dara kids who played instruments were smarter than kids who didn't play instruments, he had some good cheap guitars, Sean could pick his color. Dara said thanks but no thanks. He follows her all the way up to our door, finally she has to say, really, I'm not interested, and he's still talking. Dara told me about it later, I said let me go over there, she said if he does it again, no sense making a scene. Later we were having a barbecue with Doug and Karen-the Barretts-and Dara found out he'd pulled the same stunt with Karen."

"Trying to sell her a guitar."

"Drums, their oldest plays the drums, you can hear it a mile away when he practices. One day he catches Karen as she's driving up, tells her doesn't sound like Ryan's drum kit's any good. She says it's fine. He says it's really not, he can get her a better one, cheap. Karen says no thanks, we're fine, he gets pushy the same way he did with Dara. Karen's tougher than Dara, she yells at him to back off."

"Did he?"

"Yeah. But he had a foot in her door, that's weird, no?"

"Anything else about him we should know, Mr…"

"Roland Staubach," said the man. "I go by Rolly. This is a nice family block, he lives by himself, never goes to work. So tell me, how'd he get that Corvette? And that ginormous flat-screen?"

"You've been inside his house?"

"Me? Why should I?"

"You saw his flat-screen."

"It's right in front and sometimes he opens those sheets he uses for curtains. I'll be walking Rufus and he's right there for the whole world to see. Sitting on the couch in his underwear drinking and watching his flat-screen. When I saw you drive up in that unmarked, I said finally, someone I can talk to."

"You know about unmarkeds," said Milo.

"I used to drive for one of the tow-yard services used by your department. Van Bruggen's, over in Silverlake? Once in a while I hooked up an unmarked. So what'd he do?"

"Nothing," said Milo.

"Nothing? You knocked on his door."

"He's a potential witness, Mr. Staubach."

"To what?"

"Nothing that concerns the neighborhood. Is there anything else you want to tell me about him?"

"He gives me a bad feeling," said Staubach. "Anytime he gets in that Corvette, guns the engine like he does, Rufus is at the front window, all tense." Rubbing the dog's neck. "Also, he never goes to a regular job, this is a working block. I drive for UPS, work weekends at Mack's Aquarium in Tarzana. Dara's a teacher's aide at the kids' school, for tuition. Doug and Karen are both at Con Edison. The Millers down the block are respiratory therapists, everyone's working like crazy except him."

"How long has he lived here?" said Milo.

"He was already here when we moved in, that's a year and a half ago."

"Thanks, Mr. Staubach. We'll be back to talk to him."

"You could talk to him now, Officer."

"He's home?"

"I saw him pulling that Corvette into the driveway around four thirty, never saw him leave. Gunning it, like he always does, Rufus was up at the window, all tense. Then an hour ago the Corvette starts up again only this time no gunning and Rufus is relaxed so I go check it out. Some other guy's driving it away. Some kid."

"How old of a kid?" said Milo.

"Didn't get a long look at him but I could see him through the open window and it sure wasn't Fidella."

"We talking teenager?"

"Could be. I really didn't see that good."

"Caucasian?"

"Not black, that's for sure," said Staubach.

"Hair color?"

"Couldn't tell you."

"Could he have been Hispanic?"

"All I can say is light enough so he wasn't black. Or maybe he was black but a light black. I figured maybe he's Fidella's kid, a divorce situation, Fidella never sees him, that would fit. With his character, you know?"

"You figured Fidella loaned him his car."

"I guess… you're thinking the car got stolen?"

"Was the kid inside Fidella's house?"

"That I can't tell you. You're thinking this kid hot-wired it or something?"

"You're sure Fidella wasn't in the passenger seat?"

"I guess he could've been. All I saw was someone at the wheel."

Milo looked up and down the block. "There was enough light?"

Staubach pointed. "He passed right under that street lamp, Officer. I wouldn't tell you something I saw when I didn't."

"What was the kid wearing?"

"All I saw was his head," said Staubach. "That's my point, I'm not gonna make stuff up."

"Have there been any other car thefts in the neighborhood?"

"You know, last year, Mr. Feldman-he's an old man, his wife just died, that blue house with all the flowers. Last year, someone drove off in Mr. Feldman's Cadillac, middle of the night, rolled it right out of his driveway. It got found in East L.A., tires gone, the moonroof cut out. That's why you asked about Hispanic? Some kind of East L.A. gangbangers? Yeah, sure, he could've been."

"You saw this kid drive off an hour ago."

"What time is it now?"

"Nine fifteen."

"Then it's an hour and a quarter. So what's next, Officer?"

"I'll give Mr. Fidella another try."

"Great idea."

Milo said, "Looks like Rufus is itching for his walk."

"Already walked him," said Staubach.

"Then I guess he deserves a nice rest."

"Wha-oh, sure, I'll stay out of your way. But keep in touch, okay? We're a block likes to know what's going on."

Another try at Fidella's front door brought the same result.

He peered across the street at Staubach's house. Neatly pleated drapes ruffled as someone moved.

I said, "Your year for helpful citizens."

"Must be El Nino."

We continued up Fidella's cracked driveway. The yard was an unlit patch of dirt or grass-too dark to tell which. High hedges loomed on three sides. The rear door was wood set with a glass panel. The single garage was bolted shut.

No illumination. Milo pulled out his little fiber-optic flashlight, held it high, the way cops are trained to do, aimed at a rusty light fixture over the rear door. "Empty socket, lots of rust. Sal's behind in his maintenance." A rap on the panel was followed by silence. He cast a cool white beam over the property.

Mostly dirt, some weeds, a single struggling orange tree. The hedge was ficus, worn bare in spots by disease and backed by cement block.

A second go-round, closer to the rear of the property, picked up something lying near the hedge.

What looked to be a roll of carpeting. Closer inspection showed it to be a cloth tube, fattened by substantial content.

Giant sausage.

Person-sized sausage.

Milo held me back instinctively, inched forward, scanned. Stopped.

Clamping the flashlight in one armpit, he gloved up. Lit up the dirt separating him from the package. Bent at the knees.

"Footprints… looks like some sort of sneaker."

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