John Hart - The Last Child

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The Last Child: краткое содержание, описание и аннотация

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Fresh off the success of his Edgar® Award-winning, New York Times bestseller Down River, John Hart returns with his most powerful and intricately-plotted novel yet.
Thirteen year-old Johnny Merrimon had the perfect life: happy parents and a twin sister that meant the world to him. But Alyssa went missing a year ago, stolen off the side of a lonely street with only one witness to the crime. His family shattered, his sister presumed dead, Johnny risks everything to explore the dark side of his hometown in a last, desperate search. What he finds is a city with an underbelly far blacker than anyone could've imagined – and somewhere in the depths of it all, with the help of his only friend and a giant of a man with his own strange past, Johnny, at last, finds the terrible truth.
Detective Clyde Hunt has devoted an entire year to Alyssa's case, and it shows: haunted and sleepless, he's lost his wife and put his shield at risk. But he can't put the case behind him – he won't – and when another girl goes missing, the failures of the past year harden into iron determination. Refusing to lose another child, Hunt knows he has to break the rules to make the case; and maybe, just maybe, the missing girl will lead him to Alyssa…
The Last Child is a tale of boundaries: county borders and circles on a map, the hard edge between good and evil, life and death, hopelessness and faith. Perfectly blending character and plot, emotion and action, John Hart again transcends the barrier between thrillers and literature to craft a story as heartrending as it is redemptive.

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Hunt lowered his voice, forced himself to relax. “Messed up how?”

Taylor shrugged without sympathy and tilted her head toward the house. “She showed up at school once to pick up her daughter. That was four months after the girl got snatched. When they told her that Alyssa wasn’t there, she refused to leave. Demanded to see her. Started screaming when they tried to explain. It got so out of control that the resource officer escorted her off the school grounds. She sat in her car for three hours, crying. And you know Officer Daniels?”

“The new guy?”

“He responded to a breaking and entering call about six weeks ago and found her asleep in her old house, just curled up on the sofa. Fetal, he said.” Taylor looked around at the dilapidated house. “Messed up.”

Hunt held his words for long seconds, and when he spoke, he tried hard to make her understand. “Do you have children, Laura?”

“You know I don’t.” She showed small teeth. “Children would interfere with the job.”

“Then trust me on this. She deserves a break.” Taylor held Hunt’s gaze, and he knew she was doing the math. Taylor was a street cop, not a babysitter; and Hunt’s request was not about channels or procedure. “Someone needs to be here in case her son returns. That’s legit.”

“And the rest of it?”

“Just make sure she doesn’t wander off or take any more pills.”

“You’re hanging your ass out on this, Hunt, and you’re asking me to bare my fine, sculpted backside, too.”

“I know that.”

“If she’s this bad-booze, pills, whatever-then the kid should be in state custody. If something happens to him because you refused to take action…”

“That’s my risk.”

She looked out at the rain, and the worry showed. “People are talking. About you and her.”

“The talk’s unfounded.”

Hard eyes. “Is it?”

“She’s a victim,” Hunt said coldly. “And she’s married. I have no interest beyond a professional one.”

“I think you’re lying,” Taylor said.

“Maybe,” he replied. “But not to you.”

Taylor drummed her fingers on the slick, vinyl belt that held her weapon, her cuffs, her Mace. “That’s deep, Hunt. So profound it’s downright female.” The words were not unkind.

“Will you help me?”

“I’m your friend. Don’t bring me into something sordid.”

“She’s a good woman and I lost her kid. That’s it.” The moment stretched. “Johnny Merrimon,” Hunt said. “Would you know him if you saw him?”

“A kid shows up, I’ll assume it’s him.”

Hunt nodded. “I owe you.”

He turned but she stopped him. “She must be something special.”

Hunt hesitated, but had no reason to lie. “They both are,” he said. “Her and her son.”

“Not to take anything away from these people, but why?”

Hunt pictured the kid, the way he understood his mother’s vulnerability and did what he could to protect her when no one else would. Hunt saw him buying groceries at six in the morning, throwing a rock through Ken Holloway’s window, not once, but five times, just to get him away from his mother. “I used to see them around town before all this happened. They were always together, all four of them. Church. The park. Concerts on the green. They were a beautiful family.” He shrugged, and both knew that there were things left unsaid. “I don’t like tragedies.”

Officer Taylor laughed without humor.

“What?” Hunt asked.

“You’re a cop,” she said. “Everything is a tragedy.”

“Maybe.”

“Yeah, right.” Her tone was disbelieving. “Maybe.”

A hundred yards down the road, parked in a darkened drive, Johnny watched Hunt’s car pull away from his house. He dipped down as it sped past, but another one still sat in the place that his mother normally parked. Johnny had seen the cars just in time, Hunt’s sedan, the marked car with dark lights on the roof. He chewed on a fingernail, tasted dirt. All he wanted to do was check on his mom. Just once. But the cops…

Damn .

An old couple lived in the house where Johnny was parked. On warm days, the husband sat on the porch, smoked hand-rolled cigarettes and watched his wife garden in a faded housedress that gapped in the front and showed more white skin and blue veins than Johnny thought a body should have. But they always waved and smiled when he passed on his bike, the woman with stained hands, the man with stained teeth.

Johnny climbed out of the car and closed the door. He heard rustling sounds and water dripping, the churr of frogs on trees and the hiss of tires as another car angled down the hill and splashed its lights against the low-slung cottage. Ducking, he slipped around the side of the house and began working his way through the backyards that stretched between the car and his own house. He moved past sheds that smelled of lawn clippings and rot, a trampoline that had rusted springs and a dangerous tilt. He ducked clotheslines, went over fences, and caught glimpses of neighbors he barely knew.

He slowed as he drew near his mother’s window. Her light burned yellow, and when he raised his head, he saw her sitting on the side of her bed. Tear-stained and splashed with mud, she sagged as if some vital string had been cut. She held a framed photograph, and her lips moved as she laid a finger on the glass and rolled her back to an unseen weight. But Johnny felt no sympathy. What leapt up in his chest was a sudden anger. She acted like Alyssa was gone for good, like there was no hope left.

She was so weak.

But when the photograph tilted, Johnny saw that it was not his sister’s photo that had wrecked his mother.

It was his father’s.

Johnny dropped below the sill. She’d burned them. Johnny remembered the day, a bright afternoon with fire in the backyard and the acrid smell of photographs charring down to nothing. He saw it like it was yesterday, how he’d stolen three of the photos from his mother’s hand and run crazy circles as she’d stumbled and wept and screamed at him to give them back. He knew where all three of those photos were, too: one in his sock drawer, two in the suitcase he kept for Alyssa.

The one his mother held was different. In it his father was young, with parted lips and flashing eyes. He wore a suit and tie. He looked like a movie star.

For an instant, the image blurred in his mind, then Johnny knuckled moisture from his right eye and moved through the shaggy yard to the tree line. He pushed hard into the darkness, trying to forget the sight of his mother with that photograph. It made him sad, and sadness made him weak.

Johnny spit in the dirt.

This was no night for weak.

A small trail took him under trees that scratched the night sky with a canopy so vast and dense it gave a whole new meaning to dark. Beyond the old growth was a tobacco farm gone to scrub. The tall trees disappeared. Poison ivy crawled over bare earth and milkweed rose taller than his head. A hundred yards in, he hopped a creek that ran swollen and brown. Briars took skin from his arms. When he came to the old tobacco barn, he stopped and listened. He’d once found two older boys inside smoking pot. That was months ago, but Johnny never forgot the chase they gave him. He put a hand on the barn. The squared-off logs were ridged by age, and most of the chinking had crumbled to ruin, but it was solid enough. Johnny put an eye to a gap and peered inside. Darkness. Silence. He made for the door.

Inside, he stepped on an old bucket and reached above the lintel. It took all the length of his arm, but he felt it there, just where he’d left it. The bag came out with a dragging sound and a rainfall of mouse droppings. It was blue and moldy, still stained reddish-brown along the bottom seams. Johnny breathed in the smell of it, the stink of dirt and bird and dead plants. He dropped to the ground outside and felt his breath go shaky. Johnny peered into the scrub and listened hard.

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