Denise Mina - The Dead Hour

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The second novel in the wonderful Paddy Meehan series by Scotland 's princess of crime.
Paddy Meehan, Glasgow's aspiring journalist is back on the beat, trawling the streets of Glasgow for a story – something to prove she can write; that she's better at her job than all her male colleagues; anything that will get her off the terrible night shift that is slowly turning her brains to mush. And then she meets the woman with the poodle perm at the door of a wealthy suburb in the north of the city. It's just a domestic dispute, Paddy's told, although her instincts are alerted when she's slipped a £50 note to keep the story out of the papers. By the next morning the woman is dead; she's been tortured, beaten, and left to die. Paddy has found her story, but she's still got the £50; and with her father and brothers unemployed, and her upright Roman Catholic family perilously short of money, this could solve a lot of problems.
A day later, Paddy sees a body being pulled from the river. Another death, she's told; it's nothing to do with you; go home. But when Paddy talks to the wife of the dead man, she finds that the relationship between him and the murdered woman was closer than the police had imagined. Why have these people died? What were they trying to hide? And could this be the break Paddy's been waiting for? What follows is a deeply personal journey into the dark heart of a brutal economic recession, and the brutal bud of the drugs trade in the 1980s.

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Shutting his eyes to squeeze out a final tear, he backed off from the water and walked up to the bridge, checking to make sure he wasn’t looking down at land. He was too close still: his body might spin as it fell and he’d land on the bank. He took five sideways steps, climbed up onto the railing, thought of Vhari wearing a summer dress and touching her hair, and toppled off the bridge.

He wasn’t frightened as he fell. He knew the water would be piercingly cold, that he was falling from high enough for the landing contact to break bones, but he convinced himself that he would land on a bed of cushions and his body relaxed into the fall, expecting softness. He fell happily.

A second before he hit the rush of greedy black water, Mark Thillingly realized that he had learned the trick of being brave.

SEVEN. THE SAD FATE OF THE LATE AND THE LOST

I

Kate awoke with a start. She had been dreaming that a giant insect was sitting on her throat, its hollow proboscis burrowing into the soft skin on her forehead, sucking out a blackhead that turned into a reservoir of pus. She woke up slapping at herself, her elbows rattling noisily against the wooden floor of the boathouse, frightened and bewildered as to where she was and who had put her there. She sat up against the orange box, looking around in the near dark and realizing how cold it was. She was lucky not to have frozen to death in the damp. She could see her breath and had nothing on but a linen suit and a blouse. She was missing a shoe.

Her eyes adjusted to the light and she realized she was in her grandfather’s boathouse. Loch Lomond, for God’s sake. She reached blindly up over her head, feeling on top of the box, and smiled as her hand felt the cold of the snuffbox kissing her fingertips. But then she heard the engines and froze.

Two cars, quiet, good engines, good motion. Driving slowly along the road, looking, definitely looking, for something. One set of wheels coming off the smooth black tarmac and crunching over the dirt drive in front of the cottage. Only one set, though. If it was them they’d both want to be off the road in case she was there, so that they would be less visible to a passerby. The second set of wheels crunched slowly in a turn. She stood up unsteadily, shedding her one shoe, and looked out of the crack again.

Two BMWs parked side by side. It was getting dark outside but she knew him from the shape of his head. She could have recognized him from part of an ear, a shoulder, a toe because she’d spent so long watching him sleep and eat and make love. She remembered every corner of him. From the second car came two men, neds, one wearing a sheepskin. Cheap gangster look. He was letting himself down being seen with men like that. He didn’t need to employ cheap-looking men. There had to be well-dressed gophers, surely.

He’d have laughed if he heard her say that. Once upon a time he’d have laughed, but maybe not now.

She had left the cottage door unlocked and they didn’t knock, just pushed it open and walked in. She watched as the light went on in the hall, a bright yellow light radiating out into the cold night. She should be sitting inside the door in her underwear, waiting to greet him.

She thought of the two men coming in through the door and giggled, imagining them embarrassed, overwhelmed by her sexiness. God, he’d say, you are stunning, and look at her with the shining-eyed, hungry admiration he had that night in Venice.

She looked fondly toward the house, thinking of him in there, looking for her. She almost went to him but a small window of insight opened up in her coke-scrambled head, and she remembered that Vhari was dead, murdered.

Kate watched the house through the boathouse window and wondered what she had done wrong. She stumbled noiselessly over to the orange box and opened her snuffbox again, finding the spoon sitting inside, covered in powder where it shouldn’t have been. She helped herself to a half portion, a maintenance sniff. She was rubbing her nose when she started crying, cried for herself again because her nose stung so much and now she couldn’t think straight or sort anything out.

II

Her luck had changed. Paddy could feel it as a vibration coming off the city, buzzing off the gray concrete and the wet tarmac. She sat in the back of the car, bright-eyed as each dramatic call came in; a fight between neighbors that ended with a stabbing, a motorway pileup with two dead, and now a drowning. None of the stories were big or significant enough to be taken away and given to a better journalist. Her copy would be all over the paper.

They were cruising along empty roads to the south bank of the Clyde where a body had been seen floating in the fast-moving water. A cold mist began to descend on the midnight city, a stagnant exhalation that clung to the tops of passing cars. Yellow streetlights jostled hard against the thickening dark.

Billy pulled up under an iron railway bridge and yanked on the hand brake, switching off the engine, anticipating a long wait. Paddy sat forward and together they looked across the road, to beyond the marble handrail of Glasgow Bridge. They could see the tops of black police hats, all facing the river.

“Dead, then,” said Billy, seeing no ambulance had rushed to the scene.

“Aye, another poor soul,” said Paddy, hoping it was an interesting story. “God help us.”

Billy was watching her in the mirror, skeptical at her pretense of emotional engagement. He could see how excited she was by the course of the night. Paddy dropped her eyes, opened the car door, and got out.

As she crossed the empty road droplets of cold mist burst on her warm skin, catching on her black woolly tights and shining the toes of her shoes. The swirling river threw up the smell of decay as she crossed the empty bridge to the high fence.

The riverbank was cut off from the street by a high Victorian railing, painted black and glistening wet. Through the fence she could see a crowd of black-coated policemen standing on the grass, looking down a gentle grassy slope, watching someone in the water.

A tall fence was necessary because, beyond the inviting slope of green lawn, the ground suddenly fell away into a black cliff. A little wooden stepladder was leaning against the railings and a wooden box had been placed on the far side. The railings would have been a steep climb, even for a superfit policeman. Happily, not all the policemen were superfit, so they kept the stepladder hidden nearby; Paddy never found out where they stowed it. She climbed up the five steps now, swinging her legs over the spikes at the top and dropping down awkwardly on the box on the other side, toppling on an ankle as she stepped off but righting herself before anyone noticed.

The dank fog was thick on the water, so close to the swilling surface that the far bank was hidden, backlit and glowing yellow. At the foot of the cliff a life-jacketed man in a wooden rowboat was prodding at something on the surface with a long pole. It looked like a submerged black balloon, bobbing in the fast-moving gray water, tugging the hook on the end of the pole, trying to free itself.

The boatman poked and prodded the object, moving it toward the riverbank. Employed by the Glasgow Benevolent Society to dredge the river for bodies, he patrolled every morning looking for unlucky drunks and suicides from the night before. It was a rare occasion when he was called out beyond his hours.

Paddy walked over and stood behind the policemen, watching the show on the river. The pack of policemen glanced back, noting that she was there but so used to her appearing at their back that the storyteller holding their attention didn’t bother to temper his chat.

“She’d her shirt over her head and he’s standing there giving it ho-ho,” he said, and the others chuckled.

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