Denise Mina - Still Midnight

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Alex Morrow is not new to the police force-or to crime-but there is nothing familiar about the call she has just received. On a still night in a quiet suburb of Glasgow, Scotland, three armed men have slipped from a van into a house, demanding a man who is not, and has never been, inside the front door. In the confusion that ensues, one family member is shot and another kidnapped, the assailants demanding an impossible ransom. Is this the amateur crime gone horribly wrong that it seems, or something much more unexpected?
As Alex falls further into the most challenging case of her career, Denise Mina proves why "if you don't read crime novels, Mina is your reason to change" (Rocky Mountain News).

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The station itself was relatively new. From outside it looked like a cross between a three-storey office building and a fortress. Built of shit-brown bricks, the front was shored up with supporting pillars, the windows sunk defensively into the facade. It was set back from the main road by overgrown bushes in massive concrete pots that served as bollards to stop nutters driving into the reception area.

The door was always open to the public, welcoming them into an empty lobby with free-standing poster displays of friendly policemen and women chortling happily. For safety reasons the front bar wasn’t manned. The duty sergeant could see the lobby through a one-way mirror and CCTV. He came out in his shirt sleeves if the member of the public didn’t look tooled up or mad with the drink, but if they had as much as an air of melancholy about them he brought his deputy and a night stick.

Morrow’s driver took a street up the side and a sharp right into the police yard. A high wall topped with broken glass was arranged around a windowless block of cells. He cruised around to the back side of the cell block and found a space next to the police vans.

‘You better lock up,’ said Morrow as they got out.

Most officers didn’t bother locking their vehicles but the yard gate had been broken for a fortnight and spite-theft from a police station wasn’t much deterred by cameras.

Morrow walked up the ramp to the door, stopped outside, looked straight into the camera, and punched in the door code. John was behind the processing bar, always immaculately uniformed, leaning his weight on a tall stool preserving the creases in his trousers.

He bid her good morning and she gave him a smile. She pushed through the door to the duty sergeant’s lair and saw Omar and Billal through the striped window, sitting on the visitor’s chairs by the front door, waiting. Their postures didn’t match: Billal was upright, his arm around the back of the chair, his expression hurt. Omar was slumped over his knees, his mouth pressed hard into his hand, holding in a scream.

The senior duty sergeant, Gerry, grunted an acknowledgement at her and went back to filling out some time sheets. Morrow had been on at weekends when fights broke out in the waiting room and had seen Gerry plough into a crowd, peeling the drunks off one another like a surgeon easing skin back, never breaking a sweat. Gerry’s hair seemed whiter every time she saw him. They kept starting new trainees but it would be a rare copper who could follow Gerry. The blend of meticulous form-filling and sudden violence took a particular kind of man.

She grunted back and opened the door into the lobby. Omar and Billal recognised her. Omar stood up, hopeful she would take him away from his growling brother.

‘No,’ she raised a hand, ‘I’m not here to get you guys, I’m not doing the questioning, just going in here.’

She backed off to the CID corridor on her left. She punched in the security code and opened the door, glad to get into the long green corridor. MacKechnie’s office was at the far end, so he could stand at his door and look down at all of them. He never did.

The clarity of rank structure was one of Morrow’s favourite things about the force. She knew who she had to take shit from and who she could give it to. It made sense to her. MacKechnie was not comfortable being in charge, she felt, and apologised for his status by pretending to listen. He had a leadership style that would be described with a lot of bullshit buzzwords: inclusive, facilitative, enabling.

Even at half three in the morning the corridor was relatively busy. MacKechnie’s lights were on, his door open, his office empty. An incident room was being set up next to the tea room. She could see two uniforms moving a table through, negotiating the legs around the door frame.

She walked into her own office, flicked on the light and dropped her handbag. Bannerman’s computer was on, his screen saver a photoshopped picture of himself on a body builder’s body. Hilarious. His mouse had purple lights on the underside that distracted her eye when she was working. He kept chewing gum and healthy snack bars in his desk drawer, afraid of getting fat, she thought.

Everything on Morrow’s desk was new and ordered and anonymous. A drawer of neat pens, a sharpener and spare jotters, always three, for making notes. She liked them new, threw them away once they had been used. She liked to think the desk could have been anyone’s anywhere, devoid of history, that she kept her personality out of it, bland as beige, how she liked it.

She was hanging her jacket up by the door when she saw Harris standing outside. DC Harris was small and coarse-featured, as if he’d grown up outdoors. He was likeable, had a flat Ayrshire accent and a perpetual look of surprise on his face: eyebrows raised, mouth in an open ‘O’.

‘Ma’am?’ He seemed excited. ‘Great, eh?’

‘Is it?’

‘Aye.’ He had probably been expecting a routine night but found himself confronted with an actual genuine mystery instead of depressing, go-nowhere domestics and drunks clubbing each other for the price of a packet of fags. ‘My piece break. Coming to watch?’

‘Watch what?’

‘Bannerman thinks the youngest son’s it. He’s getting him into Three.’

Bannerman had clocked her interest in Omar and she rolled her eyes without thinking, annoyed at herself for being so obvious. Harris saw her and misunderstood, remembered that it was supposed to be her case and felt bad about it. As a consolation he said, ‘Coming anyway?’

She chewed her cheek, tried to change her face from huffy to neutral, said, ‘Aye, fuck it,’ and followed him out of the door, past Billal and through the far door to the stairs.

They trotted up to the second floor, into a room that always smelled of vegetable soup.

Everyone on CID was on their piece break apparently. Orange plastic chairs were laid out in two ramshackle rows of four but they were full already. MacKechnie must have given them permission. A short DC stood up to give Morrow his seat in the front row and everyone else in the room lifted their arses off the chairs as she sat down, respecting the rank.

‘Yeah, yeah,’ she flapped a hand at them, ‘calm down, it’s not a parade.’

She could see them from the corner of her eye, sloping down in the chairs, not as they had been but relaxing within regulation stipulations, wary. It made her feel powerful. She kept her eyes on the boxy black television against the wall.

CID recorded their interviews and the cameras could be used as a feed to keep everyone briefed. Not everyone liked being watched though and it wasn’t always because they were bashful: some preferred to do an interview themselves and highlight lines of questioning themselves. It took a lot of balls to let other officers watch.

Morrow felt that being watched had forced a strange, strained quality on interview technique. Questioning was different now; guarded and formal and questioning officers were routinely respectful of even the lowest scrote. They spoke in a bizarre police-ese, as if they were giving evidence in court.

It never used to be this way. When she was younger Morrow remembered questioning as a drunken polka, officers and suspects swinging each other wildly around the facts, faster and faster, until something got broken. Now it was a strained quadrille where the rules of the dance stood hard and fast until one capitulated or the tension of the moves strangled the breath out of one of the participants.

Morrow thought people’s responses to being watched said a lot about their view of themselves: some enjoyed it, assumed a positive response from a viewer. Some couldn’t cope, froze, glanced at the camera and had to hand over to a colleague. Morrow felt she looked shifty on camera, guiltier than the crims she was interviewing.

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