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Denise Mina: Exile

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Denise Mina Exile

Exile: краткое содержание, описание и аннотация

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The last time Maureen O'Donnell saw Ann Harris, she was in the Glasgow Women's Shelter smelling of a long binge on cheap drink. A month later Ann's mutilated body, stitched into a mattress, is washed up on the banks of the Thames. No-one, except for Maureen and her best mate, Leslie, seems to care about what has happened to her, and Maureen is the only person who thinks Ann's husband is innocent. But solving Ann's murder comes as light relief. Maureen's father is back in Glasgow, Leslie is sloping about like a nervous spy, and then there's Angus, Maureen's old therapist, who's twice as bright as she is and making her play a dangerous game with the police. In the long tradition of Scots in trouble, Maureen runs away to London. Looking for answers to the mystery surrounding Ann's death, she becomes embroiled in a seedy world of deceit and violence. Alone in a strange city, Maureen starts to piece together Ann's final days. But time is not on her side, and Maureen needs just twelve hours, just twelve, to put things right and she doesn't care what it costs…

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Jan had heard the story from someone else and they had been very surprised. She didn't remember why but she knew that they were. She opened the glass door and slipped out into the street, feeling sure she had forgotten part of the story.

Katia's pillar-box-red hair bobbed out of the doorway and Maureen was tempted to turn round and go back upstairs.

"Oh, hi," said Katia, leaning out. "How's it going?"

Katia was very pretty with a perfect figure and Krazy-Kolor red hair, which she wore in bunches.

"Not bad," said Jan, huddling in next to her.

The deep doorway was the best spot for winter smoking. A vent at the back exhaled warm air from a bakery, carrying the sweet smell of hot bread. It was only big enough for two people, and Maureen had to stand in the cold, wet street, huddling her face in beside them so that she could catch a light in the windless vacuum.

"Hi, Maureen," said Katia. "Are you not talking to me?"

Maureen bared her teeth.

"I think she's coming down with a flu," said Jan kindly. "My dad's got it."

"Yes." Katia let off an asinine smile and touched Maureen's cheek. "You look very pale."

Maureen lit her cigarette very suddenly, half hoping she might burn Katia's hand, and sucked all the badness down, away from her mouth.

"Bloody freezing," said Jan, nodding and stamping her feet.

"Yeah," said Katia, pulling up the furry hood of her parka, watching Maureen all the time, "freezing."

A lorry backed up in front of them, deafening them with a loud reversing beep, and Maureen took a deep draw.

"And how's the lovely Vikram?" asked Katia, when the lorry had come to a standstill.

"Fine," said Maureen.

"Good," said Katia tartly. She saw that the conversation wasn't going anywhere and sucked the last life out of her cigarette, flicking the butt out into the road. "See ye later, then."

Neither Jan nor Maureen answered her. Katia went back inside.

"I don't know why," said Jan, looking guilty, "but I don't like her very much."

Maureen huddled next to her in the coddling calm of the doorway. "Me neither." She had been nursing a caustic resentment of Katia since Vik's band played Nice and Sleazy's. Katia and Maureen had passed each other in the office; they didn't know each other at all. Vik sat Maureen at the girlfriends' table and Katia spotted her from the bar. She slipped lithely between the tables, sat next to Maureen and shouted over the music that she didn't expect to see her here, did she like the band? Yeah, Maureen did like the band. Katia had been following them for ages, she'd heard their session on the radio, and she'd taken their first band pictures for them. Through innuendo and references to other brilliant nights Katia made it clear that she had gone out with Vik very recently and was surprised that Maureen had managed to nip him. When Vik came over at the end Katia made a big play of kissing him and hanging on his neck. Maureen sat at the table, pulling her coat tight around herself, affronted at being roped into a demeaning competition over a boyfriend she'd only known for a minute and a half.

"You do look pale, though, Maureen," said Jan.

"I'm fine, really."

"You might get the flu."

"Honest, Jan, I'm fine."

"Dad's half dead with it," said Jan. "It's a bad bug."

"Yeah, I need another fag. Have ye got your packet with ye?"

Jan dished them out and saw the tremble in Maureen's hand as she lit it.

"I think you're right," said Maureen, "I think I am getting the flu."

"Maybe you should take a few days off."

Pedestrians scuttled past them, carrying shopping, hurrying to work, and Maureen looked out of the doorway. Every face was potentially Michael's. She didn't know what he looked like now; all she remembered about him was that he was twice as tall as the rest of them. He knew what she looked like. He would have seen her graduation photo hanging on Winnie's wall. She thought her way around the streets of Ruchill, trying to imagine where the council would have put him. She could see the tower from her bedroom window. The hospital was an STD clinic with a needle exchange in the gatehouse. Maureen had been to the hospital once for an HIV test, one of the worried well, and the nurse had told her that it had been built on the isolated hill overlooking the city because it was a fever hospital. During the height of one epidemic the wards held a hundred at a time, she said – they were top to tail in the beds, dead for hours before they could clear them out. Ruchill was a burned-out, boarded-up area with no shops and a notorious pub built from concrete slabs, painted black with high, mean windows. It looked like a machine-gun nest and she thought Michael might drink there.

Maureen and Jan had finished smoking but stood about in the freezing cold, warming the backs of their heads on the baker's vent, watching the traffic pass.

"I can't be annoyed with this today," muttered Maureen.

"I know what ye mean," said Jan.

They left the warm doorway, climbing the stairs slowly and shedding their coats.

It was late afternoon, minutes before the house managers' meeting was due to start, and Leslie swaggered in through the double doors wearing her leathers and carrying her crash helmet. Leslie's hair was short and dirty and stuck up like a windswept hamster's. Her skin was sallow, her big round eyes were black, and she was always mistaken for taller than she was. She walked into every room as if she were there to get her money.

"All right, Mauri?" she said, and nodded, surprised and apparently pleased to see her.

"All right yourself?" said Maureen.

Leslie glanced at Jan. She leaned over Maureen's desk and muttered, "What ye doing later?"

"Nothing."

"Come for something to eat?"

"Aye," said Maureen, blushing with pleasure.

"Let's go to Finneston," said Leslie, and stood up. "I'll get ye when I've finished. Did ye hear about Ann Harris?"

"I did, aye."

Leslie was about to say something but she noticed Jan watching her and stopped herself. "I'll get ye on the way out, then," she said, and strode off to her meeting.

Jan smiled uncomfortably at her desk, irritated that Leslie had excluded her. Maureen could have explained that Leslie didn't mean to be rude, she just was rude, but Jan might come around the desk for a chat so she left it. Jan tried a pleasant smile. "Leslie's always taken a personal interest in Ann, hasn't she?"

"Oh, yeah," said Maureen, shuffling her papers.

"I heard she asked the committee for Ann to be placed in her shelter, is that true?"

Place of Safety Shelters was broke and the house managers were all working to aspirational budgets. No one asked for new residents: they tried to palm them off on one another.

"Dunno," said Maureen, puzzled. "Dunno about that."

She went downstairs to the toilet for a private smoke and a think.

Chapter 5

ANN

Ann hadn't been seen for a month. She had left the shelter five days after Christmas and never come back. The other women in the shelter weren't worried. They thought she'd gone back to her man. The kids were still with him and it must have been hard for her to stay away, especially over Christmas. The police weren't worried either. They took her man's word for it that he hadn't seen or heard from her. But Leslie was worried. Ann had left behind a bundle of photographs. They were childhood pictures, birthday and anniversary snaps. Young Ann with workmates in a factory. Ann sitting up in a hospital bed smiling softly down at the newborn in her arms as if the whole world lay there. Among them was a Polaroid of a big man standing in a school playground. He wore a camel-hair coat and brown Reactalite glasses. He was grinning and holding the hand of a sullen six-year-old boy. Maureen came to a series of badly focused pictures that were all the same size and shape: Ann with a sore lip and some other women in front of a Christmas tree with Leslie behind them, her arm raised in mid-gesture, the flash turning her pupils a demon red.

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