Jack Dann - Dangerous Games
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- Название:Dangerous Games
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Dangerous Games: краткое содержание, описание и аннотация
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Extreme sports. Extreme future. Extreme collection.
Science fiction's most expert dreamers envision the computerized, high-risk games of the future in this winning collection. Features Robert Sheckley, Cory Doctorow, Kate Wilhelm, Alastair Reynolds, Vernor Vinge, Jonathan Letham, Gwyneth Jones, William Browning Spencer, Allen Steele, Terry Dowling, and Jason Stoddard.
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It was one of these hot pads that had landed Keel in Addiction Resources again.
“It’s the street stuff that gets you in trouble,” Keel said. “I’ve just got to stay clear of that.”
“You said that last time,” the wilson said. “You almost died, you know.”
Keel felt suddenly hollowed, beaten. “Maybe I want to die,” she said.
Dr. Marx shrugged. Several translucent seagulls appeared, hovered over him, and then winked out. “Bah,” he muttered. “Bad therapy-v, bad death-wishing clients, bad career choice. Who doesn’t want to die? And who doesn’t get that wish, sooner or later?”
ONE day, Dr. Marx said, “You are ready for swimming.”
It was morning, full of a phony, golden light. The nights were black and dreamless, nothing, and the days that grew out of them were pale and untaxing. It was an intentionally bland virtual, its sameness designed for healing.
Keel was wearing a one-piece, white bathing suit. Her counselor wore bathing trunks, baggy with thick black vertical stripes; he looked particularly solemn, in an effort, no doubt, to counteract the farcical elements of rotund belly and sticklike legs.
Keel sighed. She knew better than to protest. This was necessary. She took her wilson ’s proffered hand, and they walked down to the water’s edge. The sand changed from white to gray where the water rolled over it, and they stepped forward into the salt-smelling foam.
Her legs felt cold when the water enclosed them. The wetness was now more than virtual. As she leaned forward and kicked, her muscles, taut and frayed, howled.
She knew the machines were exercising her now. Somewhere her real body, emaciated from long neglect, was swimming in a six-foot aquarium whose heavy seas circulated to create a kind of liquid treadmill. Her lungs ached; her shoulders twisted into monstrous knots of pain.
IN the evening, they would talk, sitting in their chairs and watching the ocean swallow the sun, the clouds turning orange, the sky occasionally spotting badly, some sort of pixel fatigue.
“If human beings are the universe’s way of looking at itself,” Dr. Marx said, “then virtual reality is the universe’s way of pretending to look at itself.”
“You wilsons are all so down on virtual reality,” Keel said. “But maybe it is the natural evolution of perception. I mean, everything we see is a product of the equipment we see it with. Biological, mechanical, whatever.”
Dr. Marx snorted. “Bah. The old ‘everything-is-virtual’ argument. I am ashamed of you, Keel Benning. Something more original, please. We wilsons are down on virtual addiction because everywhere we look we see dead philosophers. We see them and they don’t look so good. We smell them, and they stink. That is our perception, our primitive reality.”
THE healing was slow, and the sameness, the boredom, was a hole to be filled with words. Keel talked, again, about the death of her parents and her brother. They had been over this ground the last time she’d been in treatment, but she was here again, and so it was said again.
“I’m rich because they are dead,” she said.
It was true, of course, and Dr. Marx merely nodded, staring in front of him. Her father had been a wealthy man, and he and his young wife and Keel’s brother, Calder, had died in a freak air-docking accident while vacationing at Keypond Terraforms. A “sole survivor” clause in her father’s life insurance policy had left Keel a vast sum.
She had been eleven at the time-and would have died with her family had she not been sulking that day, refusing to leave the hotel suite.
She knew she was not responsible, of course. But it was not an event you wished to dwell on. You looked, naturally, for powerful distractions.
“It is a good excuse for your addiction,” Dr. Marx said. “If you die, maybe God will say, ‘I don’t blame you.’ Or maybe God will say, ‘Get real. Life’s hard.’ I don’t know. Addiction is in the present, not the past. It’s the addiction itself that leads to more addictive behavior.”
Keel had heard all this before. She barely heard it this time. The weariness of the evening was real, brought on by the day’s physical exertions. She spoke in a kind of woozy, presleep fog, finding no power in her words, no emotional release.
Of more interest were her counselor’s words. He spoke with rare candor, the result, perhaps, of their fugitive status, their isolation.
It was after a long silence that he said, “To tell you the truth, I’m thinking of getting out of the addiction treatment business. I’m sick of being on the losing side.”
Keel felt a coldness in her then, which, later, she identified as fear.
He continued: “They are winning. Virtvana, MindSlide, Right to Flight. They’ve got the sex, the style, the flash. All we wilsons have is a sense of mission, this knowledge that people are dying, and the ones that don’t die are being lost to lives of purpose.
“Maybe we’re right-sure, we’re right-but we can’t sell it. In two, three days we’ll come to our destination and you’ll have to come into Big R and meet your fellow addicts. You won’t be impressed. It’s a henry-hovel in the Slash. It’s not a terrific advertisement for Big R.”
Keel felt strange, comforting her wilson. Nonetheless, she reached forward and touched his bare shoulder. “You want to help people. That is a good and noble impulse.”
He looked up at her, a curious nakedness in his eyes. “Maybe that is hubris.”
“Hubris?”
“Are you not familiar with the word? It means to try to steal the work of the gods.”
Keel thought about that in the brief moment between the dimming of the seascape and the nothingness of night. She thought it would be a fine thing to do, to steal the work of the gods.
DR. MARX checked the perimeter, the security net. All seemed to be in order. The air was heavy with moisture and the cloying odor of mint. This mint scent was the olfactory love song of an insectlike creature that flourished in the tropical belt. The creature looked like an unpleasant mix of spider and wasp. Knowing that the sweet scent came from it, Dr. Marx breathed shallowly and had to fight against an inclination to gag. Interesting, the way knowledge affected one. An odor, pleasant in itself, could induce nausea when its source was identified.
He was too weary to pursue the thought. He returned to the mobile unit, climbed in and locked the door behind him. He walked down the corridor, paused to peer into the room where Keel rested, sedated electrically.
He should not have spoken his doubts. He was weary, depressed, and it was true that he might very well abandon this crumbling profession. But he had no right to be so self-revealing to a client. As long as he was employed, it behooved him to conduct himself in a professional manner.
Keel’s head rested quietly on the pillow. Behind her, on the green panels, her heart and lungs created cool, luminous graphics. Physically, she was restored. Emotionally, mentally, spiritually, she might be damaged beyond repair.
He turned away from the window and walked on down the corridor. He walked past his sleeping quarters to the control room. He undressed and lay down on the utilitarian flat and let the neuronet embrace him. He was aware, as always, of guilt and a hangdog sense of betrayal.
The virtual had come on the Highway two weeks ago. He’d already left Addiction Resources with Keel, traveling west into the wilderness of Pit Finitum, away from the treatment center and New Vegas.
Know the enemy . He’d sampled all the vees, played at lowest res with all the safeguards maxed, so that he could talk knowledgeably with his clients. But he’d never heard of this virtual-and it had a special fascination for him. It was called Halfway House .
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