Caitlin Kiernan - Silk

“Daddy…?” she says, but he’s still praying, and the cyclops eye of the train through the gloom, engine jaws and spinning silver-wheel teeth. And she thinks that it has started to rain, because something’s hitting the windshield, ocher drops that the wind sweeps away. Dry, yellow-brown drops before the shark snout of the Pontiac hits the gate arm and the wood snaps loud, flips up and smacks the windshield, spiderwebs safety glass as they fly over the railroad tracks, careening, jarring flight, and the train is everything on her right, her father everything on the left of her, the storm the world above, and they smash through the gate arm on the other side as the train roars past behind them.

The car fishtails, spins to a stop in the dust, and her father’s crying, slumped over the wheel and crying the way her mother had cried when he’d taken her away. And the broken windshield beneath the rain, rain with tiny furred bodies and a billion busy legs.

And another night, Thursday night, Daria sat with her back against the wall, bug spray in one hand and a cigarette in the other, hours since she’d awakened in the early afternoon pale sun coming through her window, head throbbing from the bull-bitch of all hangovers and the nightmare memories that still hadn’t faded; waiting alone for Claude to come back from the Bean, Claude who’d listened to everything she said, who’d fed her aspirin and coffee and cold glasses of tap water. Who’d helped her to the toilet when she had to puke again but hadn’t thought she could walk that far, and who should have been back half an hour ago. Before it got dark.

She took a deep drag off the Marlboro, exhaled, and jumped when she thought she saw something move, half glimpse from the corner of her left eye. Something big leaning over the foot of the bed, but of course there was nothing there now, nothing but tangled sheets and her blanket, gray powder smears from where she’d hurled the ashtray at Claude.

“Fuck,” she said, tried to laugh and take another drag, but the cigarette had burned down to the filter so she stubbed it out on the bottom of the Hot Shot can, flicked the butt away. “Fuck me.”

Can’t even tell the difference between a goddamn bad dream and what’s real. Crazy as Spyder fuckin’ Baxter, now.

She’d told Claude about her mother and father, talked for hours, through the pain and dread, about that day with the spiders and the train and everything that had led up to it. Her father’s secrets, not other women but other men, and her mother taking it out on her. So her dad had put her in his Pontiac and they’d driven, heading nowhere, just driving, and her not even eight years old. How she’d wound up in a Bolivar County, Mississippi hospital with twelve brown recluse bites, and she’d shown him the ugly scars on her legs to prove it, the worst of the scars that she never showed anyone. Puckered-flesh proof that it had all happened, touch and go for a while, and afterwards, the divorce and the years before she ever saw her father again.

Claude had listened, kind and so good at listening, but he can’t walk a block down the street and back in forty-five goddamn minutes. And she hadn’t told him about the other dreams, the dreams since that day on Cullom Street, not just the familiar race with the train, the threadbare echoes of her father and that one awful day, but the new dreams of fire and things from the sky, entrail rain and the silent, writhing angels, greased stakes up their asses while the streets filled with blood and the long-legged shadows that might be crabs or tarantulas big as fucking Volkswagens, under a sun the color of a nosebleed.

She reached for another cigarette but the pack was empty, and she wasn’t about to get up and look for more. Thunder, right overhead, and the windowpane shuddered.

And the lights flickered.

“Christ, Claude…”

She hadn’t told him that she knew that Keith had been having the dreams too, or about her talk with dowdy, frightened Walter the goddamned shrike on her way home. Hadn’t brought up the marks on Niki’s hands or the weeping marks on Keith’s face and ankles. Connect the dots, Dar, draw your fucking paranoid’s connections.

A tickle on her cheek, then, and Daria brushed at her face, brushed back hair and stared at the thing that had fallen into her lap, eight legs drawn up tight like a closed umbrella, spider fetal, and she almost screamed, thumped it away from her. Touched her face again, and there were others waiting there, running from her, and she did scream, then, screamed louder when she saw how the walls were moving, crappy old wallpaper seeping their thumbnail bodies, the floor alive and clumps swelling from the ceiling, hanging there until their own weight and gravity’s pull had its way and they began to fall around her. The spider clumps made almost no sound when they hit the floor.

Daria beat at her face, her chest, the scream continuous now, waiting for their jaws, the hypo sting, waiting to drown beneath them. She remembered the can of Hot Shot and sprayed herself, the bed, stinking pesticide mist everywhere, wet mist falling with the recluse shower.

“I’m not done with you…” whispered next to her ear. “I’m not done with you, bitch,” and she screamed for Claude, for Mort, screamed for Keith. They were inside her clothes, touching her everywhere, at every orifice, and soon they would be inside her. So many legs moving together they made a sound like burning leaves. Daria bashed herself against the wall, spidervelvet-papered wall, head thump against the Sheetrock, and through the pain she saw her silver Zippo lying where she’d left it on the table by the bed.

Just like Pablo had taught her years ago, cans of hair spray or whatever and a lighter, just for fuckin’ kicks, just to see the noisy rush of fire, Daria aimed the can of Hot Shot at the foot of the bed, thumb on the striker wheel and fwoomp, bright splash of flame, gout of flame and spiders crisping, curling to charred specks, charred lumps of specks. The blanket caught, the sheets, and she aimed the flamethrower at the wall.

The can spat up a last dribble of fire and was empty, but it didn’t matter, because the flames were crawling away on their own, devouring a thousand fleeing bodies every second as they spread.

And then Mort, reaching through the smoke, strong boy arms, his hands, dragging her off the burning bed, bump, bump, bump across the floor like Pooh, and she let him, let him drag her all the way across the apartment and out into the hall, too busy beating at the spiders still clinging to her to stop him, the spiders carpeting the floor. He left her lying on the landing, grabbed the fire extinguisher off the wall and rushed back inside. Muffled sound like a giant espresso machine steaming milk, steaming a whole goddamn cow, and he was right back, coughing, his eyes watering and black smoke all around them.

“Get them off me,” she sobbed, begged. “Please, Mort, get them off me,” and he squatted down next to her, into the cleaner air beneath the smoke.

“Get what off of you, Daria? Tell me what the hell you’re talking about,” but she was raking at her face, now, raking at the spiders trying to burrow their way into her skin to escape the fire. And he slapped her, slapped her so hard her ears rang like Sunday morning bells, and she fell over; Mort picked her up again, held her hands in his fists and talked slowly.

“You got the fuckin’ DTs or something, Dar. That’s all. There’s nothing here to hurt you. Whatever you think you’re seeing, it ain’t real, okay? I absolutely fuckin’ swear it ain’t real.”

“No, let me go,” fighting him, coughing and trying to pull her hands free before the spiders were in too deep to pull out again, like they’d gotten inside Keith. “Can’t you see them?”