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Walter Mosley: Known to Evil

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Walter Mosley Known to Evil

Known to Evil: краткое содержание, описание и аннотация

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The Walter Mosley and his new hero, Leonid McGill, are back in the new New York Times-bestselling mystery series that's already being hailed as a classic of contemporary noir. Leonid McGill-the protagonist introduced in The Long Fall, the book that returned Walter Mosley to bestseller lists nationwide -is still fighting to stick to his reformed ways while the world around him pulls him in every other direction. He has split up with his girlfriend, Aura, because his new self won't let him leave his wife-but then Aura's new boyfriend starts angling to get Leonid kicked out of his prime, top-of-theskyscraper office space. Meanwhile, one of his sons seems to have found true love-but the girl has a shady past that's all of sudden threatening the whole McGill family-and his other son, the charming rogue Twilliam, is doing nothing but enabling the crisis. Most ominously of all, Alfonse Rinaldo, the mysterious power-behind- the-throne at City Hall, the fixer who seems to control every little thing that happens in New York City, has a problem that even he can't fix- and he's come to Leonid for help. It seems a young woman has disappeared, leaving murder in her wake, and it means everything to Rinaldo to track her down. But he won't tell McGill his motives, which doesn't quite square with the new company policy- but turning down Rinaldo is almost impossible to even contemplate. Known to Evil delivers on all the promise of the characters and story lines introduced in The Long Fall, and then some. It careens fast and deep into gritty, glittery contemporary Manhattan, making the city pulse in a whole new way, and it firmly establishes Leonid McGill as one of the mystery world's most iconic, charismatic leading men.

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"Who's that man?" I asked my father.

"That's their president, son."

"No, Dad. The president's dead."

"The minute he died this new one took his place."

"That fast?"

"No one is so important that somebody else can't take his place," he told me.

I never forgot it.

"WAKE UP!" SOMEONE SHOUTED, making me realize that I had fallen asleep.

"What?"

"You're going to have a little talk," the man said.

He was flanked by three uniforms. They took me seriously in police circles. You kill one monster of a man with your bare hands and they never forget.

"You should let me use a urinal before I get there or I'm gonna piss all over your floor."

CAPTAIN JAMES CHARBON'S OFFICE was on a high floor with a great view. I could see the Statue of Liberty through the window over his shoulder.

I was feeling warm, feverish. This played tricks with my vision. But I would have been able to pick out Charbon with my eyes closed. He wore a particular brand of cologne that had very little sweetness to it. His eyes were steel gray. His haircut was military, and his handsome features were offset by an innate cruelty.

"Mr. McGill," he said.

One of the men who had brought me there pushed me into a chair. He didn't have to use much muscle.

There were a lot of people in the good captain's office: my four policemen, a woman taking notes on a court stenographer's machine, and a fleshy, middle-aged man perched on the corner of the big mahogany desk.

"We got you," the captain said.

"No question about that. Can you free my arms?"

"No."

"I see."

We, all eight of us, remained silent for the next span of seconds. I was expected to say something but didn't.

"Do you know what we found in the trunk of your car?" the man sitting on the desk asked.

"Who are you?" I asked.

"Broderick Tinely."

"Oh," I said. "The prosecutor."

He wasn't pleased that I knew him.

"There was a pistol in the trunk of your car. The same gun used to slaughter poor Wanda Soa."

"Oh."

As in a darkened cinema, I imagined faceless men in suits, on a broad screen. They make their way into John Prince's empty apartment, find a pistol in a drawer and take it away.

"Do you have anything to say?" Tinely asked.

"Um… no."

"This is murder, McGill," the city prosecutor informed me. "Even if you slither out from under the primary charge, we'll get you as an accomplice after the fact."

"I finally got you, Leonid," Charbon said.

I couldn't think of a word to contradict him.

"WHERE'D YOU GET THE GUN?" Prosecutor Broderick Tinely asked for the hundredth time.

We were back in my cramped little cell. I was surprised that they fit in there with me.

He was flanked by James Charbon, who, I could only suppose, wanted to be there when I finally broke.

I had a full fever by then. My head was pounding and I could barely concentrate on the words spoken.

The interrogation had been going on for hours. I was so weak that I could hardly hold my head up. The pain down my left arm was excruciating.

"Where'd you get the gun?"

One hundred and one.

I looked up into the prosecutor's face. His jowls were fat and his head bald, like mine, only white.

"Sandra Sanderson the Third," I said in a loud and clear voice.

The fear in his eyes made me chortle.

Charbon slapped me, pretty hard.

I knew then that I must have been very sick because I didn't feel even a sting from the blow.

The door behind the two swung open and Carson Kitteridge walked in.

"What's the meaning of this, Lieutenant?" Charbon bellowed.

"Excuse me, Captain," Carson said. "I'm sorry to interrupt your interrogation but I'm here to arrest Mr. Tinely."

"What?"

"For accepting bribes, sir," Kitteridge said, playing it meek and mild.

"Get the hell out of here," Charbon said.

"No, Captain," said another voice. "Lieutenant Kitteridge and I are taking Tinely into custody, and we're also relieving you of this interview."

Nathan Samuels, assistant chief prosecutor for the city, walked into the room. There was a nimbus of light around him. I attributed this to my fever.

"But, Mr. Samuels…" Charbon said.

"Leave us, Captain." He didn't have to say it twice.

"And you, Mr. Tinely," the pudgy boss of the DA's office said. "You go with the officers in the hall."

People seemed to be leaving. Along with them flowed my consciousness.

"Come on," Kitteridge said to me. "Stand up."

I managed to get to my feet but couldn't keep the balance. I fell, in what felt like sections, to the floor. The concrete felt cold on my skin, and that was best sensation I'd known in a long time.

58

When I opened my eyes I was on my back, gazing at a white ceiling. The headache was gone, along with most other feelings. I rubbed my fingertips together, felt very little.

"Leonid?"

Aura was sitting there next to me, wearing the black dress and red shawl I'd bought for her when we first got together.

"Am I dying?"

"No," she said. "But you are very sick. The wound on your arm became infected and you were suffering from a serious concussion. The doctors were worried, but I knew you'd pull through.

"When they see that you've regained consciousness the staff will call your family. They were all here until an hour ago. I waited for them to leave before I came to sit with you."

"Where's your boyfriend?"

Aura smiled and took my hand. "You should have told me that George was threatening you."

"Wasn't your business."

"I saw the folders on his desk and he explained them to me. I pointed out that he was trying to prove that you were connected to some of the most dangerous crime families in New York. I asked him what he thought they might do to him if he dragged their friend into court."

"What'd he say?"

"He's just a poor fool. It took twenty-four hours for the gravity of the situation to sink in. But after that he was ready to leave immediately."

"A whole day? Is that how long I've been here?"

"Two."

"So George left his CFO job?"

"He left New York. He wanted me to move down to Florida with him, but I said no."

"I don't like the weather down there myself."

"I didn't want to leave you, Leonid."

She leaned over and kissed me.

"Things'll be different when I get out of here," I promised.

"You just get better."

"I'm sorry about George."

"He served his purpose," she said.

"What's that?"

"He showed me who my real man was."

TWILL BROUGHT ME HOME in the Pontiac the next day.

Gordo was already ensconced in the den. He looked better than I did. The doctor said that it was the next few months that would tell the tale.

Lieutenant Bonilla was true to her word. Gustav's operation closed down a day or so after our talk.

Dimitri rarely came home in those first weeks. He and Tatyana celebrated her freedom night and day.

Hush called me on a Wednesday afternoon and asked me to take a look at page thirteen of the New York Post. A fellow named Mallory Davis had been found strangled in his East Side apartment. The photograph of Davis looked an awful lot like Patrick.

As a kind of final favor to me, Rinaldo sent men to free Shell and Mammoth. He said that he'd find work for them.

And Sandra Sanderson III was committed to a mental institution in California; something about a suicidal depression. Her son's children took the reins of Regents Bank and decided to turn it into a publicly traded corporation. A few weeks after that, Sandra took a lethal overdose of sleeping pills.

When I could sit up and see straight I called Breland and told him to tell Ron that if he made it all the way through the program Jake Plumb enrolled him in that I would bring him together with his ex-wife and son.

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