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Walter Mosley: Known to Evil

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Walter Mosley Known to Evil

Known to Evil: краткое содержание, описание и аннотация

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The Walter Mosley and his new hero, Leonid McGill, are back in the new New York Times-bestselling mystery series that's already being hailed as a classic of contemporary noir. Leonid McGill-the protagonist introduced in The Long Fall, the book that returned Walter Mosley to bestseller lists nationwide -is still fighting to stick to his reformed ways while the world around him pulls him in every other direction. He has split up with his girlfriend, Aura, because his new self won't let him leave his wife-but then Aura's new boyfriend starts angling to get Leonid kicked out of his prime, top-of-theskyscraper office space. Meanwhile, one of his sons seems to have found true love-but the girl has a shady past that's all of sudden threatening the whole McGill family-and his other son, the charming rogue Twilliam, is doing nothing but enabling the crisis. Most ominously of all, Alfonse Rinaldo, the mysterious power-behind- the-throne at City Hall, the fixer who seems to control every little thing that happens in New York City, has a problem that even he can't fix- and he's come to Leonid for help. It seems a young woman has disappeared, leaving murder in her wake, and it means everything to Rinaldo to track her down. But he won't tell McGill his motives, which doesn't quite square with the new company policy- but turning down Rinaldo is almost impossible to even contemplate. Known to Evil delivers on all the promise of the characters and story lines introduced in The Long Fall, and then some. It careens fast and deep into gritty, glittery contemporary Manhattan, making the city pulse in a whole new way, and it firmly establishes Leonid McGill as one of the mystery world's most iconic, charismatic leading men.

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"Congratulations," I said to the detective, who stood only half a head taller than I.

"What?"

"You're a lieutenant now, I hear."

"I work hard," she said as if I were insinuating her position was somehow unearned.

"Yes," I said. "I've experienced that work firsthand."

Four months or so before, Bonilla had been working on a series of murders. For a while she liked me for the crimes. It's a hard business, but even in the worst places you meet people you like.

"Why are you here?" she asked.

Bonilla wore clothes that made her look, for lack of a better word, bulky. A discerning eye could tell that she had a slender figure but in her line of work that didn't get a girl very far. The pants suit she wore was dark green and the shoulder pads made her look like a high school football wannabe.

"I got a call," I said.

"From who?"

"She said her name was Laura Brown." Lying is the private detective's stock-in-trade. I jumped into the role with both feet. "She told me that she needed to find a missing person rather quickly. I told her my day rate and she said she'd double it if I came here tonight."

There were plainclothes detectives standing on either side of me. I pretended that they were straphangers and I was taking the A train at rush hour.

"What was the name of the person she wanted to find?"

"She didn't say and I didn't ask. I figured we'd get down to details when I arrived."

The detective's Spanish eyes bored into me. I noticed that she'd trimmed her black mane but decided that this was not the moment to talk about hairstyles.

"And what are you doing here?" she asked again.

"I just told you."

"Don't get me wrong, Mr. McGill, but you don't seem like the kind of guy who would come into a room where your profit had been cut short."

"I didn't know when I was downstairs what had happened. My client might have been alive. For all I knew the crime was unrelated to my business. I still don't know. What's the victim's name?"

The lieutenant smiled.

I hunched my shoulders.

"What else did this Laura Brown tell you?"

"Not a thing. She said that someone had recommended me but she didn't give a name. That's not unusual. People don't like me thinking about them, I've found. I can't understand why."

"Did she mention anyone?"

"No."

Bonilla squinted and, in doing so, came to a decision.

"We figure the guy for being the shooter," she said, "but there's no gun in evidence. She certainly didn't stab him."

"Anyone hear shots?"

Bonilla shook her head slightly.

"Wow," I said. I meant it. A hit man with a silencer getting killed with a kitchen utensil seconds after he makes his bones.

At that moment I really hated Alphonse Rinaldo.

4

When I was maybe five, my father, an autodidact Communist, took me down to Chinatown. He was always trying to teach me lessons about life. That day he bought me a woven finger-trap. I pressed my fingers in from either side of the bamboo tube at his request.

"Now pull them out," he said.

I remember smiling and yanking my hands apart, only to have the fingers tugged at by the stubborn toy. Try as I might the cylinder held like glue to my fingers. My father waited till I was near tears before telling me the secret: you had to press both fingers toward each other, increasing the size of the tube, before you were able to get free of it.

The humiliating experience left me in a sour mood.

"What have you learned from this?" my father asked after buying me a ten-cent packet of toffee peanuts from a street vendor in Little Italy.

"Nuthin'," I said.

Tolstoy McGill was tall and very dark-skinned. I inherited his coloring. He laughed and said, "That's too bad because I just taught you one of the most important lessons that any man from Joe Street Sweeper to President Kennedy needs to learn."

Like all black children, I loved President Kennedy, and so my father had my interest in spite of the mortification I felt.

"What?" I asked.

"It's always easier getting into trouble than it is getting out."

I WAS REMINDED OF my father's lesson while wondering how to get away from Detective Bonilla and her investigation.

"Maybe you should come down to the precinct with me," she suggested.

"No," I said, feeling the bamboo walls closing in.

"Material witness," she said. Those were her magic words.

"So is this Laura Brown?"

"Doesn't matter," Bethann said. "She told you her name was Laura Brown."

"I've given you everything I have."

Bonilla was one of the new breed of cops who didn't see the world in black and white, so to speak. My actions in the last case she worked, the one that, no doubt, earned her the promotion, were inexplicable. On the one hand, I had beaten a much larger, much stronger man to death; on the other hand, I had saved the life of a young woman by putting myself into jeopardy.

"Come in here," she said, leading me into the bedroom.

The other cops stared at us but little Bethann was made from stern stuff. She wasn't intimidated by the men she worked with.

THE BEDROOM WAS SLOPPY the way some young women are. There were clothes everywhere. Pastel-colored thong panties and stockings and shoes were scattered across the floor. The bed itself was unmade. Open makeup containers were spread across the vanity.

"There's a standing order to bring you in if there's ever a chance to do so," Bethann said to me when we were out of earshot of the rest of New York's finest.

"If you say so."

"Why is that?"

"Haven't they told you?"

"I'm asking you."

I looked at the thirty-something officer, wondering about the possibilities for, and ramifications of, truth.

"THE TRUTH," MY IDEOLOGUE father once told me, "changes according to what point of view is beholding it."

"What does that mean?" I must have been about twelve because not too long after that Tolstoy was gone forever. My mother soon followed him the only way she could-in a casket.

"A dictator sees the truth as a matter of will," he said. "Anything he says or dreams is the absolute truth and soon the people are forced to go along with him. For the so-called democrat, the truth is the will of the people. Whatever the majority says is the law and that law becomes truth for the people.

"But for men like us," my father said, "the only truth is the truth of the tree."

"What tree?" I asked.

"All trees," Tolstoy McGill proclaimed. "Because the truth of the tree is its roots in the ground, and the wind blowing, and the rain falling. The sun is a tree's truth, and even if he's cut down his seed will scatter and those roots will once again take hold."

"DO YOU BELIEVE THAT a man can change, Lieutenant?" I asked Bethann Bonilla.

"What does that have to do with my question?"

"That order to arrest me refers to another man," I said. "The man I used to be. I can't deny my history and I won't admit to a thing. All I can tell you is that you will never catch me doing the things your department thinks I'm doing. I'm not that man anymore."

The detective felt my confession more than she understood it. She wondered about me-it wouldn't be the last time.

"Do you know anything about what happened here tonight?" she asked.

"Is the dead girl Laura Brown?"

After a moment's hesitation the policewoman said, "No. I don't think so."

"And what is her name?"

"You'll find out in the morning news anyway, I guess. It's Wanda Soa. At least we're pretty sure. A few neighbors gave us descriptions. One outstanding detail is a tiger tattoo on her left ankle."

"I don't know a thing about it, then. She might have been using the name Brown. She might have called me. The caller ID said unknown. You're welcome to check my home phone records. But I've already told you all that I know."

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