David Moody - Dog Blood

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Dog Blood: краткое содержание, описание и аннотация

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On the heels of Patient Zero and Pride and Prejudice with Zombies comes David Moody's electrifying sequel to Hater in which humanity fights itself to the death against a backdrop of ultimate apocalyptic destruction.
In Dog Blood the Earth has been torn apart. Everyone is either human or Hater, victim or killer. Major cities have become vast refugee camps where human survivors cower together in fear. Amidst this indiscriminate fighting and killing, Danny McCoyne is on a mission to find his daughter, Ellis. Free of inhibitions, unrestricted by memories of the previous world, and driven by instinct, children are pure Haters and might well be the deciding factor in the future of the Hater race. But as McCoyne makes his way into the heart of human territory, an incident on the battlefield sets in place an unexpected chain of events, forcing him to question everything he believes he knows about the new order that has arisen and about the dynamic of the Hate itself.

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The roar of another missile fills the air. It hits the side of a building less than a hundred yards ahead, puncturing a hole in the wall, then exploding outward, showering the entire street with debris. When the explosion fades, everything becomes silent and still. I stand motionless as the last few refugees to have escaped the blast continue to push past me. I slowly move closer to the blast zone as the sound gradually begins to return-the screams and moans of the injured and dying, a single car alarm that’s somehow still working, the crackle and pop of flames, the hiss of fractured pipes…

Can’t see Ellis.

I stand alone at the edge of a massive expanse of rubble and fallen bodies. Around me, a few people begin to move again, crawling through the debris, slowly picking themselves up and staggering on. I walk deeper into the madness, slowly at first, then starting to run. I trip and slide over the remains of people under my feet.

Where is she?

I run faster, barely managing to stay upright in the midst of the carnage. The closer I get to the epicenter, the fewer complete bodies there are. I look down and all I can see now is dismembered limbs and other, less recognizable chunks of bloody meat. I can’t move, can’t think straight, the stench of smoke and burning flesh filling my bleeding nostrils. Can’t focus. I can hardly breathe. Have I lost her? Against all the odds, Lizzie kept Ellis safe for weeks on end. Just minutes with me and she’s gone.

Can’t give up.

There are more people moving all around me now, some of them disentangling themselves from the bloody wreckage, others continuing to flood forward from the center of town, picking their way through the gruesome ruins, the explosion just delaying their escape temporarily. I slowly cross what’s left of the street, trying to see through the smoke and haze and line myself up with the buildings close to where I last thought I saw her. As I get nearer I drop to my knees and start to crawl through the bloody mire, pushing away the grabbing hands that reach up at me, desperate for help. My knee sinks down into the open chest cavity of a young Unchanged man, physically forcing his last breath from his lungs. Another one of them catches hold of my coat, and I pry its surprisingly strong fingers away when I see a small, child-sized hand sticking out from under two heavy cadavers. I drag the corpses out of the way, desperate to dig Ellis out from beneath them. She’s facedown on the asphalt, a pool of deep red, almost black blood spilling out around her head. I put my hands under her shoulders, pull her out, and turn her over, but it’s not her. Thank God. I drop the body and keep moving.

There are Unchanged moving all around me again now. Most are injured; all are terrified. I increase my speed, determined to find Ellis, literally throwing wet chunks of human remains over my shoulder as I look for any sign of her. Then I see it-the severed end of the plastic clothesline. As more munitions explode around me, showering me with dust and dirt, I pick up the end of the cord and follow it back, terrified at the thought of what I might find at the other end. I catch sight of a bare ankle that’s smaller and thinner than the rest. I haul another blood-soaked body out of the way and shove it to one side, jumping with surprise when it opens its eyes and screams in pain and grabs hold of me. Underneath another corpse I see Ellis’s shock of untidy brown hair. I push and pull more bodies away until she lies there in front of me, completely uncovered. Her tiny, emaciated body doesn’t move. I shake her shoulder, but there’s still no response. I lean down until my ear’s just a fraction of an inch from her mouth, but it’s impossible to hear or feel anything. I grip her wrist in my hand and check for a pulse, but there’s nothing. I turn her over and pull her up and hold her in my arms. She looks like she’s sleeping, and for the first time since I found her she looks like my Ellis again, like the precious little kid I used to tuck into bed at night and fetch breakfast for in the morning, the noisy little brat who made my life hell but who I loved more than anything else in the world. Bruised, blood-soaked, and beautiful.

I check her neck for a pulse again, not even sure if I’m doing it right. Did I just feel something? I pry her eyelids open. Her pupils are wide, fully dilated, but she doesn’t react to the light. I hold her close, her head next to mine, and for a second I think I hear something. I concentrate on Ellis, shutting out everything else, and then I hear it again. The faintest whisper of a shallow, rasping breath. She’s alive. Got to get her out of here.

39

THE SKIES OVERHEAD ARE filled with movement and noise. Missiles, mortars, and rockets whip across the clouds and detonate around the city center. Helicopters buzz overhead, some observing, most of them attacking, firing into the crowds below.

The bulk of the refugees follow each other like sheep, sticking to the main roads out of town and not even bothering to consider whether those in front know any more or less about the situation than they do. They run blind, finding the illusion of safety in numbers. There are hundreds of them moving down the wide ring road, which, as many of them must know, will eventually swing around and take them straight back into the dying heart of the city.

There’s another way.

Over to my left is an enormous pile of smoldering rubble where there used to be a multiplex cinema. Still carrying Ellis in my arms, I leave the road and run around the edge of the ruins, following the perimeter of a wide, tent- and RV-filled parking lot that has been almost completely abandoned. On the far side of the site is a steep embankment, along which runs one of the train lines out of the city. While thousands of those dumb bastards have stuck to the clogged and overcrowded roads, I can already see that there are just a handful of people up there following the train tracks out of town.

Ellis starts to move. Thank God for that. It was only a small flinch, but it was enough, and I sense she’s going to be okay. I hold her tight as I climb up the embankment, quickly reaching the top and running along the side of the track, still instinctively watching out for trains I know will never come. My feet dig into the gravel as if it’s wet sand, every step taking twice as much effort as it should.

From this relatively high and uninterrupted vantage point, I can see clearly in most directions. I look back over my shoulder at what’s left of the city behind us. Massive sections of it are on fire now. The skyline has changed incredibly in an unbelievably short period of time. Huge, landmark buildings that stood tall and proud when I arrived here just a few hours ago have been destroyed and have disappeared, changing the skyline forever. Even from this distance and over the endless noise of the helicopters, missiles, and muffled explosions, I can still hear the sounds of thousands of people fighting, and the relief at having escaped with my daughter from the heart of the battle is immense.

I keep running, exhausted but forcing myself to keep going. We’re probably safe at this distance, but I want to get even farther away. The train track snakes away toward the suburbs, the desolate ruins of housing projects springing up on either side of us. Even out here there are people in the streets. I see scores of terrified Unchanged refugees who’ve fled the city and are looking for shelter, only to be intercepted and cut off by people like me and Ellis. Where the hell did so many of our fighters come from? Were they already in the center of town with us? The answer becomes clear as I see more and more of them approaching. These people are coming in from outside the city now, crossing the exclusion zone. Word must have reached them that the refugee camp is imploding. Or is this a planned attack? Are these the advance troops from Ankin’s army?

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