Justin Cronin - The Passage

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The Passage: краткое содержание, описание и аннотация

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"Read fifteen pages and you will find yourself captivated; read thirty and you will find yourself taken prisoner and reading late into the night. It has the vividness that only epic works of fantasy and imagination can achieve. What else can I say? This: read this book and the ordinary world disappears." – Stephen King
***
'It happened fast. Thirty-two minutes for one world to die, another to be born.'
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear – of darkness, of death, of a fate far worse.
As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey – spanning miles and decades – towards the time and place where she must finish what should never have begun.
With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

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And then one night she’d ruined it, quite by accident. Where do you sleep? she asked her mother as she was preparing to depart. If you don’t sleep here, with us, where do you go? And when Sara asked this, something seemed to fall behind her mother’s eyes, like a shade being quickly drawn down a window. Oh, her mother said, gathering her expression into a smile that Sara detected as false, I don’t sleep, not really. Sleep is something for you, Little Sara, and for your brother, Michael. And the look on her mother’s face as she said these words was the first time, Sara now believed, that she’d glimpsed the terrible truth.

It was true, what everyone said: you hated Teacher for telling you. How Sara had loved Teacher, until that day. As much as she loved her own parents, maybe even more. Her eighth birthday: she knew something would happen, something wonderful, that the children who turned eight went someplace special, but nothing more specific than that. The ones who returned-to visit a younger sibling or to have Littles of their own-were older, so much time having passed that they had become different people entirely, and where they’d been and what they’d done was a secret you couldn’t know. It was precisely because it was a secret that it was so special, this new place that awaited outside the walls of the Sanctuary. Anticipation gathered inside her as her birthday approached. So keen was her excitement that never did it occur to her to wonder what would happen to Michael without her; his own day would come. You were warned by Teacher never to talk about this, but of course the Littles did, when Teacher wasn’t around. In the washroom or dining hall or at night in the Big Room, whispers passing up and down the lines of cots, the talk was always of release and who was next in line. What was the world like, outside the Sanctuary? Did people live in castles, like the people in books? What animals would they find, and could they speak? (The caged mice Teacher kept in the classroom were, to a one, discouragingly silent.) What wonderful foods were there to eat, what wonderful toys to play with? Never had Sara been so excited, waiting for this glorious day when she would step into the world.

She awoke on the morning of her birthday feeling as if she were floating on a cloud of happiness. And yet somehow she would have to contain this joy until rest time; only then, when the Littles were asleep, would Teacher take her to the special place. Though no one said as much, all through morning meal and circle time she could tell that everyone was delighted for her, except for Michael, who did nothing to hide his envy, grumpily refusing to speak with her. Well, that was Michael. If he couldn’t be happy for her, she wasn’t going to let it spoil her special day. It wasn’t until after lunch, when Teacher called everyone around to say goodbye, that she began to wonder if maybe he knew something she didn’t. What is it, Michael? asked Teacher. Can’t you say goodbye to your sister, can’t you be happy for her? And Michael looked at her and said, It’s not what you think, Sara, then hugged her quickly and ran from the room before she could say a word.

Well, that was strange, she’d thought at the time, and still did, even now, all these years gone by. How had Michael known? Much later, when the two of them were alone again, she’d remembered this scene and asked him about it. How did you know? But Michael could only shake his head. I just did, he said. Not the details, but the kind of thing it was. The way they spoke to us, Mom and Dad, at night, tucking us in. You could see it in their eyes.

But back then, the afternoon of her release, with Michael darting away and Teacher taking her hand, she hadn’t wondered for long. Just chalked it up to Michael being Michael. The final goodbyes, the embraces, the feeling of the moment arriving: Peter was there, and Maus Patal, and Ben Chou and Galen Strauss and Wendy Ramirez and all the rest, touching her, saying her name. Remember us, everyone said. She was holding the bag that contained her things, her clothing and slippers and the little rag doll that she’d had since she was small-you were allowed to take one toy-and Teacher took her by the hand and led her out from the Big Room, into the little courtyard ringed by windows where the children played when the sun was high in the sky, with the swings and the seesaw and the piles of old tires to climb, and through another door into a room she’d never seen before. Like a classroom but empty, the shelves barren, no pictures on the walls.

Teacher sealed the door behind them. A curious and premature pause; Sara had expected more. Where was she going? she asked Teacher. Would it be a long journey? Was someone coming for her? How long was she to wait here, in this room? But Teacher seemed not to hear these questions. She crouched before her, positioning her large, soft face close to Sara’s. Little Sara, she asked, what do you suppose is out there, outside this building, beyond these rooms where you live? And what of the men you sometimes see, the ones who come and go at night, watching over you? Teacher was smiling, but there was something different about this smile, thought Sara, something that made her afraid. She didn’t want to answer, but Teacher was looking straight at her, her face expectant. Sara thought of her mother’s eyes, the night she’d asked her where she slept. A castle? she said, for in her sudden nervousness that was the only thing she could think of. A castle, with a moat? A castle, Teacher said. I see. And what else, Little Sara? The smile was suddenly gone. I don’t know, Sara said. Well, Teacher said, and cleared her throat. It’s not a castle.

And that was when she told her.

Sara hadn’t believed her at first. But not exactly that: she felt as if her mind had split in two, and one half, the half that didn’t know, that believed she was still a Little, sitting in circle and playing in the courtyard and waiting for her parents to tuck her in at night, was saying goodbye to the half that somehow always had. Like she was saying goodbye to herself. It made her feel dizzy and sick, and then she started to cry, and Teacher took her by the hand once more and led her down another hallway and out of the Sanctuary, where her parents were waiting for her, to take her home-the home that Sara and Michael lived in still, that she’d never known existed until that very day. It isn’t true , Sara was saying through her tears, it isn’t true . And her mother, who was crying too, picked her up and held her close, saying, I’m sorry, I’m sorry, I’m sorry. It is, it is, it is .

This was the memory that always replayed in her mind whenever she approached the Sanctuary, which seemed so much smaller to her than it had back then, so much more ordinary. An old brick schoolhouse with the name F. D. Roosevelt Elementary etched in stone over the door. From the path she could see the figure of a single Watcher standing on the top of the front steps: Hollis Wilson.

“Howdy, Sara.”

“Evening, Hollis.”

Hollis was balancing a crossbow on his hip. Sara didn’t like them; they had a lot of power but were too slow to reload, and heavy to carry besides. Everyone said how it was just about impossible to tell Hollis apart from his brother until he’d shaved his beard, but Sara didn’t see why; even as Littles-the Wilson brothers had come up three years ahead of her-she had always known which was which. It was the little things that told her, details that a person might not notice at first glance, like the fact that Hollis was just a little taller, a little more serious in the eyes. But they were obvious to her.

As she ascended the steps, Hollis tipped his head at the pot she was carrying, his lips turned up in a grin. “Whatcha bring me?”

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