Justin Cronin - The Passage

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The Passage: краткое содержание, описание и аннотация

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"Read fifteen pages and you will find yourself captivated; read thirty and you will find yourself taken prisoner and reading late into the night. It has the vividness that only epic works of fantasy and imagination can achieve. What else can I say? This: read this book and the ordinary world disappears." – Stephen King
***
'It happened fast. Thirty-two minutes for one world to die, another to be born.'
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear – of darkness, of death, of a fate far worse.
As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey – spanning miles and decades – towards the time and place where she must finish what should never have begun.
With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

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Nothing more was said of the missing station crew. They fed the animals and then themselves and retired to the barracks, a cramped, foul-smelling room of bunk beds and soiled mattresses stuffed with musty straw. By the time Peter lay down, Finn and Rey were already snoring away. Peter wasn’t accustomed to going to bed so early, but he’d been up for twenty-four hours straight and felt himself quickly drifting off.

He awoke disoriented, his mind still swimming in the current of anxious dreams. His internal clock told him it was half-night or later. All the men were still asleep, but Alicia’s bunk was empty. He made his way down the dim hall to the control room, where he found her sitting at the long table, turning the pages of a book by the light of the panel. The clock read 02:33.

She lifted her eyes to meet his. “Don’t know how you slept, with all that snoring.”

He took a chair across from her. “I didn’t, not really. What are you reading?”

She closed the book and rubbed her eyes with the tips of her fingers. “Damned if I know. I found it in the storage room. There’s boxes and boxes of them.” She slid it across the table to him. “Go ahead and look if you want.”

Where the Wild Things Are , the title read. A thin volume, containing mostly pictures. Peter turned the brittle, dusty-smelling pages one by one. A little boy in some kind of animal costume, with ears and a tail, brandishing a fork as he chased a small white dog; the boy’s banishment to his room, and the room being enveloped by a forest, magically growing; a moonlit night descending, and a journey across the sea to an island of monsters, unimaginable beings of grasping claws and gnashing teeth and huge yellow eyes. The Wild Things.

“That whole business about the boy looking them in the eyes and telling them to be still,” Alicia said. She yawned into her hand. “I don’t see how that would do any good at all.”

Peter closed the book and put it aside. He had no idea what to make of any of it, but that was the way of most things from the Time Before. How did people live? What did they eat, wear, think? Did they walk in the dark, as if this were nothing? If there were no virals, what made them afraid?

“I think it’s all made up.” He shrugged. “Just a story. I think he’s dreaming.”

Alicia lifted her eyebrows, her expression saying, Who knows? Who can say what the world used to be?

“I was actually hoping you’d wake up,” she announced then, rising from her chair. She lifted a lantern from the floor. “I’ve got something to show you.”

She led him back through the barracks and into one of the storage rooms. The walls were lined with metal shelving, stacked with supplies: greasy tools, coils of wire and solder, plastic jugs of water and alcohol. Alicia placed the lantern on the floor and stepped to one of the shelves and began to move its contents onto the floor.

“Well? Don’t just stand there.”

“What are you doing?”

“What does it look like? And keep your voice down-I don’t want to wake the others.”

When they’d cleared everything away, Alicia instructed him to stand at one end of the shelf, positioning herself on the opposite side. Peter realized that the back of the shelf was a sheet of plywood, concealing the wall behind it. They pulled the shelf away.

A hatch.

Alicia stepped forward and turned the ring and swung it open. A narrow, tubelike space, with a flight of metal stairs rising in a spiral. Metal crates were stacked against the wall. The stairs vanished in the gloom, some unknowable distance over Peter’s head. The air was stale and choked with dust.

“When did you find it?” he asked, amazed.

“Last season. I got bored one night and started poking around. I figure it’s some kind of escape route left by the Builders. The stairs go straight to a crawl space on the roof.”

Peter gestured toward the crates with his lantern. “What’s in those?”

“That,” she said, smiling mischievously, “is the best part.”

Together they dragged one of the crates out onto the floor of the storeroom. A metal locker, a meter long and half as deep, with the words U.S. MARINE CORPS printed on the side. Alicia knelt to undo the hasps and lifted the lid to reveal six sleek black objects, cradled in foam. It took Peter a few seconds to understand what he was seeing.

“Holy shit, Lish.”

She passed him a weapon. A long-bore rifle, cool to the touch and smelling faintly of oil. It was shockingly light in his hands, as if made of some substance that defied gravity. Even in the dim light of the storage room he could detect the lustrous gleam in the finish of the muzzle. The guns he’d seen were all little more than corroded relics, rifles and pistols the Army had left behind; the Watch still kept some in the Armory, but as far as Peter was aware, all the ammunition had been used up years ago. Never in his life had Peter held anything so clean and new, untouched by time.

“How many are there?”

“Twelve boxes, six guns apiece, a little over a thousand rounds. There are six more crates up in the crawl space.”

All his nervousness was gone, replaced by a lusty hunger to use this wonderful new object in his hands, to feel its power. “Show me how to load it,” he said.

Alicia took the gun from his hands and drew back the bolt and charger. Then she took a magazine of bullets from the box, shoved it into place in front of the trigger guard, pushing forward until it caught, and gave the base two hard taps with her palm.

“Aim it like a cross,” she said, and turned away to demonstrate. “It’s basically the same, only with a lot more kick. Just keep your finger off the trigger unless you mean business. You’ll want to, but don’t.”

She passed the rifle back to him. A loaded gun! Peter raised it to his shoulder, searching for something in the room that seemed worthy of his aim, and finally selected a coil of copper wire on the far shelf. The urge to fire, to experience the explosive force of its recoil in his arms, was so strong it required an almost physical effort to push the thought away.

“Just remember what I said about the trigger,” Alicia warned. “You’ve got twenty rounds per magazine. Now, load this one so I know you know how.”

He traded the loaded rifle for a new one. Peter did his best to recall the steps: safety, bolt, charger, magazine. When he was done he gave the clip two hard taps, as he had seen Alicia do.

“How’s that?”

Alicia was watching him appraisingly, holding her rifle with the stock against her hip. “Not bad. A little slow. Don’t point it down like that, you’ll blow your foot off.”

He quickly raised his barrel. “You know, I’m a little surprised. I thought you didn’t believe in these things.”

She shrugged. “I don’t, not really. They’re sloppy and they’re loud, and they make you too confident by half.” She passed him a second magazine for his waist pouch. “On the other hand, the smokes believe in them just fine if you do it right.” She tapped a finger against her sternum. “One shot, through the sweet spot. Closer than three meters you have a little slop, but don’t count on it.”

“So you’ve used these guns before.”

“Did I say that?”

Peter knew better than to press. Six crates of Army rifles. How could Alicia possibly resist?

“So whose guns are they?”

“How should I know? As far as I can tell, they’re the property of the United States Marine Corps, just like it says on the box. Quit asking questions and let’s go.”

They reentered the hatch and began to climb. He felt the temperature rise with every step of their ascent. Ten meters up they reached a small platform with a ladder. In the ceiling over their heads was another hatch. Alicia rested the lantern on the platform, reached overhead on tiptoes, and began to turn the wheel. They were both sweating hard; the air felt almost too thick to breathe.

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