Justin Cronin - The Passage

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The Passage: краткое содержание, описание и аннотация

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"Read fifteen pages and you will find yourself captivated; read thirty and you will find yourself taken prisoner and reading late into the night. It has the vividness that only epic works of fantasy and imagination can achieve. What else can I say? This: read this book and the ordinary world disappears." – Stephen King
***
'It happened fast. Thirty-two minutes for one world to die, another to be born.'
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear – of darkness, of death, of a fate far worse.
As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey – spanning miles and decades – towards the time and place where she must finish what should never have begun.
With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

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Amy’s cheeks were spattered with sugar and grease. She reached up to wipe them with the back of her hand, but Wolgast stopped her. “Use a napkin,” he said, and handed one to her.

“The carousel,” she said.

“Really? Seems pretty tame after the Octopus.”

“They got one?”

“I’m sure they do.”

The carousel, Wolgast thought. Of course. The Octopus was for one part of her, the grown-up part, the part that could watch and wait and lie with confident charm to the woman in the line; the carousel was for the other Amy, for the little girl she really was. Under the spell of the evening, its lights and sounds and the still-churning part of him that had ridden the Octopus four times in a row, he wanted to ask her things: who she really was; about her mother, her father if she had one, and where she was from; about the nun, Lacey, and what had happened at the zoo, the craziness in the parking lot. Who are you, Amy? What brought you here, what brought you to me? And how do you know I’m afraid, that I’m afraid all the time? She took his hand again as they walked; the feel of her palm against his own was almost electrical, the source of a warm current that seemed to spread through his body as they walked. When she saw the carousel with its glowing deck of painted horses, he felt her pleasure actually pass from her body into his.

Lila , he thought. Lila, this was what I wanted. Did you know? It’s all I ever wanted .

He handed the operator their tickets. Amy picked a horse on the outer rim, a white Lipizzaner stallion frozen in mid-prance, grinning a bright row of ceramic teeth. The ride was almost empty; it was past nine o’clock, and the youngest children had gone home.

“Stand next to me,” Amy commanded.

He did; he placed one hand on the pole, another on the horse’s bridle, as if he were leading her. Her legs were too short to reach the stirrups, which dangled freely; he told her to hold tight.

That was when he saw Doyle, standing not a hundred feet away, beyond a row of hay bales that marked the edge of the beer tent, talking energetically to a young woman with great handfuls of red hair. He was telling a story, Wolgast could see, gesturing with his cup to make some point or pace a punch line, inhabiting the role of the handsome fiber-optic salesman from Indianapolis-just as Amy had done with the woman in line, spinning out the detail of the sick grandmother in Colorado. It was what you did, Wolgast understood; you started to tell a story about who you were, and soon enough the lies were all you had and you became that person. Beneath his feet, the carousel’s wooden decking shuddered as its gears engaged; with a burp of music from speakers overhead, the carousel began to move as the woman, in a gesture of practiced flirtatiousness, tossed back her head to laugh, while at the same time reaching out to touch Doyle, quickly, on the shoulder. Then the deck of the carousel turned and the two of them were gone from sight.

Wolgast thought it then. The sentences were as clear in his mind as if written there.

Just go. Take Amy and go .

Doyle’s lost track of time. He’s distracted. Do it .

Save her .

Around and around they went. Amy’s horse bobbed up and down like a piston. In just these few minutes, Wolgast felt his thoughts gather into a plan. When the ride was over, he would take her, glide into the darkness, the crowds, away from the beer tent and out the gate; by the time Doyle realized what had happened, they’d be nothing but an empty space in the lot. A thousand miles in every direction; they’d be swallowed whole into it. He was good, he knew what he was doing. He’d kept the Tahoe, he saw, for just this reason; even back then, standing in the parking lot in Little Rock, the germ of the idea had lain inside him, like a seed about to break open. He didn’t know what he’d do about finding the girl’s mother, but he’d figure that out later. He’d never felt anything like it, this blast of clarity. All his life seemed to gather behind this one thing, this singular purpose. The rest-the Bureau, Sykes, Carter, and the others, even Doyle-was a lie, a veil his true self had lived behind, waiting to step into the light. The moment had come; all he had to do was follow his instincts.

The ride began to slow. He didn’t even look in Doyle’s direction, not wanting to jinx this new feeling, to scare it away. When they reached a complete stop, he lifted Amy from her horse and knelt so they were eye to eye.

“Amy, I want you to do something for me. I need you to pay attention to what I’m saying.”

The girl nodded.

“We’re leaving now. Just the two of us. Stay close, don’t say a word. We’re going to be moving quickly, but don’t run. Do just as I say and everything will be fine.” He searched her face for comprehension. “Do you understand?”

“I shouldn’t run.”

“Exactly. Now let’s go.”

They stepped from the deck; they’d come to rest on the far side, away from the beer tent. Wolgast hoisted her quickly over the fence that surrounded the ride, then, bracing his hand on a metal post, vaulted over himself. No one seemed to notice-or maybe they did, but he didn’t look back. With Amy’s hand in his he strode briskly toward the rear of the fairgrounds, away from the lights. His plan was to circle around to the main gate or else find another exit. If they moved quickly, Doyle would never notice until it was too late.

They came to a tall chain-link fence; beyond it stood a dark line of trees and, farther still, the lights of a highway, hemming the high school’s playing fields to the south. There was no way through; the only route was around the perimeter, following the fence back to the main entrance. They were moving through unmown grass, still wet from the storm, soaking their shoes and pants. They reemerged back near the food stands and the picnic table where they had eaten. From there, Wolgast could see the exit, just a hundred feet away. His heart was thumping in his chest. He paused to quickly scan the scene; Doyle was nowhere.

“Straight out the exit,” he told Amy. “Don’t even look up.”

“Yo, chief!”

Wolgast froze. Doyle came jogging up behind them, pointing at his watch. “I thought we said an hour, boss.”

Wolgast looked at him, his bland midwestern face. “Thought we’d lost you,” he said. “We were just coming to look for you.”

Doyle glanced quickly over his shoulder toward the beer tent. “Well, you know,” he said. “Got caught up in a little conversation.” He smiled, a little guiltily. “Nice folks around here. Real talkers.” He gestured at Wolgast’s water-stained slacks. “What happened to you? You’re all wet.”

For a moment, Wolgast said nothing. “Puddles.” He did his best not to look away, to hold Doyle in his gaze. “The rain.” There was one other chance, maybe, if he could somehow distract Doyle on the way to the Tahoe. But Doyle was younger and stronger, and Wolgast had left his weapon back in the car.

“The rain,” Doyle repeated. He nodded, and Wolgast saw it in the younger man’s face: he knew. He’d known all along. The beer tent was a test, a trap. He and Amy had never been out of sight, not for a second. “I see. Well, we have a job to do. Right, chief?”

“Phil-”

“Don’t.” His voice was quiet-not menacing, merely stating the facts. “Don’t even say the words. We’re partners, Brad. It’s time to go.”

All Wolgast’s hopefulness collapsed inside him. Amy’s hand was still in his; he couldn’t bear even to look at her. I’m sorry , he thought, sending her this message through his hand. I’m sorry . And together, Doyle following five paces behind them, they moved through the exit toward the parking lot.

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