Justin Cronin - The Passage

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The Passage: краткое содержание, описание и аннотация

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"Read fifteen pages and you will find yourself captivated; read thirty and you will find yourself taken prisoner and reading late into the night. It has the vividness that only epic works of fantasy and imagination can achieve. What else can I say? This: read this book and the ordinary world disappears." – Stephen King
***
'It happened fast. Thirty-two minutes for one world to die, another to be born.'
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear – of darkness, of death, of a fate far worse.
As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey – spanning miles and decades – towards the time and place where she must finish what should never have begun.
With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

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That was what Lear had believed, and Cole too. A belief that had taken them into the Bolivian jungle, looking for a bunch of dead tourists. A bunch of, as it had turned out, undead tourists-Richards disliked the word but couldn’t think of a better one, undeadness being, in the end, a pretty solid descriptor of the condition-who had killed-ripped apart, really-what was left of the research team, all except for Lear, Fanning, one of the soldiers, and a young graduate student named Fortes. If not for Fanning, the whole thing would have been a total loss.

Lear: you had to feel for the guy. Probably he still thought he was trying to save the world, but he’d sold that dream up the river the minute he’d gotten into bed with Cole and Special Weapons. And truth be told, it was hard to say what Lear was thinking these days; the guy never came off L4, slept down there in his lab on a sweaty little cot and took his meals off a hot plate. He probably hadn’t seen the sun in a year. Back at the start, Richards had done a little extra digging, and come up with a number of interesting tidbits, Exhibit A being Lear’s wife’s obituary in the Boston Globe -dated just six months before Cole had come to see him in Ankara, a full year before the Bolivia fiasco. Elizabeth Macomb Lear, age forty-one. BA Smith, MA Berkeley, PhD Chicago. Professor of English at Boston College, associate editor of Renaissance Quarterly , author of Shakespeare’s Monsters: Bestial Transformation and the Early Modern Moment (Cambridge University Press, 2009). A long battle with lymphoma, et cetera. There was a picture, too. Richards wouldn’t have said Elizabeth Lear was a knockout, but she’d been pretty enough, in a slightly undernourished way. A serious woman, with serious ideas. At least there weren’t any kids involved. Probably the chemo and radiation had ruled this out.

So, really, when it came down to it: how much of Project NOAH was really just one grieving man sitting in a basement, trying to undo his wife’s death?

Now, five years later and who knew how many hundreds of millions down the rathole, all they had to show for their troubles were about three hundred dead monkeys, who knew how many dogs and pigs, half a dozen dead homeless guys, and eleven former death row inmates who glowed in the dark and scared the shit out of absolutely everybody. Like the monkeys, the first human subjects had all died within hours, blazing with fever, bleeding out like busted hydrants. But then the first of the inmates, Babcock, had survived-Giles Babcock, as bullshit crazy a man as ever walked the earth; everyone on L4 called him the Talker, on account of the fact that the guy couldn’t shut up even for a second, not before and not after-followed by Morrison and Chávez and Baffes and the rest, each refinement making the virus progressively weaker, so the inmates’ bodies could combat it. Eleven vampires-why not use the word?-who weren’t much good to anyone, as far as Richards could tell. Sykes had confessed that he wasn’t sure you could actually kill them, short of shooting an RPG down their throats. VSA: Vampires, Say Aaaah . The virus had turned their skin into a kind of protein-based exoskeleton, so hard it made Kevlar look like pancake batter. Only over the breastbone, a strike zone about three inches square, was this material thin enough to penetrate. But even that was just a theory.

And the sticks were just crawling with virus. Six months ago, a technician had been exposed; nobody could quite figure out how. But one minute he was fine, the next he was puking onto his faceplate and seizing on the floor of the decon chamber, and if Richards hadn’t seen him twitching on the monitor and sealed the level, who knew what might have happened. As it was, all he’d had to do was purge the chamber and watch the man die, then call for cleanup. He thought the tech’s name was Samuels, or Samuelson. It didn’t matter. The scrubbers showed up clear of virus, and after a seventy-two-hour quarantine, Richards had unsealed the level.

He didn’t wonder for a second that he’d pull the plug, if and when the time came. The Elizabeth Protocol: Richards had to hand it to whoever had come up with the name, if it was somebody’s idea of a joke. Though of course there was no doubt in Richards’s mind who that somebody was. The name was pure Cole-vintage Cole, you might say, since Cole was Cole no more. Beneath that smarmy country club exterior had always lain the heart of a true Machiavellian cutup. Elizabeth , for Christsakes. Only Cole would have actually named it for the guy’s dead wife.

Richards could feel it now; the whole thing was adrift. Part of the problem was the sheer boredom of it all. You couldn’t drop eighty men onto a mountainside with nothing to do but count rabbit skins and ask them to stay put and keep their mouths shut forever.

And then there were the dreams.

Richards had them, too, or thought he did. He never quite remembered. But he sometimes woke up feeling like something strange had happened in the night, as if he’d taken an unplanned trip and only just returned. That’s what had happened with the two sweeps who’d gone AWOL. The castrati had been Richards’s idea, and for a time it had worked out nicely; you’d never meet a more docile bunch of fellows, mellow as the Buddha every one, and when the game was finally over, nobody that anyone was ever going to miss. The two sweeps, Jack and Sam, had gotten out of the compound by stuffing themselves into a couple of garbage bins. When Richards tracked them down the next morning-holed up in a Red Roof by the interstate twenty miles away, just waiting to be caught-that’s all they could talk about, the dreams. The orange light, the teeth, the voices calling their names from the wind. They were just fucking berserk with it. For a while he just sat on the edge of the bed and let them talk it out: two middle-aged sex offenders with skin soft as cashmere and testicles the size of raisins, blowing their noses on their hands, blubbering like kids. It was touching in a way, but you could listen to something like that for only so long. Time to go, boys, Richards said, it’s all right, nobody’s mad at you, and he drove to a place he knew, a pretty spot with a view of a river, to show them the world they’d be leaving, and shot them in the forehead.

Now Lear wanted a kid, a girl. Even Richards had to pause and think about that. A bunch of homeless drunks and death row inmates were one thing, human recyclables as far as Richards was concerned-but a kid? Sykes had explained that it had to do with the thymus gland. The younger it was, he’d told Richards, the better it could fight off the virus, to bring it to a kind of stasis. That was what Lear had been working toward-all the benefits without the unpleasant side effects. Unpleasant side effects! Richards had to allow himself a laugh at that. Never mind that in their former, human lives, the glowsticks had been men like Babcock, who’d cut their mothers’ throats for bus fare. So maybe that had something to do with it, too: Lear wanted a clean slate, somebody whose brain hadn’t filled up with junk yet. For all Richards knew, he’d come asking for a baby next.

And Richards had gotten the goods. A few weeks of trolling until he’d found the right one: Caucasian Jane Doe, approximately age six, dumped like a bad habit at a convent in Memphis by a mother who was probably too strung out to care. Zero footprint , Sykes had told him, and this girl, this Jane-Doe-approximately-age-six, wouldn’t have parted a summer breeze. By Monday, though, she would be in the care of Social Services and you could just kiss her six-year-old backside goodbye. That left a forty-eight-hour window for the grab, assuming the mother didn’t return to claim her, like a piece of lost luggage. As for the nuns, well, Wolgast would find a way to handle them. The guy could sell sunlamps in a cancer ward. He’d proved that well enough.

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