Justin Cronin - The Passage

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The Passage: краткое содержание, описание и аннотация

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"Read fifteen pages and you will find yourself captivated; read thirty and you will find yourself taken prisoner and reading late into the night. It has the vividness that only epic works of fantasy and imagination can achieve. What else can I say? This: read this book and the ordinary world disappears." – Stephen King
***
'It happened fast. Thirty-two minutes for one world to die, another to be born.'
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear – of darkness, of death, of a fate far worse.
As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey – spanning miles and decades – towards the time and place where she must finish what should never have begun.
With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

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Then one day a man came into the diner. It was Bill Reynolds. He was different, somehow, and the change was no good. The Bill Reynolds she remembered-and she had to admit she still thought of him from time to time, about little things mostly, like the way his sandy hair flopped over his forehead when he talked, or how he blew over his coffee before he sipped it, even when it wasn’t hot anymore-there was something about him, a kind of warm light from inside that you wanted to be near. It reminded her of those little plastic sticks that you snapped so the liquid inside made them glow. This was the same man, but the glow was gone. He looked older, thinner. She saw he hadn’t shaved or combed his hair, which was greasy and standing all whichaway, and he wasn’t wearing a pressed polo like before but just an ordinary work shirt like the ones her father had worn, untucked and stained under the arms. He looked like he’d spent all night out in the weather, or in a car somewhere. He caught her eye at the door and she followed him to a booth in back.

What are you doing here?

I left her , he said, and as he looked at where she stood, she smelled beer on his breath, and sweat, and dirty clothes. I’ve gone and done it, Jeanette. I left my wife. I’m a free man .

You drove all this way to tell me that?

I’ve thought about you . He cleared his throat. A lot. I’ve thought about us .

What us? There ain’t no us. You can’t come in like you’re doing and say you’ve been thinking about us .

He sat up straight. - Well, I’m doing it. I’m doing it right now .

It’s busy in here, can’t you see that? I can’t be talking to you like this. You’ll have to order something .

Fine , he answered, but he didn’t look at the menu on the wall, just kept his eyes on her. I’ll have a cheeseburger. A cheeseburger and a Coke .

As she wrote down the order and the words swam in her vision, she realized she had started to cry. She felt like she hadn’t slept in a month, a year. The weight of exhaustion was held up only by the thinnest sliver of her will. There was a time when she’d wanted to do something with her life-cut hair, maybe, get her certificate, open a little shop, move to a real city, like Chicago or Des Moines, rent an apartment, have friends. She’d always held in her mind a picture of herself sitting in a restaurant, a coffee shop but nice; it was fall, and cold outside, and she was alone at a small table by the window, reading a book. On her table was a steaming mug of tea. She would look up to the window to see the people on the street of the city she was in, hustling to and fro in their heavy coats and hats, and see her own face there, too, reflected in the window, hovering over the image of all the people outside. But as she stood there, these ideas seemed like they belonged to a different person entirely. Now there was Amy, sick half the time with a cold or a stomach thing she’d gotten at the ratty day care where she spent the days while Jeanette was working at the Box, and her father dead just like that, so fast it was as if he’d fallen through a trapdoor on the surface of the earth, and Bill Reynolds sitting at the table like he’d just stepped out for a second, not four years.

Why are you doing this to me?

He held her eyes with his own a long moment and touched the top of her hand.- Meet me later. Please .

He ended up living in the house with her and Amy. She couldn’t say if she had invited him to do this or if it had just somehow happened. Either way, she was instantly sorry. This Bill Reynolds: who was he really? He’d left his wife and boys, Bobby and Billy in their baseball suits, all of it behind in Nebraska. The Pontiac was gone, and he had no job either; that had ended, too. The economy the way it was, he explained, nobody was buying a goddamn thing. He said he had a plan, but the only plan that she could see seemed to be him sitting in the house doing nothing for Amy or even cleaning up the breakfast dishes, while she worked all day at the Box. He hit her the first time after he’d been living there three months; he was drunk, and once he did it, he burst out crying and said, over and over, how sorry he was. He was on his knees, blubbering, like she’d done something to him . She had to understand, he was saying, how hard it all was, all the changes in his life, it was more than a man, any man, could take. He loved her, he was sorry, nothing like that would happen again, ever. He swore it. Not to her and not to Amy. And in the end, she heard herself saying she was sorry too.

He’d hit her over money; when winter came, and she didn’t have enough money in her checking account to pay the heating oil man, he hit her again.

Goddamnit, woman. Can’t you see I’m in a situation here?

She was on the kitchen floor, holding the side of her head. He’d hit her hard enough to lift her off her feet. Funny, now that she was down there she saw how dirty the floor was, filthy and stained, with clumps of dust and who-knew-what all rowed against the base of the cabinets where you couldn’t usually see. Half her mind was noticing this while the other half said, You aren’t thinking straight, Jeanette; Bill hit you and knocked a wire loose, so now you’re worrying over the dust. Something funny was happening with the way the world sounded, too. Amy was watching television upstairs, on the little set in her room, but Jeanette could hear it like it was playing inside her head, Barney the purple dinosaur and a song about brushing your teeth; and then from far away, she heard the sound of the oil truck pulling away, its engine grinding as it turned out of the drive and headed down the county road.

It ain’t your house , she said.

You’re right about that . Bill took a bottle of Old Crow from over the sink and poured some in a jelly jar, though it was only ten o’clock in the morning. He sat at the table but didn’t cross his legs like he meant to get comfortable. Ain’t my oil, either .

Jeanette rolled over and tried to stand but couldn’t. She watched him drink for a minute.

Get out .

He laughed, shaking his head, and took a sip of whiskey.

That’s funny , he said. You telling me that from the floor like you are .

I mean what I say. Get out .

Amy came into the room. She was holding the stuffed bunny she still carried everywhere, and wearing a pair of overalls, the good ones Jeanette had bought her at the outlet mall, the OshKosh B’Gosh, with the strawberries embroidered on the bib. One of the straps had come undone and was flopping at her waist. Jeanette realized Amy must have done this herself, because she had to go to the bathroom.

You’re on the floor, Mama .

I’m okay, honey . She got to her feet to show her. Her left ear was ringing a little, like in a cartoon, birds flying around her head. She saw there was a little blood, too, on her hand; she didn’t know where this had come from. She picked Amy up and did her best to smile. See? Mama just took a spill, that’s all. You need to go, honey? You need to use the potty?

Look at you , Bill was saying. Will you look at yourself? He shook his head again and drank. You stupid twat. She probably ain’t even mine .

Mama , the girl said and pointed, you cut yourself. Your nose is cut .

And whether it was what she’d heard or the blood, the little girl began to cry.

See what you done? Bill said, and to Amy, Come on now. Ain’t no big thing, sometimes folks argue, that’s just how it is.

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