Justin Cronin - The Passage

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The Passage: краткое содержание, описание и аннотация

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"Read fifteen pages and you will find yourself captivated; read thirty and you will find yourself taken prisoner and reading late into the night. It has the vividness that only epic works of fantasy and imagination can achieve. What else can I say? This: read this book and the ordinary world disappears." – Stephen King
***
'It happened fast. Thirty-two minutes for one world to die, another to be born.'
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear – of darkness, of death, of a fate far worse.
As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey – spanning miles and decades – towards the time and place where she must finish what should never have begun.
With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

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Hollis and I have decided not to tell anyone about what’s happened. It’s funny how when I made up my mind about him I realized I had been thinking it for a long time without knowing it. I wish all the time I could kiss him again but everyone’s around or else we’re on watch. I still feel kind of guilty about the other night. Also, he really needs a bath. (So do I.)

No towns at all. Peter doesn’t think we’ll hit one till Moab. We are spending the night in a shallow cave, really just a recess with an overhang, though it’s better than nothing. The rocks here are all a kind of orange-pink color, very lovely and strange .

Day 53

Today was the day we found the farmstead .

At first we thought it was just a ruin, like all the others we’ve seen. But as we got closer, we saw it was in much better shape-a cluster of woodframe houses, with barns and outbuildings and paddocks for animals. Two of the houses are empty, but one of them, the largest, looks like someone was actually living here not so long ago. The table in the kitchen was actually set with places and cups; there are curtains in the windows, clothing folded in the drawers. Furniture and pots and pans and books on the shelves. In the barn we found an old car, covered in dust, the shelves lined with jugs of lantern fuel, empty jars for canning, tools. There’s what looks like a graveyard, too, four plots marked with circles of stones. Michael said we should dig one up to see who’s down there. But nobody took this suggestion seriously .

We found the wellhead but the pump was rusted tight; it took three of us to free it, but once we did the water that came out was cold and clear, the best we’ve had in a long while. There’s a pump in the kitchen that Hollis is still trying to free up and a woodstove for cooking. In the basement we found more shelves stacked with cans of beans and squash and corn, the seals still good. We still have the tins we scavenged in Green River, plus some of the smoked venison and a bit of lard we saved. Our first real meal in weeks. Peter says there’s a river not far and tomorrow we’re going to go look for it. We’re all bedding down in the biggest house, using mattresses we dragged from upstairs and set around the fireplace .

Peter believes the place has been abandoned at least ten years, but probably not more than twenty. Who lived here? How did they survive? The place has a haunted feeling to it, more than any of the towns we’ve seen. It’s as if whoever lived here went out one day, expecting to be back for supper, and simply never returned .

Day 54

We are staying an extra day. Theo is insistent, says Maus can’t keep up this kind of pace, but Peter says we have to leave soon if we want to make it to Colorado before the snow. Snow. I hadn’t thought about that .

Day 56

Still at the farmstead. We decided to stay a few more days, though Peter is antsy and wants to get moving. He and Theo actually argued about this. I think [indecipherable]

[Pages missing.]

Day 59

We are leaving in the morning, but Theo and Maus are staying behind. I think everyone knew this was coming. They made the announcement right after supper. Peter objected, but in the end there was nothing he could say to change Theo’s mind. They have shelter, there’s plenty of small game around plus the cans in the basement, they can ride out the winter here and have the baby. We’ll see you in the spring, brother, Theo said. Just don’t forget to stop in on your way back from whatever it is you find .

I’m supposed to be on watch in a few hours, and I really should be sleeping. I think Maus and Theo are doing the right thing, even Peter has to know it. But it’s sad to be leaving them behind. I think it’s making us all think about Caleb, Alicia especially, who clammed up completely after Maus and Theo gave their news and has yet to say a word to anyone. I think everyone’s remembering those graves in the yard, wondering if we’ll ever see Maus and Theo again .

I wish Hollis were awake. I told myself I wouldn’t cry. Oh damn, damn .

Day 60

Traveling again. Theo was right about one thing-without Maus, we are making better time. The six of us got to Moab well before dusk. There’s nothing here; the river has washed everything away. A huge wall of debris is blocking the way, trees and houses and cars and old tires and every kind of thing, filling the narrow canyon where the town once was. We’ve sheltered for the night in one of the few remaining structures, up in the hills. A complete derelict, just the framing and a patchy roof over our heads. We might just as well be out in the open, and I doubt anyone’s going to get much sleep tonight. Tomorrow we’re going to walk up the ridge, try to find a way through to the other side .

[Pages missing.]

Day 64

We found another animal carcass today, some kind of large cat. It was hanging in the limbs of a tree, like the others. The body was too rotted to tell, but everyone is thinking it was a viral that killed it .

Day 65

Still in the La Sal Mountains, heading east. The sky has turned from white to blue, the color of autumn. There’s a damp, delicious smell to everything. The leaves are coming down, and there’s frost at night, and in the morning, a heavy, silver mist hugs the hills. I don’t think I’ve ever seen anything so lovely .

Day 66

Last night Amy had another nightmare. We were sleeping out in the open again, under the tarps. I had just come off watch with Hollis and was prying my boots off when I heard her mumbling in her sleep. I was thinking maybe I should wake her up when suddenly she sat bolt upright. She was all wrapped up in her bag, only her face showing. She looked at me for a long moment, her eyes unfocused, like she didn’t know who I was. He’s dying, she said. He keeps on dying and can’t stop. Who’s dying, I said, Amy, who? The man, she said. The man is dying. What man? I asked her. But then she lay back down and was fast asleep again .

Sometimes I wonder if we are heading toward something terrible, more terrible than any of us can imagine .

Day 67

Today we came to a rusted sign by the road that said, “Paradox pop. 2387.” I think we’re here, Peter said, and showed us all on the map

We are in Colorado .

FIFTY-SEVEN

The mountains declined at last to a broad valley, wide in the autumn sunlight, beneath an azure dome of sky. The grass was tall and parched, the limbs of the trees barren or else dotted with a few remaining leaves, the stragglers, bleached to the color of bone. They lifted in the breeze like waving hands, rustling like old paper. The ground was dry, but in the culverts water ran freely. They filled their canteens with it, cold as ice against their teeth. Winter was in the air.

They were six now. They moved across the empty land like visitors to a forgotten world, a world without memory, stilled in time. Here and there the shell of a farmhouse, the skull-like grille of a rusted truck; no sound but the wind and the creak of the crickets, flicking through the grass as they walked. The terrain was easy, but this wouldn’t last. A distant white shape, painted across a far horizon, told a story of mountains to come.

They rested for the night in a barn by a river. Old tack hung on the walls, buckets for milking, lengths of chains. An old tractor sat on flattened tires. The house was gone, collapsed into its foundation, its walls improbably folded one on top of another like the flaps of a box, not so much destroyed as packed away. They divvied the cans they’d found and sat on the floor to eat the contents cold. Through the ragged tears in the roof they could see stars, and then, as the night drew down, the moon, ringed by scudding clouds. Peter took first watch with Michael; by the time Hollis and Sara relieved them, the stars were gone, the moon no more than a region of paleness in the cloud-thickened sky. He slept, dreaming of nothing, and when he awoke in the morning, he saw that it had snowed in the night.

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