Justin Cronin - The Passage

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The Passage: краткое содержание, описание и аннотация

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"Read fifteen pages and you will find yourself captivated; read thirty and you will find yourself taken prisoner and reading late into the night. It has the vividness that only epic works of fantasy and imagination can achieve. What else can I say? This: read this book and the ordinary world disappears." – Stephen King
***
'It happened fast. Thirty-two minutes for one world to die, another to be born.'
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear – of darkness, of death, of a fate far worse.
As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey – spanning miles and decades – towards the time and place where she must finish what should never have begun.
With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

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There was blood in the air. He could smell it, taste it, feel its essence coursing through him. First would come the blood of the beasts, a living sweetness. And then his Best and Special, his Jude, who dreamed the dream better than all the others since the Time of Becoming, whose mind lived with him in the dream like a brother, would bring the ones of blood that Babcock would drink and be filled by it.

He mounted the wall in a single jump.

I am here .

I am Babcock .

We are Babcock .

He descended. He heard the gasps of the crowd. Around him, the fires blazed up. Behind the flames were the men, come to watch and know. And through the gap he saw the beasts approaching, driven on the whip, their eyes fearless and unknowing, and the hunger lifted him up in a wave and he was sailing down upon them, tearing and ripping, first one and then the other, each in its turn, a glorious fulfillment.

We are Babcock .

He could hear the voices now. The chant of the crowds in their cages, behind the ring of flames; and the voice of his One, his Jude, standing on the catwalk above, leading them, as if in song.

“Bring them to me! Bring me one and then another! Bring them that we should live… ”

A wall of sound, ascending in fierce unison: “… in this way and no other!”

A pair of figures appeared in the gap. They stumbled forward, pushed by men who quickly stepped away. The flames rose again behind them, a door of fire, sealing them inside for the taking.

The crowd roared.

“Ring! Ring! Ring!”

A stampede of feet. The air shuddering, hammering.

“Ring! Ring! Ring!”

And that was when he felt her. In a bright and terrible burst, Babcock felt her. The shadow behind the shadow, the tear in the fabric of night. The one who carried the seed of forever but was not of his blood, was not of the Twelve or the Zero.

The one called Amy.

Peter heard it all from the ventilation shaft. The chanting, the panicked cries of the cattle, and then the silence-of bated breath, of some terrible spectacle about to unfold-and then the explosion of cheers. Heat was rising in waves to his belly and, with it, the choking fumes of diesel smoke. The shaft was just wide enough for a single person crawling on his elbows. Somewhere below him, gathering in the tunnel that connected the ring to the prison’s main entrance, were Olson’s men. There was no way to coordinate their arrivals, nor to communicate with the others stationed in the crowd. They would simply have to guess.

Peter saw an opening ahead: a metal grate in the floor of the duct. He pressed his face against it, gazing downward. Below the grate he could see the slats of the catwalk and farther still, another twenty meters, the floor of the ring, wrapped by a trench of burning fuel.

The floor was covered in blood.

On the balconies, the crowd had taken up its chanting again. Ring! Ring! Ring! Ring! Peter guessed he and the others were positioned over the east end of the room now. They would have to cross the catwalk in full view of the crowd to reach the stairs to the floor below. He glanced back to Hollis, who nodded, and lifted the grate free, pushing it to the side. Then he freed the safety on his pistol and crawled forward so that his feet straddled the vent.

Amy , Peter thought, it’s nothing good, what’s down there. Do what you do or we’re all dead .

He pushed himself off, dropping feet first through the opening.

He fell and fell, long enough to wonder: Why am I always falling? The distance to the catwalk was more than he’d expected-not two meters but four or even five-and he hit the metal with a bone-rattling bang. He rolled. The pistol was gone, squirted from his grasp. And it was as he rolled that he glimpsed, from the corner of his eye, a figure below: wrists bound, body slack with submission, wearing a sleeveless shirt that Peter recognized. His mind grabbed hold of this image, which was also a memory-of the smell of pyre smoke on the day they’d burned the body of Zander Phillips, standing in the sunshine outside the power station, and the name stitched over the pocket. Armando .

Theo.

The man in the ring was Theo.

His brother wasn’t alone. There was someone else beside him, a man on his knees. He was stripped to the waist, slumped forward on the ground so that his face was obscured. And as Peter’s vision widened he realized that what he was seeing on the floor of the ring was the cattle, or what had once been the cattle-they were strewn in pieces everywhere, as if they had been situated at the heart of an explosion-and crouched at the center of this heaping mass of blood and flesh and bone, its face bent to bury itself in the remains, its body twitching with a darting motion as it drank, was a viral-but not like any viral Peter knew. It was the largest he had ever seen, that anyone had ever seen, its curled bulk so immense that it was like some new being entirely.

“Peter! You’re in time to watch the show!”

He had come to rest on his back, useless as a turtle. Jude, standing above him, wearing a look that Peter had no name for, a dark pleasure beyond words, was aiming a shotgun at his head. Peter felt the shudder of footsteps coming toward them-more orange-suited men racing down the catwalks from every direction.

Jude was standing directly below the vent.

“Go ahead,” Peter said.

Jude smiled. “How noble.”

“Not you,” Peter said, and flicked his eyes upward. “Hollis.”

Jude lifted his face in time for the bullet from Hollis’s rifle to strike him just above the right ear. A misty bloom of pink: Peter felt the air dampen with it. For a moment, nothing happened. Then the shotgun released from Jude’s hands, clattering to the catwalk. A large-butted pistol was tucked at his waist; Peter saw Jude’s hand grope for it, blindly searching. Then something released inside him, blood began to pour from his eyes, a pitiful weeping of blood, and he dropped to his knees, flopping forward, his face frozen in an expression of eternal wonderment, as if to say: I can’t believe I’m dead .

It was Mausami who killed the operator manning the fuel pump.

She and Amy had entered from the main tunnel just before the crowd arrived and had hidden under the stairs that connected the floor of the courtyard to the balconies. For many minutes they had waited, huddled together, emerging only when they heard the sound of the cattle being driven in, the wild cheers exploding above. The air was broiling, choked with smoke and fumes.

There was something terrible behind the flames.

As the viral tore into the cattle, the crowd seemed to detonate, everyone pumping their fists, chanting and stomping their feet, like a single being caught in some great and terrible ecstasy. Some were holding children on their shoulders so they could see. The cattle were screaming now, bucking and tearing around the ring, racing toward the flames and backing away in confusion, a mad dance between two poles of death. While Mausami watched, the viral sprang forward and snatched one by its hind legs, lifting upward with a deep cracking sound, twisting until the legs came free, then flinging them through the air to slap against the cages in a spray of blood. The creature left that one where it was-its front legs twitching at the dirt, struggling to pull its ruined body forward-and seized another by the horns, applying the same twisting motion to break its neck, then shoved its face into the stilled flesh at the base of the animal’s throat, the viral’s whole torso seeming to inflate as it drank, the steer’s body contracting with each of the viral’s muscular inhalations, shriveling before Mausami’s eyes as the blood was pulled from its body.

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