Justin Cronin - The Passage

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The Passage: краткое содержание, описание и аннотация

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"Read fifteen pages and you will find yourself captivated; read thirty and you will find yourself taken prisoner and reading late into the night. It has the vividness that only epic works of fantasy and imagination can achieve. What else can I say? This: read this book and the ordinary world disappears." – Stephen King
***
'It happened fast. Thirty-two minutes for one world to die, another to be born.'
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear – of darkness, of death, of a fate far worse.
As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey – spanning miles and decades – towards the time and place where she must finish what should never have begun.
With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

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It’s late now, and I have to go to bed. We’re setting out at first light. I can’t wait to leave, but I think I will miss this place, too. None of us knows what we’ll find or if we’ll ever see home again. I think without our realizing it, we’ve become a family here. So, to whoever is reading this, that’s really all I have to say .

Day 18

We made it to Kelso in plenty of time. The landscape we’re in seems totally dead-the only living creatures seem to be lizards, which are everywhere, and spiders, huge hairy ones the size of your hand. No other buildings besides the depot. After the bunker, it feels like we’re out in the open, totally exposed, even though the windows and doors are all boarded up. There’s a pump but no water, so we are running on what we brought. If it stays this hot we better find more soon. I can tell no one’s going to sleep much. I hope Amy can keep them away, like Peter says .

Day 19

They came last night, a pod of three. They entered through the roof, tearing the wood apart like paper. When it was over, two of them were dead and the third had scattered. But Hollis had been shot. Alicia says she thinks she did it, but Hollis said he actually shot himself, trying to load one of the pistols. Probably he was just saying that to make her feel better. The bullet passed through his upper arm, just a nick really, but any wound is serious, especially out here. Hollis is too tough to show it, but I can tell he’s in a lot of pain .

I’m writing this in the early-morning hours, just before dawn. Nobody’s going back to sleep. We’re all just waiting for sunrise so we can get out of here. Our best chance is to make it to Las Vegas with enough time to find shelter for the night. What everybody’s thinking, but not saying, is that there’s no real safety from here on out .

The funny thing is, I don’t mind so much, not really. I hope we don’t all die out here, of course. But I think I’d rather be here than anywhere else, with these people. It’s different being afraid when there’s the hope that it will amount to something. I don’t know what we’ll find in Colorado, if we ever get there. I’m not even sure it matters. All those years, waiting for the Army, and it turns out the Army is us .

FORTY-FIVE

They drove in from the south, into the fading day, into a vision of towering ruins.

Peter was at the wheel of the first Humvee, Alicia up top, scanning the terrain with the binoculars; Caleb sat beside him in the passenger seat with the map over his lap. The highway had all but disappeared, its course vanished under waves of cracked, pale earth.

“Caleb, where the hell are we?”

Caleb was twisting the map this way and that. He arched his neck and shouted up to Alicia, “Do you see the 215?”

“What’s the 215?”

“Another highway, like this one! We should be crossing it!”

“I didn’t know we were even on a highway!”

Peter brought the vehicle to a halt and picked up the radio from the floor. “Sara, what’s your fuel gauge say?”

A crackle of static, and then Sara’s voice came through: “A quarter tank. Maybe a little more.”

“Let me talk to Hollis.”

He watched in the rearview as Hollis, his injured arm wrapped in a sling, scrambled down from the gun post and took the radio from Sara. “I think we may have lost the road,” Peter told him. “We both need fuel, too.”

“Is there an airport anywhere?”

Peter took the map from Caleb to examine it. “Yes. If we’re still following Highway 15, it should be ahead of us, to the east.” He shouted up to Alicia: “Do you see anything that looks like an airport?”

“How the hell should I know what an airport looks like?”

Through the radio, Hollis said, “Tell her to look for fuel tanks. Big ones.”

“Lish! Do you see any fuel tanks?”

Alicia dropped down into the cabin. Her face was coated with dust. She rinsed out her mouth from her canteen and spat out the window. “Dead ahead, about five clicks.”

“You’re sure?”

She nodded. “There’s a bridge up ahead. I’m thinking that could be the overpass at Highway 215. If I’m right, the airport is just on the other side.”

Peter picked up the radio again. “Lish says she thinks she sees it. We’re going ahead.”

“All eyes, cuz.”

Peter put the vehicle in gear and drew forward. They were on the city’s southern outskirts, an open plain tufted with weeds. To the west, purpling mountains lifted against the desert sky like the backs of great animals rising from the earth. Peter watched as the cluster of buildings at the heart of the city began to take shape beyond his windshield, resolving into a pattern of discrete structures, bathed in a golden light. It was impossible to tell how big they were or how far away. In the backseat, Amy had removed her glasses and was squinting at the landscape outside her window. Sara had done a thorough job of cutting the mats away; what remained of her hair, that wild tangle, was a trim, dark helmet, tracing the lines of her cheeks.

They came to the overpass; the bridge was gone, collapsed in sheets of broken concrete. The highway below was a choked gulley of cars and debris, completely impassable. There was nothing to do but try to go around. Peter guided the Humvee east, tracing the highway below them. A few minutes later they came to a second bridge, which appeared intact. A gamble, but they were running out of time.

He radioed Sara. “I’m going to try to get across. Wait until we’re over.”

Their luck held; they traversed it without incident. Pausing on the far side for Sara to cross, Peter took the map from Caleb once again. If he was correct, they were on Las Vegas Boulevard South; the airport, with its fuel tanks, would be due east.

They pressed on. The landscape began to change, thickening with structures and abandoned vehicles. Most were pointed south, away from the city.

“Those are Army trucks,” said Caleb.

A minute later they saw the first battle tank. It was resting upside down in the center of the road, like a huge capsized turtle; both of its tracks had been blown off its wheels.

Alicia crouched to peek her head back into the cabin. “Pull forward,” she said. “Slowly.”

He turned the wheel to navigate around the overturned tank. By now it was obvious what lay ahead: the city’s defensive perimeter. They were moving through a vast debris field of tanks and other vehicles. Peter saw, beyond it, a line of sandbags backed against a concrete barrier, topped with coils of wire.

“What do you want to do now?” Sara asked over the radio.

“We’ll have to go around somehow.” He released the Talk button and lifted his voice to Alicia, who was scanning with the binoculars. “Lish! East or west?”

She ducked down again. “West. I think there’s a break in the wall.”

It was getting late; the attack the night before had left them all shaken. The last hands of daylight were like a funnel, drawing them down toward night. With each passing minute, the decisions they made became more irrevocable.

“Alicia says west,” Peter radioed.

“That’ll take us away from the airport.”

“I know. Put Hollis on again.” He waited for Hollis’s acknowledgment, then continued: “I think we have to use the gas we’ve got to find shelter for the night. All those buildings up ahead, there has to be something we can use. We can backtrack to the airport in the morning.”

Hollis’s voice was calm, but Peter could detect the underlying note of worry. “It’s your call.”

He glanced through the rearview at Alicia, who nodded.

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