Justin Cronin - The Passage

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The Passage: краткое содержание, описание и аннотация

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"Read fifteen pages and you will find yourself captivated; read thirty and you will find yourself taken prisoner and reading late into the night. It has the vividness that only epic works of fantasy and imagination can achieve. What else can I say? This: read this book and the ordinary world disappears." – Stephen King
***
'It happened fast. Thirty-two minutes for one world to die, another to be born.'
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear – of darkness, of death, of a fate far worse.
As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey – spanning miles and decades – towards the time and place where she must finish what should never have begun.
With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

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“It stands for Meal, Ready to Eat,” Hollis explained. “Army food. There are thousands of them in the bunker. You’ve got… let’s see,” he said, and took the pouch Peter was holding, squinting at the tiny print. “‘Soyloaf with gravy.’ I’ve never had that one.”

Alicia was holding one of the pouches, frowning at it skeptically. “Hollis, these things have been ‘ready’ for about ninety years. They can’t still be good.”

The big man shrugged and began passing the pouches around. “A lot aren’t. But if it’s still airtight, you can eat it. Believe me, you’ll know when you pull the tab. Most are pretty good, but look out for the beef Stroganoff. Demo called it ‘Meal Refusing to Exit.’”

They were reluctant but, in the end, too hungry to refuse. Peter had two: the soyloaf and a sweet, gluey pudding called “mango cobbler.” Amy sat on the edge of one of the cots to nibble suspiciously on a handful of yellow crackers and a wedge of what appeared to be cheese. From time to time she lifted her eyes warily; then she returned to her furtive eating. The mango cobbler was so sugary it made Peter’s head buzz, but when he lay down he felt his fatigue uncoiling in his chest and knew that sleep would grab him fast. His last thought was of Amy, nibbling on the crackers, her eyes darting over the room. As if she were waiting for something to happen. But this idea was like a rope in his hands he could not hold, and soon his hands were empty; the thought was gone.

Then Hollis’s face was floating above him in the dark. He blinked the fog of his disorientation away. The room was stifling; his shirt and hair were soaked with sweat. Before Peter could speak, Hollis silenced him with a finger held to his lips.

“Get your rifle and come on.”

Hollis, carrying the lantern, led him to the garage. Sara was standing against the wall of concrete blocks where the bay doors had once been. A small observation port had been built into one of the doors-a metal plate that pulled aside in a track, bolted into the concrete.

Sara stepped away. “Take a look,” she whispered.

Peter pressed his eyes to the opening. He could smell the wind in his nostrils, the cooling desert night. The window faced the town’s main street, Route 62. Across from the fire station stood a block of buildings, ruined hulks, and behind them a softly undulating line of hills, all of it bathed in a bluish moonlight.

Crouched in the roadway was a single viral.

Peter had never seen one so motionless, at least not at night. It was facing the building, resting on its chiseled haunches, gazing at the building. While Peter watched, two more appeared out of the darkness, moving along the road and stopping to take up the same, vigilant posture, facing the firehouse. A pod of three.

“What’re they doing?” Peter whispered.

“Just standing there,” Hollis said. “They move around a bit but never come any closer.”

Peter pulled his face from the window. “You think they know we’re in here?”

“It’s tight but not that tight. They can smell the horse for sure.”

“Sara, go wake up Alicia,” Peter said. “Keep quiet-it’s best if everyone else stays asleep.”

Peter returned his face to the window. After a moment he asked, “How many did you say there were?”

“Three,” Hollis answered

“Well, there’s six now.”

Peter stood aside for Hollis to look.

“This is… bad,” Hollis said.

“What are the weak spots?” Alicia was beside them now. She freed the safety on her rifle and, making an effort to keep quiet, pulled the bolt. Then they heard it: a thump from above.

“They’re on the roof.”

Michael stumbled from the back room. He looked them over, frowning, his eyes blurry with sleep. “What’s going on?” he said, too loudly. Alicia touched a finger to her lips, then pointed urgently to the ceiling.

More sounds of impact came from overhead. In his gut Peter felt it, a soft bomb exploding. The virals were searching for a way in.

Something was scratching at the door.

A thump of flesh on metal, of bone on steel. It was as if the virals were testing it, Peter thought. Gauging its strength before they made a final push. He tightened the stock against his shoulder, ready to fire, just as Amy stepped into his line of vision. Later he would wonder if she’d been in the room all along, hiding in a corner, silently observing. She stepped to the barricade.

“Amy, get back-”

She knelt before the door, placing her palms against it. Her head was bowed, her brow touching the metal. Another thump from the far side, though softer this time, searching. Amy’s shoulders were trembling.

“What’s she doing?”

It was Sara who answered. “I think she’s… crying.”

No one moved. There were no more sounds coming from the far side of the door now. Finally Amy shifted off her knees and stood, facing them all. Her eyes were distant, unfocused; she seemed not to be seeing any of them.

Peter held up a hand. “Don’t wake her.”

While they watched in silence, Amy turned and walked, with the same otherworldly air, to the door to the bedroom, just as Mausami, the last sleeper, emerged. Amy pushed past her without appearing to notice her. The next thing they heard was the squeak of rusted springs as she lay down on her cot.

“What’s going on?” Mausami said. “Why is everybody looking at me like that?”

Peter went to check the window. He pressed his face against the slot. It was as he expected. Nothing was moving outside; the moonlit field was empty.

“I think they’re gone.”

Alicia frowned. “Why would they just leave like that?”

He felt strangely calm; the crisis, he knew, had passed. “Look for yourself.”

Alicia slung her rifle and pressed her eyes to the window, her neck straining as she tried to widen her field of vision through the opening.

“He’s right,” she reported. “There’s nothing out there.” She drew her face away and turned toward Peter, her eyes narrowed. “Like… pets?”

He shook his head, searching for the right word. “Like friends, I think.”

“Will somebody please tell me what’s going on?” Mausami said.

“I wish I knew,” said Peter.

They raised the barricade just after daybreak. All around they saw the creatures’ tracks in the dust. None of them had slept much, but even so, Peter felt a new energy coursing through him. He wondered what this was, and then he knew. They had survived their first night out in the Darklands.

The map spread out on a boulder, Hollis went over their route.

“After Twentynine Palms, it’s open desert through here, no real roads. The trick to finding the bunker is this range of mountains to the east. There are two distinct peaks at the south end, and a third behind them. When the third stands right in the middle of the two, turn due east, and you’re going the right way.”

“What if we don’t make it before dark?” he asked.

“We could hole up in Twentynine if we had to. There are a few structures still standing. But as I remember it they’re just hulks, nothing like the fire station.”

Peter glanced toward Amy, who was standing with the others. She was still wearing the brimmed cap from the supply room; Sara had also given her a man’s long-sleeved shirt to wear, frayed at the sleeves and collar, and a pair of desert glasses they’d found in the firehouse. Her black hair was pushed away from her face, a nimbus of dark tangles flapping under the brim of the cap.

“Do you really think she did it?” Hollis said. “Sent them away.”

Peter turned back toward his friend. He thought of the magazine in the bathroom, the two stark words on its cover.

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