Justin Cronin - The Passage

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The Passage: краткое содержание, описание и аннотация

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"Read fifteen pages and you will find yourself captivated; read thirty and you will find yourself taken prisoner and reading late into the night. It has the vividness that only epic works of fantasy and imagination can achieve. What else can I say? This: read this book and the ordinary world disappears." – Stephen King
***
'It happened fast. Thirty-two minutes for one world to die, another to be born.'
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear – of darkness, of death, of a fate far worse.
As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey – spanning miles and decades – towards the time and place where she must finish what should never have begun.
With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

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“Peter, we can’t stay here!”

He shook off his torpor at the sound of Alicia’s voice. Beside him, Theo appeared frozen in place, the barrel of his gun pointed uselessly at the ground, his face slack, eyes wide and impassive: What’s the use?

“Theo, listen to me,” Alicia said, shaking him roughly by the arm; for a moment Peter thought she was actually about to strike him. The virals at the base of the steps had begun to stir. A collective twitch passed through them, like wind rippling the surface of a pool of water. “We have to go, right now.”

Theo shifted his gaze toward Peter. “Oh, brother,” he said. “I think we’re fucked.”

“Peter,” Alicia pleaded, “help me.”

They each took him by an arm; by the time they were halfway across the lot, Theo was running on his own. The feeling of unreality was gone now, replaced by one desire only: to get away, to escape. They rounded the corner of the filling station to see Caleb, on his horse, barreling away. They mounted their horses and kicked to a gallop, tearing after him across the hardpan. In their wake, Peter could hear more explosions of glass. Alicia was pointing, yelling over the wind: the mall. That’s where Caleb was headed. At full speed they tore up a ridge of crested sand and down into the empty lot in time to see Caleb leaping from his horse by the building’s west entrance. He slapped its hindquarters and darted through the opening while his horse raced away.

“Inside!” Alicia yelled. She was in command now; Theo said nothing. “Go, leave the horses!”

The animals were bait, an offering. There was no chance to say goodbye; they dismounted and dashed inside. The best place, Peter knew, would be the atrium. The glass roof had been torn away, there was sunlight and cover, they could make some kind of defense. Down the darkened hall they ran. The air was heavy and sour, the walls bulging with mold, exposing rusted beams, dangling wires, encrusted pipes. Most of the stores were shuttered but others stood open like amazed faces, their dim interiors clogged with debris. Peter could see Caleb running up ahead, fat beams of golden daylight falling down.

They emerged into the atrium, into sun so bright they blinked against it. The room was like a forest. Nearly every surface was choked with fat green vines; in the center a stand of palms reached toward the open ceiling. More vines dripped from the exposed struts of the ceiling, like coils of living rope. They took cover behind a barricade of overturned tables at the base of the trees. Caleb was nowhere to be seen.

Peter looked at his brother, crouched beside him. “Are you okay?”

Theo nodded uncertainly. They were all breathing hard. “I’m sorry. About back there. I just… ” He shook his head. “I don’t know.” He wiped the sweat from his eyes. “I’ll take the left. Stay with Lish.” He skittered away.

Kneeling beside him, Lish checked the load on her rifle and pulled the bolt. Four hallways met the atrium: the attack, if it came, would come from the west.

“Do you think the sun got them?” Peter asked.

“I don’t know, Peter. They seemed pretty mad. Maybe some but not all.” She wrapped the rifle’s sling tightly around her forearm. “I need you to promise me something,” she said. “I won’t be one of them. If it comes to that, I need you to take care of it.”

“Flyers, Lish. It won’t. Don’t even say it.”

“I’m saying if it does.” Her voice was firm. “Don’t hesitate.”

There was no more time for words; they heard footsteps racing toward them. Caleb careened into the atrium, clutching an object to his chest. As he dove behind the tables, Peter saw what he was holding. A black shoe box.

“I don’t believe it,” Alicia said. “You went scavenging?”

Caleb lifted the lid and tossed it aside. A pair of bright yellow sneakers, still wrapped in paper. He kicked off Zander’s boots and shoved his feet into them.

“Shit,” he said, wearing a crestfallen frown, “they’re way too big. They’re not even close .”

And then the first viral fell, a blur of movement first above and then behind them, dropping through the atrium roof; Peter rolled in time to see Theo being lifted up, tossed toward the ceiling, his rifle dangling where the sling had tangled in his arm, his hands and feet scrabbling at space. A second viral, hanging upside down from one of the ceiling struts, snatched Peter’s brother by the ankle as if he weighed nothing at all. Theo’s body was fully inverted now; Peter saw the look on his brother’s face, an expression of pure astonishment. He’d made no sound at all. His rifle fell away, spinning to the floor below. Then the viral flung Peter’s brother through the open roof and he was gone.

Peter scrambled to his feet, his finger finding the trigger. He heard a voice, his voice, calling his brother’s name, and the sound of Alicia firing. Three virals were on the ceiling now, launching from strut to strut. Peter detected, at the periphery of his vision, Alicia shoving Caleb up and over the counter of a restaurant on the far side of the atrium. Peter fired at last, fired again. But the virals were too fast; always the spot where he aimed was empty. It seemed to Peter as if they were playing a kind of game, trying to trick them into expending their ammunition. Since when do they do that? he thought, and wondered when he’d heard these words before.

As the first one let go, Peter saw, in his mind’s eye, the fatal dimension of its arc. Alicia was standing with her back to the counter now. The viral descended straight for her, arms outstretched, legs bent to absorb the impact, a being of teeth and claws and smoothly muscled power. In the instant before it landed, Alicia stepped forward, positioning herself directly under it, holding the rifle away from her body, like a blade.

She fired.

A mist of red, a confusion of bodies tumbling, the rifle clattering away. In the time it took Peter to realize that Alicia was not dead, she was on her feet again. The viral lay where he’d come to rest, the back of his head cratered with blood. She’d shot it through the mouth. Above them, the other two had come to an abrupt halt, stiffening, teeth flashing, their heads swiveling toward Alicia as if pulled by a single string.

“Get out of here!” she called, and vaulted over the counter. “Just run!”

He did. He ran.

He was deep inside the mall now. There seemed to be no way out. All the exits were barricaded, blocked by mountains of debris: furniture, shopping carts, dumpsters full of trash.

And Theo, his brother, was gone.

His only option was to hide. He tore down a hall of shuttered storefronts, yanking upward at their grates, but none would open; all were locked tight. Through the fog of his panic, a single question emerged: Why wasn’t he dead yet? He had fled from the atrium not expecting to make it more than ten steps. A flash of pain and it would all be over. At least a full minute had passed before he’d realized the virals weren’t pursuing him.

Because they were busy, he thought. He had to clutch one of the grates just to keep standing. He dug his fingers between the slats and pressed his forehead against the metal, fighting for breath. His friends were dead. That was the only explanation. Theo was dead, Caleb was dead, Alicia was dead. And when the virals were done, when they had drunk their fill, they’d be coming for him.

Hunting him.

He ran. Down one hall and into another, tearing past shuttered storefront after shuttered storefront. He wasn’t even bothering with the grates now; his mind was seized with one thought: to get outside, onto open ground. Daylight ahead, and a feeling of openness: he turned a corner and emerged, skidding on the tiles, into a wide, domelike space. A second atrium. The area was clear of debris. Sunshine descended in smoky shafts from a ring of windows, high above.

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