Justin Cronin - Mary and O’Neil

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Mary and O’Neil: краткое содержание, описание и аннотация

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The title of Cronin's debut collection of eight interconnected stories, set between 1979 and the present, implies that the content will be devoted to the relationship between the eponymous duo. Instead, they don't appear in the same tale until halfway through, detailing their marriage in their early 30s after both become teachers. Before this, there's a lengthy opening story concerning the events leading up to the accidental death of O'Neil's parents, Arthur and Miriam; another story on how O'Neil and his older sister, Kay, cope with the aftermath; and a third about the abortion Mary has at the age of 22. After the wedding, the stories still don't always focus on the pair, with one devoted solely to Kay's own dysfunctional marriage. Cronin, a graduate of the Iowa Writers' Workshop, is an accomplished craftsman, and at times his prose is quite moving and beautiful, though the sadness he channels is too often uninflected by humor. Playing out variations on the theme of the inability of parents and children to truly know one another, Cronin is capable of creating fresh poignancy. Readers interested in going straight to the best of the collection should head for "Orphans" and "A Gathering of Shades," in which the author affectingly paints how the two siblings help each other through the pain of living and dying, showcasing the real love story here. Agent, Ellen Levine. (Feb. 13) Forecast: This is a promising debut collection, and national print advertising in the New Yorker and alternative weeklies should target the appropriate readership. Sponsorship announcements will also feature the title on NPR.

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“The same thing happened to my husband. It’s all right. You can stay in here as long as you need. Your family is probably driving you crazy.”

“Maybe I shouldn’t have gone running,” O’Neil says. “I hardly slept at all.”

“You’re just tired.” Alice is crouched on her heels in front of O’Neil, looking into his face. Behind O’Neil the kitchen door swings open and without averting her glance Alice says, “Just a minute in here,” and the door swings closed again. “When’s the ceremony? Noon?” O’Neil nods. “Well, then, in a couple of hours it will all be over, and the two of you will be together. That’s the nicest part, I think.”

“This is the day you always remember,” O’Neil says, inexplicably.

Alice smiles and takes his free hand. Hers, like the cup, is smooth and warm, and covered with flour dust. “That’s right,” she says.

“My parents aren’t here,” O’Neil explains. “They died a long time ago. Maybe that’s what’s bothering me.”

“I wouldn’t be at all surprised,” Alice says. “That’s very hard, at a time like this. You must be missing them.”

“I have my sister, though,” O’Neil says. “She was in the bar last night, with her husband. We’re getting married at her house.”

“Well, that’s something. That’s a lot.”

“And Mary, of course. I have her.”

“So that’s your family,” Alice says. She gives O’Neil’s hand an encouraging shake. “Sounds like a nice one. That’s all a family is, in my experience, is people who look after you.”

For a while they stay like this, their hands knitted together, O’Neil drinking the tea. His shivering has stopped, and what he feels now is a languorous contentment that rises from his feet to his legs and chest and arms, and he knows that he could just as easily go to sleep as do anything at all. He would like to go to sleep with Alice watching him, there in the warm kitchen where she works.

“I truly appreciate this,” O’Neil says. “I’m in your debt.”

“It’s nothing.” Alice shrugs, the long rope of her hair swinging. “De nada.”

O’Neil rises and takes the tray. He has finished the tea, but the muffins are still there in a wicker basket covered with a blue napkin. The clock above the stove says that it is just past eleven, and guests will be arriving at the house now. Probably Mary is already there. He puts his hand over the napkin, feeling the radiant moistness of the muffins rising through the cloth, and then Alice lifts her face to him and kisses his cheek. It is the nicest thing he has ever felt in his life, and he instantly wants to tell Mary all about it.

“For the groom,” she says.

Upstairs, his friends are waiting for him: Stephen, wearing his blue suit, and Connor, dressed improbably in seersucker and a pink bow tie. It is a surprising scene; both men, lying on the twin beds of O’Neil’s room, are fast asleep, their hands folded at their waists like pharaohs. The room is dark behind closed shades.

Stephen’s eyes open when O’Neil sits beside him on the bed. He nods hopefully at the tray on O’Neil’s lap. “Breakfast?”

O’Neil hands him the basket of muffins. “Did Mary leave yet?”

Stephen bites into a muffin and nods. “A few minutes ago. I saw them from the window.” He reaches across the space between the beds and lightly slaps Connor’s shoulder. “All hands on deck. Our boy is here.”

“What time is it?” Connor is instantly awake. He has driven up alone from Boston because his wife, an intern at the same hospital where he is a surgical resident, couldn’t get time off from work. “There you are,” he says to O’Neil. “So?”

“I don’t know,” O’Neil says. “It’s late.”

“That’s the beauty of it.” Connor brushes a hand over his coarse hair and grins. His hangover, O’Neil knows, is probably terrible. “No groom, no wedding.”

O’Neil takes a beer from the cooler and heads to the bathroom to shower. The pressure is wonderfully strong, and he takes his time, letting the hot needles run over him, thinking only of the weather, how he hopes it won’t rain, and of his good, loyal friends in the next room. He has known them since high school, seventeen years; soon he will know them longer than he knew his own parents. When he is done he wraps himself with a rough towel and stands in front of the mirror and drinks the beer, which tastes good to him as it always does after a run. He fills the basin to shave, but when he takes the razor in his hand he sees that he is shaking; not shivering, as before, but his hand won’t be still. He finishes the beer and opens the door. Stephen is standing at the window now, smoking a cigarette, and Connor is sitting in the room’s one upholstered chair. For an instant they seem not to notice him. Then Stephen turns and smiles.

“How’s it going in there, tiger?”

“Not so good.” O’Neil holds out his quavering hand to demonstrate. “You were right. I don’t think I can shave.”

“Ah.” Stephen nods. “Connor? This is your department, am I right?”

Connor moves swiftly to the ice chest and removes another Ballantine, wiping the glass on a towel. He hands it to O’Neil. “As your doctor, I advise you to drink this. Now, then-” Connor pulls the desk chair into the bathroom and O’Neil sits, sipping his second beer, which he knows he shouldn’t have. Connor spreads the cream on O’Neil’s cheeks, then moves behind him and gently takes O’Neil’s chin in his hands. His face close to O’Neil’s, he begins to shave him, his eyes following the path of the razor.

“Are you sure you know how to do this?”

“No.”

O’Neil closes his eyes and lets himself feel the scrape of the blade over his chin, where he usually cuts himself. In his ear, Connor’s breathing is a thin whistle, and smells a little of beer. O’Neil can’t believe how late he is, but there doesn’t seem to be anything he can do to hurry himself up.

“There you go, champ.”

O’Neil looks at his reflection in the mirror, Connor standing beside him with the razor in his hand. He rubs his hands over his cheeks and neck, the firm point of his Adam’s apple.

“Nice,” he says.

“I can do the rest too,” Connor offers, rinsing the blade. “I had to do that in medical school.”

“I’m feeling a little queasy,” O’Neil says. He looks up at his friend, in his hilarious seersucker suit. “How about an appendectomy?”

“Only,” Connor says, “if you promise to hold very, very still.”

Stephen has laid out O’Neil’s clothes on the bed, and while he dresses, Connor and Stephen drink the rest of the beer and talk about Connor’s wedding, which was the summer before, up in Montreal.

“You’re really lucky,” Connor says. He is hunched over in his chair, absently swinging his empty beer between his knees. “A wedding should be small. I look at the pictures now and think, Did I really go to that party? Though you should see them.” He rolls his eyes and clucks his tongue happily. “Like something from a magazine.”

At the mirror O’Neil struggles with his tie. It’s new, with bright swirls of yellow and blue to set off the threads of his suit, and he can’t seem to get the lengths right. He ties it first with a Windsor, then with a double Windsor, and each time the skinny end comes out too long. Then, without thinking, he somehow gets it right; he yanks the ends and a tight dimple appears below the knot. He slides into his jacket, shaking his shoulders to pull loose the shape. He is looking at his reflection, taking it in, when suddenly he remembers: the boutonniere. He was supposed to pick it up that morning at the florist’s across from the hotel. But there is no time now. He takes the rose from Alice ’s tray, squeezes off the stem with his fingernail, and pushes it through the buttonhole of his lapel.

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